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  • 3! 2! 1! Ding ding ding. And thus begins my quest to

  • build the perfect marshmallow launching machine. This is a catapult model, and it would be

  • extremely dangerous if you were...this tall or like an angry squirrel.

  • And this model is inspired by the drawings of this genius. Leonardo da Vinci.

  • The same guy who painted the super famous Mona Lisa.

  • It's overrated, but still, pretty good. A catapult launches something in the air using

  • power from tension or gravity instead of using gunpowder.

  • There are different typesthis one's called a mangonel. It's what you usually

  • think of. There's also a ballistathink of a crossbow.

  • And a trebuchet. This part is super heavy and the cow — I

  • mean the stoneyou throw goes here. Then the stone gets released and the heavy stuff

  • helps shoot the stone up and out, like a big slingshot.

  • Catapults were invented in China and Europe around the 4th century BC. And it was actually

  • a breakthrough. They could launch big heavy stones at walls and enemies.

  • You could break through a wall with it. Did I mention we have cicadas here? Can you

  • hear the cicadas? In the 1300s, people said catapults were even

  • used to launch dead bodies over walls, because people wanted to spread the plague to their

  • enemies on their corpses. But Leonardo's catapult? It was as elegant

  • as one of his paintings. Bah.

  • Oh the first thing is to assemble the drum, let's go do that.

  • Today, Leonardo has a reputation for inventing things.

  • But when we look back, a lot of his inventions were just improvements on things that already

  • existed, like this drawing of a ladder to scale castle walls

  • He even made a few things that just didn't work. This helicopter looks awesome, but it

  • probably wouldn't fly. His catapults weren't some totally new thing.

  • He took tried-and-true elements from other catapults and made the design his own.

  • Our catapult is actually a mash up of these two drawings Leonardo made.

  • Let's switch to something that makes it easier to see exactly what Leonardo was thinking

  • That's better. OK, so the drum and ratchet are gonna be how

  • we wind up the catapult. They're kinda like the charger to the battery that gives us all

  • the power. For this one, you turned the handle here to

  • wind up this drum, That winds up and pulls the rope, which pulls back the wood pieces

  • here. Now they hold a lot of energy that you used winding up the drum.

  • And that is pretty much how this catapult works too. See how when I pull this back,

  • the drum turns and pulls back these rods. All that tension lets it launch payload.

  • In our case, that's a marshmallow. In Leonardo's it would have been a large stone or some other

  • projectile that could just bash into castle walls.

  • In Leonardo's you probably wacked this thing here with a hammer to set the gear loose and

  • fire. In ours, you lock it by hooking this bar right

  • here to this gear. It stops it in place. That's taken from Leonardo's second design.

  • You wound the gear by sticking a bar in one of these holes and pulling everything more

  • taut over and over again. Then, see the bar that locks to a gear? It

  • holds the gear in place. That is what ours does too.

  • When we pull this release rope, the bar comes loose, the drum unwinds, and the catapult

  • fires. It's pretty easy. A good catapult can hold that tension for

  • as long as it has to. It requires all those elements to work in

  • tandem, and the person firing it to have the right touch. Which I do.

  • If one thing goes wronglike right here, where the bar is out of place, the energy

  • is lost. And after a few tries, I believe that I will

  • be able to get this catapult to do something amazingto fire the perfect marshmallow.

  • This is a crossbow Leonardo designed. See that dude there? That's how big this thing

  • was. And here's Leonardo's trebuchet and his

  • ideas for sweet shields to protect soldiers. He was a geniushe drew a baby in the

  • womb, and imagined a parachute, and made a crazy accurate overhead map.

  • But he was also a guy doodling in a bunch of different notebooks.

  • His catapult was probably never used in war. But his designs mashed together some really

  • clever ideas. People are still tinkering with the design

  • of catapults - this is being launched off a carrier by a kind of catapult.

  • And from looking at them, we can still be inspired to create a replica.

  • And I am no Leonardo, but that is something we can do too. We can adapt stuff. I'm gonna

  • attach this to the ground and make the release rope a little longer so that I can launch

  • it myself and get that sweet marshmallow arcing in the air.

  • That's something we all can do. We can't all draw, or instantly understand

  • physics, or get people to build weapons. But we can all imagine something amazing.

  • 3! 2! 1!

  • You're 22 years old, Phil. Get it together! 3, 2, 1. Ow!

3! 2! 1! Ding ding ding. And thus begins my quest to

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