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  • - I am not a crook.

  • - Nixon knows his (beep).

  • And he says, "There's nothing I can do about it.

  • Nobody's gonna trust me at this point.

  • I gotta step down.

  • Hand me some cookies." (orchestral music)

  • (Bob laughs)

  • Hello, I'm Bob Odenkirk.

  • And today we're gonna talk about Disco Demolition.

  • - Cheers.

  • - Cheers.

  • - [Derek] Thanks, Bob.

  • You okay? - My first (beep) sip.

  • (upbeat disco music)

  • Well, I guess our story really begins in 1977

  • with the massive success of (beep) disco,

  • which is a terrible form of music.

  • (Derek laughing)

  • Anyway, 1977, "Saturday Night Fever,"

  • very popular movie, blah-blah-blah, everyone loved it.

  • at WDAI in Chicago, were disco DAI,

  • all disco, all day and all night.

  • (disco music)

  • Okay, so Steve Dahl is a DJ,

  • 24 years old at the WLUP, WLUP 97.9,

  • and it's rock and roll station.

  • Steve Dahl says, "(beep) you,

  • I'm not gonna play disco music."

  • And Steve is having a good time

  • and he's blowing up disco records.

  • So on the radio he go, "Oh, we got a disco,

  • Look and Kiss made a disco record I'm gonna blow it up."

  • And he'd play it and then scratch the, (scratches)

  • the needle on the record,

  • and then press a carte tape,

  • and explosion sound and then laugh,

  • and then do other dump (beep)

  • - [Derek] Like my favorite Imus.

  • (laughs) What?

  • - Not like Imus. - Okay.

  • - Very much like Stern, I mean truly,

  • but actually, before Stern.

  • So, it's 1979, Jeff Schwartz is the promotions kid,

  • and he goes to...

  • "Sorry."

  • He goes to Mike Veeck at the white Sox.

  • He goes, "Let's do a disco demolition

  • at White Sox Comiskey Park for your Teen Night."

  • Mike Veeck is like, "Great, I love Steve Dahl."

  • And they hire a guy to put the explosives in.

  • "We need you to blow up records"

  • "How many records?"

  • "Uh, well, I don't know, 2000."

  • "Okay. Hold on a second.

  • Slow down.

  • I need some goddamn real explosives here."

  • "All right. Well, whatever you need. You're the pro."

  • "I, hell yes I am.

  • Just got back from the Nam about five years ago.

  • Anyhow, (throat clears) I will put

  • your explosives together for you."

  • (upbeat disco music)

  • So, Steve's on the radio for weeks going,

  • "I got disco demolition coming up,

  • come to Comiskey Park,

  • and bring a disco album.

  • They'll take your album, they'll put it in the bin.

  • You'll pay 0.98 cents for a ticket,

  • And then in between games,

  • I'm gonna blow up all those albums.

  • We're gonna destroy disco." (laughs)

  • So, the night of the event comes,

  • (ambient instrumental music) July 12th, 1979,

  • Steve's like watching.

  • "Holy (beep), kids are showing up,

  • like showing up in droves,

  • showin' up, showin' up,

  • 15,000, 20,000, 30,000,

  • (beep) A."

  • The first game is nuts.

  • Kids in the stands have records,

  • they're throwing them.

  • Record albums come flying out of the stands,

  • cutting into the grass.

  • Perry Caray's kind of liking it, you can tell,

  • "Hey, all right, everybody calm down."

  • And Jimmy Piersall's taking it way too seriously.

  • "These kids...

  • Look at this, this is a disgrace."

  • Anyhow,

  • game ends, first game ends, Sox lose, that's not helpful.

  • And Steve, they drive out to like center field,

  • this craig has been set up.

  • So, he gets on a mic, and he goes,

  • (disco music) "Party!

  • Yeah!

  • Okay, disco sucks."

  • "Disco sucks," and they start chanting, "Disco sucks."

  • There's big banners, "Disco Sucks,"

  • and it's kind of intense.

  • So, Steve's like, "All right, I'm gonna blow 'em up."

  • He puts way too much,

  • real explosives. (laughs)

  • (upbeat disco music) Perfect storm.

  • So, Steve pushes the thing, then boom!

  • Big explosion, (beep) flying everywhere in center field.

  • You can't play another whole game in that,

  • that alone is the end, that's the end.

  • Only that isn't the end.

  • So, then these seven kids climb over the wall,

  • more kids, more kids, (beep) getting on hinged.

  • There's too many kids on the field.

  • "Holy shit, I'm on the (beep) Comiskey parked up field

  • where babe Ruth hit home run."

  • They're running around the faces,

  • "Look at me, I'm gonna slide."

  • Kids are pitching,

  • "I'm a pitcher, woo woo!"

  • Meanwhile, crazy Vietnam vet on his motorcycle

  • going like, "(laughs) I did it.

  • I really did it."

  • And Harry Carey is up in the booth going,

  • "Hey, it's good vibe, everybody.

  • Let's sing a song together.

  • ♪ Jerry real up to the ♪

  • You know this, sing along!

  • Okay, that's song,

  • get off the field now, how about it?"

  • And the kids are like.

  • "Well, no, not that."

  • They call the Chicago Police.

  • They sent riot police, full riot gear.

  • The cops come.

  • "There I'll teach you to be a teenager,

  • a whack in the head."

  • And arrested 39 people for vandalism and (beep).

  • They call the game, The White Sox are forced to forfeit.

  • (beep) and hey. (Derek laughing)

  • They say it killed disco.

  • It did not kill disco, what it did,

  • potentially, that was actually meaningful.

  • This event was like massive tweet,

  • sent out by a generation of kids,

  • and they pressed a button and said.

  • "We don't like disco that much. Okay?"

  • (laughs) That's essentially what the event was.

  • And if it killed disco, it just send a message that said,

  • maybe everybody doesn't love this (beep) 24/7.

  • (smooth instrumental music)

  • I would like to do some disco lyrics right now.

  • - [Derek] Okay, go ahead.

  • (beat boxing)

  • ♪ Babe, oh yeah ♪

  • ♪ Tonight's the night ♪

  • (Bob beat boxing)

  • ♪ Tonight's the night ♪

  • ♪ Night ♪

  • ♪ Tonight's the night, all right ♪

  • ♪ Tonight ♪

  • All right, I get it. (Derek laughing)

  • Duly noted. Thank you. (Derek hysterically laughing)

  • Just (beep), just the worst.

  • - Hello, I'm Doug Jones.

  • Today we're gonna talk about W.C. Minor.

  • The most important man behind the most important book

  • in the English language.

  • That's not what you wanted?

  • - No, but I love it. - Okay.

  • In 1863, W.C. Minor graduated from Yale Medical School

  • as a surgeon and he joined the US Army.

  • He had blood in his hands,

  • and he was trying to put

  • people's brains back into their heads, and he was like,

  • "Oh, my God, this is (beep) up,

  • this is messing up my head."

  • They diagnosed him with delusional paranoia.

  • "I gotta get outta here.

  • I'm gonna move to London."