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  • In January 1994, a 6.7-magnitude earthquake knocked out power in Los Angeles.

  • In the following hours, emergency services fielded an alarming number of phone calls

  • from people asking if the big silvery cloud hovering in the night sky somehow caused the

  • quake.

  • They were referring to the Milky Way.

  • Which is maybe a little sad on several levels, but not all that surprising. About two-thirds

  • of Americans, and half of all Europeans, can no longer see our own galaxy in the night

  • sky.

  • Why? Light pollution.

  • It started innocently enough, eons ago, with fire, and then oil lamps and candles, and

  • then, not too long ago, electricity.

  • Since the first electric street lights appeared in the late 1870s, our world, indoors and

  • out, has been awash in the glow of artificial light.

  • At this point it’s so ubiquitous that most of us don’t even notice it until it suddenly

  • goes out.

  • Today weve got lights rigged everywhere -- buildings, billboards, streetlights, stadiums,

  • yards, and parking lots.

  • If you live in a city or even a suburb, it can be hard to find any real darkness these

  • days, let alone look up and see many stars.

  • Of course artificial light isn’t evil. It’s awesome. We all use it; it’s done a lot

  • for us. That’s why we invented it and pay lots of money for it.

  • But much of our outdoor artificial lighting has made life more difficult -- and not just

  • for frustrated astronomers and light sleepers.

  • Were starting to see just how dangerous light pollution can be to our environment,

  • our wildlife, and even our own health.

  • [INTRO]

  • Light pollution! Let’s define it as the adverse effects of excessive artificial light,

  • and it comes in lots of different forms. Urban sky glow, for example, is the overall

  • brightening of the night sky, caused by light being scattered by water or particles in the

  • air. It’s that bright halo that appears over cities at night and keeps urbanites from

  • seeing stars. According to the International Dark-Sky Association,

  • LA’s skyglow can be seen from an airplane 200 miles away. Light trespass, meanwhile,

  • happens when artificial light falls where it is unwanted, like how your neighbor’s

  • floodlight shines directly onto your otherwise nice and dark pillow.

  • Glare occurs when super-bright lights aren’t properly shielded and shine horizontally.

  • It decreases visibility and even be dangerously blinding at times.

  • And finally there’s clutter, the general bright, bombastic, and over-the-top combination

  • of various light sources in over-lit urban areas. Think like the Las Vegas Strip, or

  • Manhattan. Clutter contributes to urban sky glow, light trespass, and glare, and just

  • demolishes any nighttime ambiance.

  • You can measure a landscape’s night-sky brightness, astronomical observability, and

  • light pollution using an assessment scale called the Bortle Scale.

  • John E. Bortle created the scale in 2001 to help amateur astronomers compare stargazing

  • spots.

  • The scale ranges from one to nine, one being the darkest of wilderness skies, and nine

  • being the dense inner-city skies that so frustrate star-gazers.

  • It’s easy to imagine how light pollution interferes with our ability to study the sky.

  • All that sky glow projects up as much as it does down, and it makes it hard to see the

  • more subtle lights and objects in space without special filters.

  • But all this extra light ruins astronomersnights in another way--it messes with their

  • spectrographs. Spectrographs are instruments that record

  • how an object’s light disperses into different signature color components. If you know how

  • to read a spectrum of a celestial object, you can determine certain things about it,

  • like its mass, chemical composition, temperature, luminosity, and just what the heck it is.

  • This makes spectroscopy a vital part of astronomy, and light pollution mucks it all up, in part

  • because artificial light shows up as bright, obscuring lines in those spectra.

  • So the light that comes from mercury vapor lamps, for instance, creates a specificfingerprint

  • line associated with mercury, while metal halide lamps leave markers for halogen gases

  • that they use. These lines break up and obscure the otherwise

  • smooth spectra we see from celestial objects, and they can be hard to filter out.

  • And as you can imagine, astronomers find this interference really annoying. But excessive

  • artificial lighting is more than an irritating variable for scientists -- it’s also a huge

  • energy suck. As much as a quarter of all electricity worldwide goes to generating light.

  • A 2008 survey in Austria found that public lighting was the largest source of their government’s

  • greenhouse emissions, accounting for between 30 and 50 percent. Powering the country’s

  • nearly two million public lights consumed 1,035 Gigawatt hours of electricity and released

  • over a million tons of CO2 in the process. And we all know how destructive these emissions

  • are to our environment. But the light itself can also be a very powerful biological force.

  • If you think back to your last summer night on the porch, youll recall lots of creatures

  • are inherently drawn to light. Many of those animals get burned.

  • Meaning, they die.

  • Many flying insects swarm around streetlights, which is great for industrious spiders who

  • know where to build a web, but it can throw off the balance of an entire ecosystem. Bats,

  • for example, have different reactions to introduced lights-- some won’t cross into the light,

  • while others use it to their advantage.

