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  • (motor rumbles)

  • (crashing)

  • - Saved again by Ol' Bowlegged (chuckles) and Rip, Ripperson.

  • - Ripperson, Ripperson. (laughing)

  • - Hashtag Ripperson.

  • (upbeat rock music)

  • This is the Dutton Ranch. (motor rumbles)

  • We were there together, you missed the biker scene.

  • I really enjoyed this sequence

  • as a whole, it's a three act piece.

  • In the car together, on the way.

  • Getting out, trying to diffuse it.

  • Hey!

  • Act two, and then Teeter deciding

  • to tee off on the first dude.

  • (smacks) (grunts)

  • - You kinda roll up, we see all the bikes

  • and then we see oh, they're just sitting around a fire.

  • And you're like, "Okay, well how is this gonna go down?"

  • It's too early to get in a fight.

  • We pretty much had, like four or five people,

  • bikers per individual. - Yeah.

  • That was a rough day. (talking over each other)

  • - It was a pretty, I slept pretty well that night.

  • I definitely had a lavender bath.

  • - We always get whupped.

  • We're not out there just like,

  • pow, pow, pow, we're just

  • taking this beating. - Taking this.

  • (slams)

  • Throwing over shoulders, down on the ground.

  • (smacks)

  • And we didn't have any stunt doubles that day.

  • (smacks) - No.

  • - Yeah, we did it all.

  • - [Man] Let me guess, this is your field.

  • - You gonna burn it?

  • - That night, when we shot the scene where those boys

  • that we beat up, the bikers, came back

  • and we're there with the guns and the kit

  • and you know, our police gear.

  • And so we're watch to take a cue from John Dutton

  • and he says--

  • - I want you to dig.

  • - It was such a serious moment and

  • of course I'd read the script,

  • I know he's gonna actually let them go,

  • but as he's talking and tells them about who he is

  • and what this land is and really explains it to them.

  • - This field's mine, that fence, mine.

  • - It's just so serious, even though I fully know well

  • it's not, I got so caught up in it every time.

  • And I'm looking at the other guys and I'm thinking,

  • "Is he doing something different

  • "than we're supposed to do here?"

  • He's a (beeps), I have to say.

  • All of us, Cole and Luke, that night,

  • we were like, "This is legit."

  • It was very solemn and the tone was, it's just no joke.

  • - I have children.

  • - So do I.

  • From what I've seen, yours will be better off without you.

  • - I never get to be outside the show,

  • but in that moment, I was watching Yellowstone.

  • And I've never actually seen Yellowstone

  • the way the audience sees it.

  • None of us have, because you can't, it's impossible.

  • - I don't think we'll be seeing them again.

  • - Nope.

  • (upbeat rock music)

  • - Welcome.

  • - Thanks, guy.

  • How you doin' back there, baby?

  • - Fine, thanks.

  • - Okay, 'cause you oughta be up here

  • on mama's lap, but that's all right.

  • It's okay. (laughing)

  • Teeter likes to

  • get real, real close. (laughing drowns out talking)

  • And sometimes, she might wanna touch you a little bit,

  • get all up in your personal space.

  • - Can you not.

  • It's alright, baby.

  • (laughs) - Okay, so how you feel

  • right now is, this is what makes it so fascinating,

  • to try to hold that space while she's doing it.

  • - Yeah, and you don't think you're any different

  • than Teeter. (laughing)

  • In terms of physical space.

  • (upbeat rock music) (spits)

  • - You was done with that, wasn't you?

  • (spitting in spittoon) I have gum in my mouth now,

  • 'cause I'm like, a little meta you guys.

  • I used gum in the audition 'cause I just felt

  • like she was somebody who dipped

  • and fun fact, I went to the dentist.

  • Now I'm using fake dip, right, for all those scenes.

  • (spits)

  • You're the one who I guess had experience with it before.

  • You're like, "Do not use that stuff

  • "until you roll on the day, you're gonna get a..."

  • A canker sore?

  • - Yeah, that,

  • among other things. - Which I did.

  • In addition to, I hadn't seen my dentist

  • in about four months and I go in for my cleaning

  • and I have a massive cavity in between my two front teeth,

  • where I was shooting the artificial tobacco.

  • 'Cause that stuff is made out of, like corn syrup and hope.

  • (laughing)

  • It's just like, you know, liquid cavity shooting out.

  • (spits)

  • - Talk to me about the experience of dipping.

  • How much practicing did you do?

