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  • In early 2011, a version of Paul Cezanne's "The Card Players" was sold for about 259

  • Million USD. Adjusted for inflation, that's an equivalent of 274 million USD today (2015).

  • That is a lot of money. The second most expensive painting ever sold (as of 2015) was Jackson

  • Pollock's No. 5, which was sold in late 2006 for about 140 million USD. That's an equivalent

  • to 165 million USD today.

  • Very often, when people look at this painting, generally what they say is "I could do that."

  • Man, if I had a nickel for every time somebody said that, well then I'd be rich enough to

  • buy this Jackson Pollock. Why is art so expensive? This is a very tough question and it's kind

  • of entangled among so many different interdependent factors.

  • First of all - the art market - it's highly speculative. It's kind of like the stock market.

  • If somebody could explain exactly why certain stocks go up and certain stocks go down at

  • certain times, what to invest in, what's not good to invest in. If there was a simple answer

  • to that - then we would all be rich. But of course there's still some trends and some

  • general principals on why some art works are more expensive than others.

  • Art is a very scarce resource. Generally when an artist makes a work of art - it's one of

  • a kind - like a painting. Thus individual works of art more valuable than mass produced

  • products, like those thing you buy from Walmart that say "Made In China."

  • This, also made in China, but this is one of a kind.

  • So in general, things that are unique often have a higher value in our society. You can

  • always build another million dollar home, but you can't really paint another Monet.

  • Because Monet's dead. And this a reason why sometimes an artist's works will become more

  • valuable when he or she dies. Because they're not really around to produce more, which makes

  • the works that they created while they were alive kind of a limited resource that can't

  • be further produced.

  • You can however still discover lost artworks - but that's a topic for another time.

  • So the value of art is often driven up but those who invest in it, kind of like the stock

  • market as well. If a buyer sees value in a particular work of art, they may choose to

  • put money into it, and then this may or may not cause other people to feel the same way

  • about that particular artwork and then in turn drive the demand up even further. And

  • similar to other aspects of the financial market, certain people have a bigger voice

  • and certain people are more influential, and certain voices have more power to be able

  • to drive up the prices of certain artworks.

  • Some artists also become famous. And fame can often drive up your salary. But why do

  • famous artists get paid more? I don't know. Why does Jennifer Lawrence get paid millions

  • of dollars per film while an unknown actress might only get paid a few hundred dollars?

  • Does it really mean Jennifer Lawrence is hundreds or thousands of times better than any other actresses?

  • Not necessarily - because the relationship between price and value is seldomly a linear

  • one. It's almost always a power law distribution.

  • Some artworks also have historical significance. For instance paintings of kings, popes, and/or

  • historical events like French Revolution.

  • Some artists, as well as their artworks were on the forefront of historical as well as

  • intellectual movements. And many of these artworks may have been the driving force behind

  • historical change. And that is definitely valuable.

  • It's easy for us to look at the art world and deem it as something superficial or subject

  • to the whims of rich and famous people. And maybe sometimes that's what it is. But what

  • we sometimes forget is that these artworks - like Jackson's Pollock's no. 5, or Paul

  • Cezanne's Card Players are not in fact the most expensive artworks in the world. Many

  • artworks - like those held by large museums and institutions, very often on public display,

  • are in fact priceless. Because they have been deemed by society to be important artifacts

  • of human civilization.

  • You can argue something like the Mona Lisa as these paintings that are just boring old

  • paintings of people and landscapes. But there are people who have literally risked their

  • lives and died protecting these artworks, protecting artifacts of our collective cultural heritage.

  • And that's priceless.

In early 2011, a version of Paul Cezanne's "The Card Players" was sold for about 259

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