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  • Welcome to another episode of TwoSet Violin.

  • We're filming a video, but it's quite late,

  • so, we're not going to be yelling or screaming.

  • Today, we will be watching some...

  • University students

  • as they attempt to answer quiz questions...

  • About classical music.

  • It's a BBC show and they're just,

  • you know, normal college students.

  • So, they're not classical musicians.

  • We are classical musicians.

  • Let's see if we can answer the questions.

  • - I know. - I hope we get them right.

  • It'd be embarrassing if we don't, right?

  • For your music starter,

  • you'll hear a piece of classical music.

  • 10 points if you can identify the composer, please.

  • Ooo, I think Clegg got it.

  • And Russell's like, "I have no clue."

  • It's a piano concerto obviously.

  • I'm pretty sure it's Rachmaninoff, right?

  • - Probably. - Rach 2.

  • I think.

  • Done. Lock it in, Rach.

  • St. Jone's, Clegg.

  • Ravel.

  • Nah.

  • Aww...

  • He tried.

  • Oh, he seems so confident too.

  • That's definitely not Ravel. It's too thick for Ravel.

  • It's too thick and romantic.

  • Ravel's more like colorful luscious.

  • Not thick juicy luscious.

  • Yeah, french, right.

  • - Oui, oui. It's more... - It's more oui, oui, less dasvidaniya.

  • Like, you can definitely tell it's a Russian style.

  • No. You can hear a little more, Peterhouse.

  • Powell's like...

  • - "I don't listen to classical music." - Powell's like -

  • "Why are you guys looking at me?"

  • Peterhouse, Powell.

  • Elgar.

  • Nah.

  • Did Elgar even write a piano concerto?

  • - Not that I know of. - Doesn't sound like Elgar.

  • It sounds too happy to be Elgar.

  • - I don't know, Elgar's pretty depressed and like sad. - Nimrod, right?

  • The violin concerto is like...

  • No one really plays it.

  • No, it's Rachmaninoff.

  • Ohh.

  • - I'm so glad I got it. - Dude, Clegg is like, "oh, damn it."

  • I thought it was Ravel.

  • One of his variations on

  • the Rhapsody on a Theme by Paganini. So...

  • That's why! I was like it's not the concerto.

  • Of course. This is the Paganini theme.

  • He wrote a variation on dadaradadara~

  • But that movement he inverts it.

  • You know this, right?

  • He goes...

  • - Of course. - Dandandararadan!

  • Daradadan~

  • You are going to hear three more works that are

  • - variations on themes by other composers. - Is this still classical? It is.

  • This time, however, you will hear the original work as well.

  • - In each case, you'll hear the original work first. - Okay, okay. Let's see if we get it.

  • Followed by the variation.

  • - I'll need your two answers in that order, please. - This is...

  • - This is hard for people that don't listen... - It's actually very hard.

  • Like, if they get it wrong it's fine, I guess.

  • - Dadadadandan~ - Dadandan~

  • *Singing the melody*

  • I think it's Beethoven?

  • *Singing the melody*

  • Beethoven 7, right?

  • - Yeah, I think so. - Second movement.

  • I love how like Clegg is conducting.

  • He's like that, moving...

  • Dude, all his teammates are like,

  • "come on, Clegg, come on, Clegg."

  • If it's not Ravel, it must be Debussy.

  • There's a piano variation on...

  • - I actually don't know the piano. - I don't know the piano one.

  • I reckon Liszt or Chopin wrote it.

  • Beethoven and Haydn.

  • What?

  • Beethoven is right,

  • - but how could Haydn write it - - Haydn is before Beethoven.

  • Haydn came before Beethoven.

  • And that was much too romantic to be Haydn.

  • If it is Beethoven and Haydn,

  • I will perform all Paganini 24 caprices, live stream.

  • That's how confident I am that it is not Haydn.

  • No, it's Beethoven and Robert Schumann.

  • Schumann!

  • It's Schumann.

  • But he got half a point.

  • - He got the Beethoven. - That's impressive.

  • Secondly...

  • Oh, opera, man.

  • - Dude, nah, I'm out. - I don't know.

