Placeholder Image

Subtitles section Play video

  • WOW~

  • Welcome to another episode of...

  • TwoSet Violin, we're here with producer Shaun,

  • and we're gonna try to

  • do the challenge of remixing classical music!

  • Producer Shaun is back.

  • What are we going to do today?

  • 'Cause Eddy went really quick.

  • We're remixing Pachelbel's Canon in D.

  • We're gonna take a beloved classic,

  • and remix it to modern standards.

  • I mean, to be fair, it's...

  • - Canon in D, so I don't mind. - Yeah, it's Canon in D.

  • It's probably the most roasted,

  • - like the most open piece to... - Roast.

  • If we remix Pachelbel's,

  • is it a song? Or is it a piece?

  • It's neither!

  • 'Cause it's a MASTERPIECE!

  • I'm done.

  • We're gonna make a masterpiece.

  • Mastersong.

  • Mastersong! Let's make a mastersong.

  • Alright. So we got the chords already.

  • Transcribed by ear, from...

  • - Perfect pitch gang. - Yeah.

  • Wow.

  • - It's so peaceful. - Whoa... I feel so touched.

  • Ah.

  • The piece you need in 2020.

  • It's already perfect.

  • - Yeah, it's done. That's it! - Yeah. - Pack it up, we're done.

  • We're done!

  • So a remix is...

  • Yeah. Kinda.

  • Can we add a "wakawow" in there?

  • Um...

  • So instead of just rewriting someone's song,

  • you just take ideas from it

  • and put them in a different context.

  • But then that's every pop song, though.

  • Yeah.

  • But remix is like...

  • This song is great, but like, this is my take on it.

  • - Okay. - I see. - Yeah.

  • Where should we start?

  • I don't think like a Steinway piano will really cut it.

  • So we can go through some different options here.

  • Electric guitar!

  • No, we gotta think...

  • Synthesizers!

  • - Synthesizer. - Yeah.

  • - That's 2030 thinking right there. - Yeah.

  • - Synthesizers, yeah. - Okay.

  • Dude, it's kinda choral.

  • - Nah, it's not future enough. I want like, - It's not hype enough.

  • neo-Tokyo feels, you know?

  • - Yeah, yeah! Yeah, yeah. - Like, sci-fi future.

  • - Oh bro, that's so in the future. - Dude, that's 2035!

  • Ooh, here we go.

  • - I like that. - Dude, it's like lights going...

  • - I feel like I'm in like, you know. - In a trance.

  • (Eddy, Shaun) Yeah.

  • Do you think trance will be 2030s?

  • A comeback?

  • - So we're predicting it. - It's a...

  • - Trance... - Retrofuturism.

  • Yeah, retrofuturism!

  • So now we gotta go into the beat.

  • These are just some of my samples I've got downloaded.

  • - Nice. Dude, I like "summer Seoul." - Whoaa!

  • Oh, it's just that sound?

  • - Ohhh... - It's just a kick. Yeah. - Oh!!

  • I thought the whole track was already there.

  • - It's easy, it's not that easy. - Yeah.

  • Tell me if you like a snare.

  • - The big one. - That one. That one.

  • It's got more oomf to it.

  • I think for this tempo,

  • I might put the snare like, in the middle here.

  • - So on the two. - Okay. Yeah.

  • - Two and four. - Cool. Yep. Good.

  • - Yeah. So we got like the... - Ohh!

  • Whoa, dude!

  • - You feel that in your chest. Yeah, you feel it here. - You feel it. Yeah, you feel it like...

  • Yeah.

  • So now we got the kick.

  • The kick you can probably have a bit more fun with.

  • Like a straight kick snare beat would probably be boring.

  • Nah, I hate that.

  • Nice!

  • That's a bit basic, but I don't know.

  • Let me tweak it.

  • That's it.

  • Alright, done.

  • Tweaked it.

  • So yeah. You got like, your snare, your kick.

  • And just copy it over.

  • I'm gonna add in some trap hi-hats, because that's...

  • - Aw, yeah! I want the trap hi-hats! - What's a trap

  • What's a trap hi-hat?

  • I think I like this one.

  • - Yeah. - Okay, okay.

  • Yeah, there we go.

  • