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  • Since I've been teaching American English  pronunciation, I have developed a theory  

  • that if you take certain words in a sentence  and a native speaker hears just those words,  

  • they'll have no idea what they're hearing. Even  though it was spoken by a native speaker so I  

  • tested it and I was right. Even native  speakers can't understand this. I mean  

  • can you understand this? Or this? We'll  figure out what's going on in this video.

  • In every sentence we speak in English, we have  words that are more clear and words that are  

  • less clear. Even they are more clear, less clear  these words were clearer but and words that are  

  • wasn't so clear. I said it like this:

  • and words that are

  • In every sentence we speak in English, we have  words that are more clear and words that are less  

  • clear. That's natural English. and words that areand words that are. And when I'm teaching this to  

  • my students sometimes, they think no, no waythat's to unclear that can't be right. But in  

  • fact, it's so unclear that even native speakers  can't understand it and it is right! What?  

  • How is this possible? One word, context. Inwhole sentence we understand every word, the  

  • clear words and the unclear words. But if I chop  up a sentence and play just the unclear words,  

  • even native speakers don't always know what  they're hearing. Isn't that incredible? With  

  • the context of a sentence, no problem, hear  it once they get it. But the words alone,  

  • no idea. We're going to test some native speakers  in a second and all you native speakers out there  

  • watching, I want to know if you pass or fail. Do  you understand or not? But first, I just want to  

  • point out from my non-native viewers, people who  are trying to learn to speak natural English,  

  • this is a lesson in simplifying and  speeding through certain words to get that  

  • contrast of long and short which is important  in natural, easy to understand English. So,  

  • here we are at my parent's house out on the back  deck. I'm playing part of a sentence. A couple of  

  • unclear, unstressed words in a row. Let's see if  my friends and family can guess what I'm playing.  

  • This is the clip they're going to  hear: Do you know what's being said?

  • Put your guess in the comments  right now what is being said.

  • Let's see if my parents and my  friends could figure it out.

  • This first one I think is a little  bit easier but I'm not sure.

  • Okay. Okay, here it is.

  • Hear it again?

  • No.

  • Okay, hey this is what I was hoping would happen

  • It sounds like

  • Can you guys tell what it is? Should I turn it up?

  • Yeah.

  • Okay, I'm going to turn the volume all the way.

  • Jonathan.

  • You think it's Jonathan? What do you think?

  • Hit me.

  • Don't know. Something, don't know.

  • You think don't know, you think  anything, you think Jonathan.

  • Come again.

  • Okay, here's the last time.

  • Jonathan!

  • Their guess is

  • Anything

  • Jonathan

  • Not a thing

  • Don't know

  • None of those are right. Really they have  no idea what this native speaker is saying.  

  • And I played it for then several times. Now  I'm going to play them the whole sentence.

  • You don't have to face the  horrible pressures of this holiday.

  • You don't have to.

  • Do you totally understand it without  hesitation when you hear it in a sentence?

  • Right, yeah.

  • 'Cause it puts it in context.

  • And they get it right away. No problem.  

  • I'll play the whole sentence for  you. This is a clip form Friends.

  • So let's think about this. Natural spoken English  involves some words being so unclear that native  

  • speakers can't understand them alone, out of  context. You're going to have to really simplify  

  • your mouth movements to make your unstressed  words fast enough. When we have more than one  

  • unstressed or reduced word in a row, I like to  call this a reduction string. A reduction is when  

  • we change a sound or drop a sound. For example  the wordto”. We usually pronounce that [tə]  

  • with the schwa said quickly that's a reductionExample sentence: I'm about to leave. To, to.

  • Let's look at the sentence from Friends.

  • You don't have to face the  horrible pressures of this holiday.  

  • Chandler said the first four words like this:

  • You don't have to---

  • Let's slow that down.

  • You don't have to---

  • You. Very unclear. Don't have. I don't hear a T in  don't and I don't hear an H in have. Both dropped.  