  • - But I'm gonna guess. - I'm out.

  • Pavarotti.

  • It sounds Italian.

  • Like Verdi.

  • - Yeah, Verdi. - But, let's hear the language.

  • Does it sound italian?

  • Dude, I do not know, it just sounds European to me.

  • Sanna, help.

  • - I don't know any opera. - I'm going to guess Verdi.

  • But, I have no idea, I'm probably wrong.

  • - We wouldn't even be able to win this show. - I know...

  • Dude, this is so hard.

  • The piano style sounds like Liszt or Chopin.

  • - Cause it's very good embellishments. - It's quite...

  • - Babababadadadad, the octaves sound like Liszt to me. - Yeah. Sowood is just out of it.

  • "Let me know when it's the math questions again."

  • "I didn't practice enough in my childhood."

  • - Liszt and Mozart. - Mozart and Liszt.

  • Oh, Mozart and Liszt.

  • It could be, could be.

  • No, it's Bellini and Liszt.

  • - Bellini! Bellini sounds Italian! - Ooo... Bellini...

  • Dude, I don't even know who Bellini is.

  • You know those audio tests?

  • - I don't remember Bellini. - Or whatever.

  • Italian opera composer.

  • I remember there's all these like...

  • Pieces you had to memorize.

  • - We did have to memorize some music. - And Bellini was there, I remember Bellini.

  • But we got the Liszt and I'm glad I could tell it was Italian.

  • And finally...

  • What's with all the opera?

  • Oh, I know this though!

  • Lala~

  • - You know, do you know this? - Pavarotti.

  • - Singing it. - It's not... Probably.

  • - Every dude is Pavarotti. - Pavarotti.

  • All right, the piano is definitely not Liszt.

  • They're saying Chopin.

  • It doesn't sound like Chopin to me, but I could be wrong.

  • I mean, they're quite educated guesses.

  • Yeah, it's better than Ravel.

  • Yeah.

  • - I don't know. - Let's see.

  • Yeah, let's just see.

  • Mozart and Chopin?

  • Correct!

  • Oh, nice.

  • - It was! - Impressive.

  • - It does seem like Britten. - Britten.

  • But this is so hard for these guys.

  • - I don't even know. - It's hard for us.

  • Open, Crawford.

  • Benjamin - Benjamin Britten.

  • Benjamin Britten is correct.

  • - How did he know? - My man!!

  • We're not going to be yelling...

  • Dude, look at him.

  • He looks like my professor at music uni.

  • Your music bonuses are three more operas

  • that include roles for children.

  • I simply want you to identify the composer in each case.

  • Firstly, identify this French composer.

  • Why are they all opera, man?

  • - I know! - That's like literally the one I don't know.

  • My first thought was Bizet cause he writes...

  • - Oh, Bizet, I forgot about Bizet, yeah. - He writes opera.

  • - But I don't... - I'm already lost now, let's see.

  • But this doesn't sound like Carmen.

  • Poulenc.

  • Poulenc.

  • Delibes.

  • *Gasp*

  • Delibes, I forgot about Delibes.

  • No, it was Debussy.

  • Debussy...

  • Fair enough.

  • Dude, that was so obvious.

  • Of course it's Debussy.

  • I love Debussy, but I don't listen to opera.

  • Yeah, I know, yeah.

  • Everything but the opera.

  • And secondly this Austrian composer.

  • Oh, I know this one!

  • Actually, I don't know.

  • I'm gonna guess it's um...

  • Berg!

  • If it's not Berg, I'm gonna go practice 40 hours after this.

  • Humperdinck.

  • No, it's Alban Berg.

  • Yeah...

  • Nice one.

  • My sister studied this opera.

  • You know that bit that's happening?

  • - Yeah. - On stage, it's a little kid with a wooden horse...

  • And his mother just drowned and everyone's like...

  • "Haha, your mom drowned."

  • And he's just playing on the horse in denial,

  • and that's the end of the opera.

  • Dude, that's so dark.

  • - "Your mom died." - No wonder the music sounds so dark.

  • I don't know. It sounds very angelic.

