Name: Christina Hendricks interview: Mad Men star on the late Philip Seymour Hoffman
Uploaded: 2014-08-28T07:43:08.000Z
Duration: 7 min 1 s
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Past simple

Now Christina. Jon, who directs this movie, he was your colleague on Mad Men, and now

he's your boss on this film. Is it any different?

I guess the director's the boss. Yeah probably.

Now you have a great relationship with him, but is it different? Do you jump from being

actors together on a TV show to him then having all the pressure of being the director? Does

Well the nice thing is he had directed several episodes of Mad Men. So I had worked with

him as a director in that way. He's very similar. I mean, he's very chill and knows what he

wants and is incredibly professional and very well prepared. I think the difference is that

we were walking onto a set with all new people, a new DP and new actors, and in some ways

it was certainly intimidating for me, and I don't know if Jon would say the same thing,

but it was nice to at, the end of the day or in the middle of the day, look over and

see someone who was so familiar and you're so comfortable with in the middle of all this

newness and be like... make eye connection and be like... Thank you. There's someone

I can't imagine you being intimidated though.

By Richard Jenkins and Philip Seymour Hoffman and Eddie Marsan, really? Like the best actors

in the world? I mean, of course I was. Of course I was intimidated.

Yeah, but then... How does that? I find if you get overwhelmed like that, then there

must be ways in which you just go right I can't let this affect me because I'm going

Well yeah. Your survival instincts kick in. It's funny because I was talking to Jon later,

and I said "I was a mess of nerves." He said, "I didn't know you were nervous one single

day." And I said, "Well I'm not going to show you." I want to give my director confidence

in me and show him that I'm there to play ball and do the best I can do. And that's

Working with Philip Seymour Hoffman, I imagine, he was such an amazing actor... that you think

part of me, there'd be an insecurity in me going, he thinks I'm rubbish. I can see it

in his eyes. I know he thinks I'm rubbish or whatever. Did you sort of have to think

well look Academy Award winner, I've just got to get on with this? Again, it's not an

option for me to have an inner monologue.

Yeah, it's not an option. But you know, as actors I think we're very emotional people

and constantly questioning ourselves. You know, whether it's Philip Seymour Hoffman

or the person you worked with every single day, you're like... Do they think I'm rubbish?

Do they think I'm awful? Which I think, you know, is a good motivator.

You're constantly striving to not be that.

There's also... Just because we're on the subject, and I'll get off it very quickly.

But just because I mentioned it to Jon as well, it's from a viewer's point of view, it's just

desperately sad to watch the movie because he's again - Philip - so brilliant in it.

There's a... You sense the tragedy because you think, well, you want more of this, and

we're not going to get any of that. So do you have that experience when you see it back?

There's this strange feeling that because we're talking about it, promoting it and experiencing

the film - that I sort of still feel like he's here with us. And maybe I haven't fully

digested what's happened because we still get to be, we still get to watch him. We still

get to watch his performance, and I hope the audience...

I think everyone felt his loss. He really made an impact on people globally with his

performances and his talent, his sort of honesty that he'd bring to things. I hope that when

people watch us, they can lose themselves for a little bit and just enjoy what he does

You can't ignore the facts, but I hope that people can just enjoy it as a piece of work.

Yeah, and it is a fantastic piece of work.

And your performance in it is a very moody, twisted, atmospheric tale.

And obviously, with your character, explain a little bit like what she brings to the mix

Well yeah, I mean it was a very difficult film because I think there was about two scenes

in the beginning where her son is still alive and after that, she's grieving. This happens

in just a few days. So this whole film takes place in a few days, so it was difficult to

sort of figure out how to mourn and grieve and still, not only is she having that, but

she's having miscommunication with her husband, the community seems to have turned on her.

She doesn't have any answers. She's desperate. She's a purely desperate person, and that

is her experience through the entire film. And so it is a lot, and it is moody and it is

Yeah, you're brilliant in it. Before I go, Mad Men question. Can I ask? I read that Jon

got to keep one of the lamps. He got to take a prop away.

Oh did he? Because he wanted that lamp for a long time. I'm glad he got it.

And I'm sure it sits... I can imagine him having some ornate, very cool study somewhere

in his house. Did they let you pinch anything from the set?

I pinched a few things. Oddly enough, they charged us for them.

But you know, fair enough. At least I get to... There were a few things from Joan's

apartment that were sentimental to me, that I wanted and so, I don't have them yet. But

I hear they're waiting for me when I get back to Los Angeles.

Okay and what's up next for you? What are you going to be on to next?

Well, I'm supposed to do a film in London in fact.

Yeah coming back. I spend a lot of time here. I love it. Probably do that in January. I

won't describe what it is quite yet because it's all locked in. But right now, my husband's

shooting a show in New York, and I moved to New York two weeks ago, and I haven't lived

there for 18 years, and I'm embracing being there and having time off after five years

Nice to meet you too. Thank you. Have a great day.