  • When some Swiss towns installed new streetlamps, the European lesser horseshoe bat suddenly

  • vanished, because, scientists think, they were outcompeted by all the more light-tolerant

  • pipistrelle bats that moved in to hunt insects drawn to the light.

  • An innate attraction to light can be so strong that it can sort of mesmerize certain song-

  • and seabirds, who are drawn to searchlights on land, and the bright gas flares of marine

  • oil rigs. The poor birds circle the lights over and over until they just drop out of

  • the sky from exhaustion.

  • This seemingly uncontrollable attraction is known as positive phototaxis, and while there

  • are lots of competing theories about what causes it, we still don’t understand its

  • origins.

  • Meanwhile, hundreds of species of night-migrating birds rely on constellations to navigate in

  • the dark, and researchers speculate that bright lights may short-circuit their internal guidance

  • mechanisms, causing them to smash into lit-up buildings, radio towers, and even each other

  • and the ground.

  • And, of courses, all that artificial light can also disrupt organismsotherwise precisely

  • timed biological clocks.

  • For a few billion years now, life on earth has evolved under a steady, dependable day-to-night

  • schedule. Pretty much all plants and animals and even a lot of microbes have adjusted their

  • activities to the regularity of sunrises and sunsets.

  • But with widespread artificial light, some birds think spring has come early and start

  • breeding ahead of schedule, or migrate prematurely.

  • Nesting sea turtles, too, seek out the darkest beaches, which are becoming harder and harder

  • to find. Hatchlings naturally gravitate toward the bright, reflective ocean, but get easily

  • turned around by the big, bright cabana lights behind them.

  • I could go on, you guys! Light pollution disrupts the nighttime breeding choruses of frogs and

  • toads, confuses lovestruck fireflies, makes zooplankton more vulnerable to fish, and exposes

  • a host of nocturnal animals to predators, limiting their foraging and mate-finding time.

  • And somewhere on the list is us!

  • Humans need darkness, too. We need that balance of light and dark in our environment to maintain

  • our circadian rhythm -- the physical, mental, and behavioral changes within a 24-hour cycle.

  • These rhythms greatly influence our sleep-wake patterns, body temperature, and the release

  • of hormones!

  • The production of the sleep hormone melatonin is regulated by a group of nerve cells called

  • the suprachiasmatic nucleus, or SCN, which sits in the brain just above the optic nerves,

  • so it’s constantly receiving information about incoming light.

  • When it registers less light, like it usually would at night, these cells ramp up the melatonin,

  • which leaves you drowsy and ready for bed. But without that signal coming at regular,

  • somewhat predictable intervals, it can throw the circadian rhythm out of whack. These cycle

  • disruptions have been linked to sleep disorders, depression, obesity, and seasonal affective

  • disorder.

  • But I think that we can all agree that a lack of sleep is not that huge a deal, compared

  • to cancer.

  • Several recent studies have suggested that prolonged exposure to artificial light at

  • night increases the risk of certain types of cancer, especially breast cancer and other

  • types that require hormones to spread. Some of these studies have shown that women who

  • work night shifts have higher rates of breast cancer, and in 2007, the International Agency

  • for Cancer Research classified night work as a “probable human carcinogen.”

  • The good news, if you can see it, is that of the many, many, MANY forms of pollution

  • we face today, light pollution is one of the most easily remedied. Simple changes in lighting

  • design, materials, and zoning could go a long way in limiting the light pointing up into

  • the atmosphere.

  • The International Dark-Sky Association has developed guidelines to help cities like Flagstaff,

  • Arizona -- the world’s “first international dark sky city” -- to reduce light pollution.

  • Their tricks include things like shielding light sources so they point downward, limiting

  • the lumens -- that’s the unit we use to measure perceived brightness -- that individual

  • lights can emit, and putting caps on the number of lumens emitted per acre.

  • Even Paris, the City of Lights, now requires storefronts and office buildings to turn off

  • their lights between 1 and 7 am. Not the Eiffel Tower though, that can stay on.

  • Standards like these can save communities a lot of energy, money, and work toward restoring

  • some ecological integrity.

  • Not only that, getting a handle on this pollution may give us back something vital to humanity--

  • our ability to look beyond the smallness of ourselves, out into the infinite beyond.

  • It’s like what Neil de Grasse Tyson once said, “When you look at the night sky, you

  • realize how small we are within the cosmos. It's kind of resetting of your ego. To deny

  • yourself of that state of mind, either willingly or unwittingly, is to not live to the full

  • extent of what it is to be human.”

  • Thanks for watching this SciShow Infusion -- especially our Subbable subscribers. To

  • learn how you can support us, just go to subbable.com/scishow.

  • And if you have questions, you can find us on Facebook and Twitter and as always in the

  • comments below, and if you want to keep getting smarter with us, just go to YouTube.com/scishow

  • and subscribe!