  • It's like Mozart or something.

  • I thought that.

  • Dude, it sounds like a Christmas carol.

  • Oh, yeah, it is just like a Christmas carol.

  • Mozart.

  • It is Mozart.

  • - Yeah. - It was Mozart.

  • - Wow! - Woo!

  • Dude, they're smart.

  • You can tell they're kind of trying to

  • - understand the styles more, and... - Yeah, they're well versed.

  • First performed in the 1740s, the pastoraleroïque operas

  • entitled Zaïs and Naïs are works by which French composer?

  • Dude, that guy is me right now.

  • - Yeah. What the hell? - Zaïs?

  • And Naïs?

  • Performed in the 1740s...

  • 1740s, classical.

  • Which French composer?

  • - French. - French composer.

  • What's that French Baroque composer?

  • Ra-ra-ra-ra-ra-ra-ra-ra-ra...

  • Rameau? Rasseau?

  • Rasseau!

  • Was it Rasseau?

  • Yeah, I know what you -

  • - Let's see. - All right, let's see.

  • Berlioz?

  • No, Jean-Philippe Rameau.

  • Rameau!

  • You will hear a piece of classical music

  • by a German composer.

  • Ten points if you can name the piece.

  • Beethoven 6.

  • Pastorale.

  • First movement.

  • in F major.

  • Manchester, Rowlands.

  • No, sorry.

  • - They're like, "ahh, why did you..." - Dude, you idiot.

  • - He panicked. - He panicked.

  • Just say something.

  • Just say the most famous composer.

  • Bam~

  • Baram~

  • This is lamentable, come on,

  • it's one of the most famous pieces of classical music.

  • - Wow, he just roasted them. - He just gave - Yeah, I know.

  • This is lamentable.

  • I like that, I'm going to use that from now on.

  • Lamentable.

  • The last BBC guy's like sacrilegious.

  • This BBC guy's like lamentable.

  • Warwicker.

  • The Rite of Spring.

  • I guess, spring, right?

  • That's probably what she was thinking.

  • She wasn't wrong.

  • The problem is Rite of Spring does not sound like spring,

  • Rite of Spring sounds like a ritual,

  • where they're sacrificing pagans to the pagan gods.

  • No, the sixth symphony by Beethoven.

  • - Dude, he looks so - - He's so annoyed.

  • Oh, it's lamentable.

  • You're gonna hear three more pieces of classical music.

  • I want the title of the piece and the composer.

  • Firstly, for five.

  • - Oh, Queen of Sheba? Sheba? - Queen of Sheba, yes. Yeah.

  • By Handel, right?

  • - Dude, busking with the... - I remember busking...

  • The Arrival of the Queen of Sheba.

  • Oh, she knows it!

  • She's good.

  • The Arrival of the Queen of Sheba by Handel.

  • - Yeah, wow. - That is correct.

  • She made up for the Rite of Spring.

  • Minuet.

  • Boccherini.

  • This is a piece that everyone's played when they learn,

  • but no one knows who is it by.

  • I remember it was by the Suzuki second book.

  • - I think it's Boccherini. - I think it's Boccherini.

  • No, pass.

  • - No! - That's Boccherini's Minuet.

  • - Dude, I'm getting nervous, man. - Yeah, I know.

  • This piece of music used by Thurrock Council

  • about your call being important to them.

  • Is it like Eine Kleine?

  • - Dude, you freaking read the future. - I called it.

  • He's like, "what piece of music makes people know that

  • their call is important?"

  • Eine Kleine.

  • Nice.

  • Eine Kleine Nachtmusik by Mozart.

  • - Yeah... - Why is he answering?

  • - I don't know. I don't know, yeah. - Why doesn't Warwicker answer?

  • He's like, "I'm gonna take the credit."

  • Picture starter, you'll see a silhouette portrait of a composer

  • depicted at the mercy of a music critic.

  • For 10 points, I want you to identify the composer.

  • Who's the figure on the right?

  • Dude, what kind of question is this?

  • But I reckon it looks like Beethoven.

  • Beethoven?

  • No, it's Wagner. So...

  • It did look like Beethoven.