  • - A lot, and then a lot of my practice went out the window.

  • Because, I don't know if any of you have this experience,

  • but my adrenaline kicks pretty hard before I start shooting

  • and where that shows up the most is in my hands.

  • So they suddenly aren't doing everything

  • that I'm wanting them to do. - Right.

  • - Or my brain is telling them to do.

  • So even though I walked around for months, like...

  • practicing this thing, which I now no longer can do,

  • on the day I couldn't do it at all and I ended up having

  • to pack the dip against my belt buckle.

  • I think Cole Hauser was like, "Girl, let me help you out."

  • - I like that girl.

  • - The biker fight, you came in, we were trying

  • to be pretty cool and you came in and threw the first punch.

  • (smacks) (grunts)

  • Do you enjoy that physical side, fighting and the horses?

  • I mean, do you like that stuff, are you into it?

  • 'Cause that's hard work.

  • - It's my favorite.

  • That was fun.

  • 'Cause you're completely out of your head.

  • - Yeah.

  • - It's like sports, and I come from a sport background.

  • And I think, (anticlimactic music)

  • most of us come from a sport background.

  • Sorry, I was throwing a look at you.

  • - Badminton champion, by the way.

  • - Yes?

  • (upbeat music)

  • - We all do sports. - Badminton.

  • - We're all good at sports. - Champion.

  • - Really? - Yeah, seriously.

  • - Are you kidding me? - At his college, yes.

  • Seriously, no joke, no joke. - Badminton, this kid

  • right here.

  • - That is very classy, that's like a very classy--

  • - He doesn't like to talk about it.

  • - I don't bring it up a whole lot,

  • 'cause it's like, we all are stupendous athletes, yes.

  • We've all accomplished tremendous things

  • in terms of athletics and sports.

  • But that's not what we're here to talk about.

  • (laughing)

  • - But we could if we wanted to.

  • - We could, forever, at length.

  • But I'm not gonna hijack the whole thing.

  • - Yeah Jimmy, we saw you out there looking

  • just like Andrea Fappani.

  • - Who?

  • Talking about stunts and performing fights.

  • - Yeah, I mean I love it, do you guys love it?

  • I love it.

  • - Yeah, I mean I like it. - You have mixed feelings

  • about it. - I don't like it

  • as much as you do.

  • - I love it.

  • - Because we get, I think it happens (beeps) kicking

  • on a much more regular basis.

  • (smacks) (grunts)

  • (grunts) (thuds)

  • - You know, you have so many things to do,

  • where you're getting in fights with bikers.

  • (smacks) (grunts)

  • You're on horses. - The elements.

  • - There's no way to really plan for any of it, right?

  • - No. - Right, like how did you--

  • - I learned that on the cow day.

  • - (yelling) Hey, hey, hey,

  • hey, hey, hey! - Get it, get it!

  • - You first said, welcome to Yellowstone.

  • And then I'm pretty sure you called it Yellowstone Light.

  • 'Cause I was like, "This is a big deal."

  • (laughing)

  • I was like, this is some dangerous (beeps).

  • You can't look afraid, you know,

  • you just like, hear your job ending on the other side

  • of your fear if you give in to it. (chuckles)

  • So you're like, "I'm not afraid of anything,

  • "even if I don't know how to ride a horse."

  • Which I did, by the time I went on.

  • - She's a hand.

  • (upbeat rock music)

  • - Yeah, you were amazing.

  • I remember you being so nervous about riding,

  • then you were incredible.

  • Will you talk about your background with horses a little?

  • - Man, I've been ballin' and draggin'

  • since I could bounce piss off a rug.

  • I grew up with horses.

  • My mom had a really bad fall.

  • She got thrown off a horse and her foot got stuck

  • in the stirrup, and she was dragged around an arena.

  • And that was sort of the end of--

  • - That. - Horse days.

  • I think I absorbed some of that fear.

  • I rode enough, Taylor hooked me up with his guy out in LA

  • and then of course, the people out in Utah.

  • On a show like this, which is so great,

  • is you can kinda live it.

  • You can live that life a little more.

  • And I don't know if you guys felt this way at all,

  • but it was sort of hard to go back.

  • To go away and to not be riding horses.

  • - Mm, takes a little bit of time to adjust.

  • - It's pretty special scenario that we've built up.

  • - It's a pretty freaky cool job.

  • (beeps) (upbeat rock music)

  • (taps)

  • - Every road from the rodeo

  • (newspaper rustles) leads right here.