  • These are both known reductions, I've done  videos on both of these. The V sound changes  

  • to an F because it's followed by a T. I also have  a video on that. Have to becomes hafto, hafto.  

  • You don't have to becomes you  don't have to, you don't have to.  

  • Listen again in slow motion then  we'll repeat it. We'll do this twice.

  • You've got to say it out loud to  get used to this way of speaking.

  • Now, speed it up. I'll play it 8 times inrow with a pause each time. You hear it, you  

  • say it eight times over. As you do this, you'll  make minor adjustments and be able to simplify  

  • your mouth movements more. Just go with the  flow. It's not clear and it's not supposed to be.

  • How did you do? I know my students often can't  believe just how quickly and unclearly they  

  • should be making some words. Here's another  one. Can you understand what's being said?

  • Pretty tough right? Let's  see what my family thought.

  • It was gonna.

  • I was gonna.

  • You think I wasn't gonna?

  • "I was gonna" is what I thought.

  • We want to hear it again.

  • No idea.

  • I don't know.

  • Ginny had a good guess. She  guessed “I was going toor  

  • “I was gonna”. I was gonna.  I played them the full clip.

  • Okay, let's listen to the sentence  and see if it becomes clear.

  • I knew it wasn't gonna work  out the moment that I --

  • Wasn't gonna

  • I knew it wasn't gonna

  • Yeah It wasn't gonna

  • I knew it wasn't gonna. That's funny.

  • Because it doesn't really ch like thatIt can go either way in that sentence.

  • But when you hear the whole  sentence you totally get it.

  • You slow them

  • Right away. They don't even need to  hear the full sentence. They understood  

  • thatIt wasn't going to”.

  • One other thing I notice when doing this with  my family is they keep asking me to turn it  

  • up. It's too quiet. That's another quality of  unstressed syllables. They're not just faster,  

  • they're quieter. Just another way they contrast  with stressted syllables which are louder.  

  • Let's listen to that reduction  string in slow motion.

  • I wasn't gonna--

  • Now that you know it, do you hear it better?  I don't hear either T. Iwasn't gonna.  

  • And gonna is so unclear I don't hear a very good  n. Gonna, gonna, it wasn't gonna, it wasn't gonna.  

  • Listen in slow motion and repeat it twice, make  sure your lips are moving as little as possible.

  • And now, play it say it at regular  pace eight times. Focus on relaxation.

  • Now try to put that in the whole  sentence. Listen repeat five times.

  • Now, jump to my niece and  sister-in-law. I played them this.

  • Can you tell what you're hearing?

  • This is just a. (laughing)

  • Yeah.

  • This is just a, your guess?

  • This is just a.

  • Okay.

  • Now let's play the whole sentence.

  • Maybe it's just a kidney stone.

  • Maybe it's just a kidney stone.

  • Right. It's so clear in a sentence, isn't it? Like  you would never hear that like what is she saying?

  • Right.

  • When you hear just the fast words.

  • It is hard to tell. Listen in slow motion.

  • Maybe it's just a kidney stone.

  • Maybe. Not so clear. It's just a. I hardly hear  any vowel in it's or just. It's just, it's just.  

  • In the whole sentence though, we get  it. I want you to try simplifying this  

  • too with the play, it say it. Here  it is. Unclear speech eight times.  

  • Repeat each time, mouth  movement is minimal, simplify.

  • And not let's try the whole sentence five times.

  • The next time you're working with  my analysis videos like this,  

  • I'll link to some playlist with this kind of video  in the video description. Think about this: When  

  • you're working with unstressed or reduced wordsthey're simplified. In fact, they maybe simplified  

  • so much that a native speaker can't even  understand the words out of context. But  

  • in a whole sentence, that contrast magically it  all comes together and everything becomes clear.

  • I love thinking about spoken English this way  and teaching you what I learn. Keep your learning  

  • going now with video. Thanks for watching  and be sure to subscribe with notifications,  

  • I make new videos every Tuesday. That's it and  thanks so much for using Rachel's English.

Since I've been teaching American English  pronunciation, I have developed a theory  

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