  • Nah, what a dumb question.

  • - This is a dumb question. - Dumb dumb.

  • Next one.

  • Your picture bonuses are

  • - three more of these portraits of composers. - Oh, man...

  • Firstly, who's this?

  • So, that was Wagner's time, right?

  • - Brahms. - Brahms. I'm thinking Brahms.

  • Debussy?

  • No, it's Brahms.

  • Yeah. Brahms.

  • Oh, that's old Liszt, right?

  • - Yeah. Liszt, Liszt, Liszt. - Liszt when he was old.

  • Liszt?

  • Liszt is correct.

  • - Yeah. - Yes, depicted there is the Abbé Liszt, and finally...

  • - Oh! - Oh, Bernstein!

  • No, no, no, it's Mahler.

  • Oh, Mahler. Oh...

  • If it's not Mahler, I'm going to practice 40 hours.

  • Mahler?

  • Mahler is correct!

  • Wow... They nailed it.

  • Excerpts now from classical pieces of music,

  • all inspired by the myth of Orpheus,

  • in each case I'd like the name of the composer, please.

  • First, this Russian composer.

  • I'm not sure, but it sounds like Prokofiev to me.

  • Prokofiev?

  • No, that's Stravinsky.

  • - Oh, Stravinsky... - Oh, yeah, Stravinsky.

  • - Yeah. - Yeah.

  • Close.

  • They're very similar.

  • Dude, these are hard.

  • Oh, Can-can.

  • - Who is it by again? - William tell. Rossini.

  • No, William tell is the... *Sings melody*

  • Can-can's by...

  • I don't even know, I am tired.

  • Okay. Handel.

  • No, no, it's Offenbach.

  • - Oh, Offenbach. - Offenbach.

  • - Dude, he was like... He was like... - Dude, he was so...

  • "Ha, no!"

  • Dude, he's so condescending.

  • - He's so brutal. - Look, they're like...

  • - Dude... - Dude, chill.

  • You'll hear an excerpt from a suite of classical music

  • that's being used as the basis for a ballet, for 10 points.

  • Oh, it's Clegg again.

  • My man Clegg.

  • Oh...

  • - Oh, um... - Scheherazade.

  • - Yeah, Scheherazade. - Rimsky-Korsakov.

  • St John's, Clegg.

  • Delibes Carmen.

  • - No. - No.

  • No, you can hear a little more, Liverpool.

  • Come on.

  • Liverpool, Bennett.

  • Sabre Dance, Khachaturian.

  • No, it's Rimsky-Korsakov.

  • Getting closer though, Khachaturian.

  • Bonuses are three more works

  • that Fokine turned into ballets...

  • I want the composer of each, please.

  • Firstly, for five, this Russian composer.

  • Petrushka.

  • Ooo.

  • I know my ballet music.

  • Stravinsky, that's from Petrushka.

  • - Yes! - Secondly, this German composer...

  • Ah, I lied, I don't know my ballet music.

  • No, that's Weber, the Spectre of the Rose.

  • And finally, this...

  • French composer.

  • Ravel.

  • There's Ravel. Come on, Clegg.

  • Come on, Clegg.

  • Delibes.

  • They keep saying Delibes.

  • - Yeah, dude. He loves Delibes. - It's such a random...

  • All right, guys, how did you guys go?

  • That was very hard.

  • That was hard.

  • At first like, when he said Ravel, I was like,

  • "oh my god, this is so dumb."

  • But then the questions got really hard.

  • I came into this video not knowing what to expect.

  • I was expecting them to just be like,

  • totally clueless young people,

  • but I'm actually finding them pretty smart.

  • - They know, they know. - And like...

  • The host is pretty like brutal, man.

  • Anyway, guys, if you made it this far,

  • you've had enough of a break.

  • Remember, it's time to go study and practice.

  • So when your teacher asks you these questions,

  • you are ready to answer.

  • What's that? You haven't clicked subscribe yet?

  • Lamentable.

  • Lamentable.

  • - That's our new favorite word. - Lamentable.

  • Lamentable.

Welcome to another episode of TwoSet Violin.

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