  • - For so many people, I think that doing anything

  • with Kevin Costner on camera, just period,

  • would be extremely intimidating.

  • - Nauseous and confused is your natural state of being.

  • - Obviously, you've been around him for three years.

  • But I would imagine having such a meaty scene

  • to do when you're physically not able to use all

  • of kind of like, maybe your tools that you would be able

  • to use in all of your other scenes.

  • On top of that, you're also not fully clothed,

  • which I think that clothes as an artists

  • kind of give you a sense of security.

  • What was that like, you know, doing that scene with Kevin?

  • - Kevin's such a brilliant minimalist.

  • He's so incredible at just living,

  • almost it's seemingly effortlessly in space.

  • And to do a scene with Kevin where I'm strapped to a bed

  • and can't move, I'm a sort of minimalist by necessity.

  • - Congratulations for that.

  • - I think it's easy as an actor to hide in (beeps).

  • Like if you watch these segments,

  • I'm sort of always reaching around and touching stuff,

  • and it's a way to release tension.

  • It's a way to sort of ground yourself in a space.

  • And when all that (beeps) gets stripped away, (chuckles)

  • and all you can move is your mouth and your eyes,

  • that's a deeply intimidating experience.

  • 'Cause I think then, the temptation becomes

  • to do way too much. - Right.

  • And I haven't seen this scene yet,

  • but if you take all the moving around that I do

  • with my whole body, you put that (beeps) right in my face,

  • this would be the whole scene.

  • I'd be like, "Kevin, what do you mean?

  • "You mean I can't rodeo anymore?"

  • - No more rodeo.

  • - And it's amazing to be in the room with one

  • of the best actors of his generation in that context.

  • 'Cause you look at Kevin and he's a reminder

  • to breathe, relax. - Yeah.

  • - He's such a sort of easy going,

  • kind, generous presence on set.

  • (thuds)

  • Ow.

  • - Learn the rope.

  • All you're risking is a thumb, and you got two of those.

  • - [Jimmy] I don't know if I can be in a relationship

  • with someone who shows such poor judgment.

  • (upbeat rock music) (whip cracks)

  • First butt I ever saw was in the film "Waterworld,"

  • and now I've shown my butt on television

  • and it just really makes me smile

  • to think that out there, there might be a young Jeff

  • watch Yellowstone and seeing his first human (beeps).

  • (tape whirs)

  • "Waterworld" was the first time I saw a woman's butt.

  • (laughs) (crickets chirp)

  • So in a lot of ways, I think that Kevin is--

  • - That's six espressos catching up with you.

  • - (laughs) It's possible.

  • - Just goes that way. - Kevin is in part responsible

  • for um-- - For seeing a woman's butt?

  • - Yeah, like a formative experience

  • for a prepubescent Jefferson White.

  • (laughs) "Waterworld".

  • (beeps) - What you're saying,

  • you saw a butt in "Waterworld"?

  • - Yeah.

  • - Kevin was, that was your first butt on TV.

  • - Yeah. - And now your butt is on TV

  • and you're thinking about someone watching your butt

  • on TV, and just where does that end?

  • - I think yeah, one of the big themes this season is legacy.

  • - It's just turtles all the way down.

  • - It's this idea of legacy. - Did they now go into acting

  • so that they can show their butt because of you?

  • - Exactly, yeah. - Who started it?

  • (talking over each other)

  • - Perpetuating a cycle of exploitation?

  • - That's what I'm saying. - I don't know.

  • - It was yours?

  • - My butt.

  • - Not a stunt butt? - Not a stunt butt.

  • - My own butt. (dings)

  • - Wow. - They asked me, they said,

  • "Hey, we can get any number of stunt butts in here.

  • "It's gonna be hard to match your butt."

  • You know, my butt's a hard butt to match.

  • - Well yeah, 'cause you have the scar,

  • so it's a hard, you know.

  • - I've got the scars, it's a very specific butt,

  • as any of Yellowstone's 35 billion viewers could tell you.

  • Those are the real numbers, we just looked.

  • - I feel like we should explore this deeper.

  • - Yeah, that's the kind of thing that me and my therapist

  • will be talking about for a long time.

  • - Okay, good. - So we don't

  • necessarily need to.

  • - Well we don't need to spend the time to do it.

  • Okay, well that's good, as long as you addressed it.

  • (upbeat rock music)

(motor rumbles)

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