In January 1994, a 6.7-magnitude earthquake knocked out power in Los Angeles.

Subtitles and vocabulary

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B2 pollution artificial sky night sky dark sky cancer

The Strange Scourge of Light Pollution

  • 8 0
    Hhart Budha posted on 2014/06/17
Video vocabulary

Keywords

rhythm

US /ˈrɪðəm/

UK /ˈrɪðəm/

  • other
  • A regularly repeated pattern of events.
  • A strong, regular repeated pattern of sounds or movements.
  • A strong, regular repeated pattern of sounds or movements.
  • other
  • The pattern of stressed and unstressed syllables in a line of poetry.
  • The way that something happens at regular intervals.
  • A regularly repeated sequence of events.
  • The pattern of musical sounds, especially when repeated regularly.
  • A regular pattern of stressed and unstressed syllables in a line of poetry.
  • The way that something happens at regular intervals.
  • other
  • A regular pattern of change or development.
  • noun
  • Pattern of events, motions, or changes
  • A pattern of sound and beats in music
scale

US /skel/

UK /skeɪl/

  • noun
  • Size, level, or amount when compared
  • Small hard plates that cover the body of fish
  • Device that is used to weigh a person or thing
  • An instrument for weighing.
  • A sequence of musical notes in ascending or descending order.
  • Range of numbers from the lowest to the highest
  • The relative size or extent of something.
  • Dimensions or size of something
  • verb
  • To adjust the size or extent of something proportionally.
  • To change the size of but keep the proportions
  • To climb something large (e.g. a mountain)
  • To climb up or over (something high and steep).
  • To remove the scales of a fish
light

US /laɪt/

UK /laɪt/

  • other
  • The natural agent that stimulates sight and makes things visible.
  • adjective
  • Not burdensome or demanding; easy.
  • Pale in color; not dark.
  • Being bright making it easy to see; not dark
  • Being pale and lacking darkness of color
  • Not heavy; weighing only a little
  • noun
  • An expression in the eyes indicating a particular emotion.
  • A source of energy that makes a room or area bright
  • A person who is a source of inspiration or guidance.
  • A lamp, bulb, or similar device used to provide illumination.
  • A traffic signal.
  • Knowledge or understanding.
  • Way in which something or someone is understood
  • other
  • To ignite or set fire to something.
  • To provide with light; illuminate.
  • verb
  • To cause something to burn; put a burning match to
  • To provide a way to see ahead
  • adverb
  • Carrying few bags when traveling
breast

US /brɛst/

UK /brest/

  • noun
  • Either of the two soft, protruding organs on the upper front of a woman's body that secrete milk after pregnancy.
  • The part of a garment that covers the chest.
  • The seat of emotions or feelings.
  • The breast of a bird or fowl used as food.
  • Fleshy part of a woman's body for feeding babies
  • (Poetic) upper front part of the body; the heart
urban

US /ˈɚbən/

UK /'ɜ:bən/

  • adjective
  • Concerning a city; located in a city
  • Relating to a city or town.
  • Relating to the style of dress and music popular in cities.
limit

US /ˈlɪmɪt/

UK /'lɪmɪt/

  • noun
  • A line or edge marking the boundary of an area.
  • Point beyond which it is not possible to go
  • The value that a function approaches as the input approaches some value.
  • The greatest amount of something that is allowed or possible.
  • A point or level beyond which something does not or may not extend.
  • verb
  • To stop or prevent an increase past a point
  • other
  • To set a restriction on.
artificial

US /ˌɑrtəˈfɪʃəl/

UK /ˌɑ:tɪ'fɪʃl/

  • adjective
  • Dishonest, to seem fake, not sincere
  • (Something) made by people; not created by nature
  • Made or produced by human beings rather than occurring naturally, typically as a copy of something natural.
clutter

US /ˈklʌtɚ/

UK /ˈklʌtə(r)/

  • noun
  • A disorderly mess of things
  • verb
  • To fill with disorderly mess of things
  • other
  • To fill or cover with things lying about in an untidy mess.
  • other
  • A collection of things lying about in an untidy mess.
  • A confused multitude of things.
drawn

US /drɔn/

UK /drɔ:n/

  • verb
  • To attract attention to someone or something
  • To get closer to or approach something or someone
  • To influence a person's involvement in something
  • To move an object by pulling
  • To create an image using pen or pencil and paper
  • To take one thing out of a container, etc.
  • (Of 2 teams) to finish a game with the same score
  • adjective
  • Not feeling well; pale and sad
melatonin

US //mel.əˈtoʊ.nɪn//

UK //mel.əˈtəʊ.nɪn//

  • noun
  • Hormone secreted by the pineal gland
  • other
  • A hormone produced by the pineal gland that helps regulate sleep-wake cycles.
  • A synthetic form of the hormone melatonin, often taken as a dietary supplement to promote sleep.