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  • That was a silly little thing I was just putting together. It had no third in it which is kind

  • of important because a third is really important for a children, a child to hear. It's also

  • an easy thing for the child to hear. That thing, if you tried to do it, your kids would

  • have no idea what you did and no way to emulate you. What we're going to talk about in this

  • segment, is how to get the children to hear what you're playing, to hear what they're

  • playing. Start with the most basic of things, one note. Can they emulate that one note?

  • They probably cannot. It's harder than you think. Once they get, they'll get it in a

  • minute, but the very first try it may be disastrous. You'll be like, f, and they'll be like, black

  • key, or something ridiculous like that. So, once you get that to happen, see if you can

  • get the child to hit two notes, not the same. That's too easy. So, here to here. Cool, they

  • can watch your hands at this point, that's okay because, again, you're reinforcing the

  • pattern of the keys. They're still, their minds are still wrapping around two black

  • keys, three black keys, twins, triplets, twins, triplets. They're still making sure they understand

  • that. So, it's okay if they watch your hands when you do two notes before they emulate

  • them. But what you're eventually getting to is for them to be able to do it almost completely

  • by hearing it. So, even if you're a terrible singer, you probably can hold pitch, so if

  • you sing to them, la la, they can hear it and play it back to you, la la. And give them

  • a starting note, it's not like a perfect pitch test like, yes, I was singing an f, find that

  • f. Like, no, this is not ridiculousness like that. Tell them, I started on an f, where

  • did I go after that? They may be able to pick it out faster than you think. And at this

  • point, go back to the sole fiche that you've already talked about with them. Do, re, mi.

  • So, if this is do, re is always one above it, there's re. And reinforce its okay just

  • to start with do and re. Do and re are great places to start. So you could sing, do, re

  • and they could do that. Give them other options for do, if do is here, where's re? If do is

  • here, where's re? What you're reinforcing also, is the idea of an interval, a second

  • and that will come into play later. So singing and playing and having them play back is an

  • extremely important tool for right now in the process.

That was a silly little thing I was just putting together. It had no third in it which is kind

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