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  • who knows the heart of the sea who knows its depths and as I read that I wondered

  • to myself are we just the little fishes

  • abandoning ourselves to the waves to sing and dance and play is that what

  • we're doing and I'm not saying don't have fun I'm not saying don't sing and

  • dance and play enjoy life of course and relish the joy of life but I think you

  • have to make sure you don't dance your life away don't be one of the little

  • fishes and in doc odo that final writing of Musashi before he died the last thing

  • he wrote was never stray from the way

  • and I think that that's what this is about all the fun and the singing and

  • the dancing and all the play it's okay it's good

  • but all those things can be distractions

  • because there is a path there is a way

  • and you know what that way is you know what you should be doing and it's hard

  • to stay on that path because it is the path of discipline and discomfort but it

  • is the right path and you know that and it is that path that will ultimately

  • lead you to where you really want to be

  • so that you can live

  • and you can die without regrets

  • I think a lot of times people are trying to find the path then they're looking

  • all around different places and different people and different

  • influences but man I think so often that path you know what the path is and

  • people know what they're supposed to be doing but they just don't get on the

  • path and stay on the path yeah I agree worth something they felt when they were

  • 8 or 12 and they they travel the world or travel through life's experiences

  • trying to find the answer that was in front of them the entire time and so

  • they come back to see what they knew with different eyes and to recognize

  • that they knew the path all along which is something that I so enjoyed about

  • this book and the character both real and certainly presented by the author of

  • Musashi who is using his experiences in this domain of the sword as a means of a

  • thematic interconnectedness and so unlike Cisco judo at the end he is not

  • just the technician with the sword although he is a brilliant technician he

  • is tilling the soil he's constructing buildings which later he did quite a lot

  • of in terms of architecture and overseeing the building instead of

  • destruction of things and finding at the highest levels of performance with the

  • sword in felling opponents the the principles the first principles that he

  • can apply everywhere and that's part of what fascinates me so much about Musashi

  • or anyone who's the best at what they do is that it could be anything it could be

  • pottery it could be sniping it could be

  • calligraphy but like the best they see the depth

  • they see the the interwoven web that can expand from that one fine focus into

  • everything that they do and I think that for me at least is the path and maybe

  • it's just coming off of a silent retreat that I want to talk this way but it

  • doesn't strike me is something that is cleanly expressed in an Instagram post

  • or quote necessarily it's it's more of a feeling like you know if you're sober

  • and take a moment to sit and the stillness and that by stillness I don't

  • mean sitting on a mountaintop it could just be five minutes of silence when you

  • first get up in the morning and observe your own mind and how you feel like you

  • know if you're on the path or not or at least you know when you're not I totally

  • agree you know you know when you're not on it

  • and I think that the feeling of being on it when you're on the path it has that

  • beauty of mindlessness or no mind as what they would say and say then the

  • state of no-mind and it sounds like unconscious but it's different it's not

  • unconscious it's not subconscious it's something else where you feel that

  • you're exactly where you should be doing exactly what you should be doing and

  • you're not planning you're just putting one foot in front of the other on this

  • path that you didn't have to find because in a way the path was seeking

  • you the whole time and it's just a feeling it's a really it's a feeling I

  • think that everyone can have but they get so caught up we all get caught up on

  • I want to speak for you to find gents I'll speak for myself it's it's easy to

  • get caught up in the noise and the shiny objects and just like the little fish

  • you were talking about earlier okay you see that lure to recognize it as a lure

  • is sort of the first step and then to realize that when you look

  • past the lure all right there's a lure 16 inches in front of you and then

  • you're in an ocean that has endless fathoms of depth what a journey

who knows the heart of the sea who knows its depths and as I read that I wondered

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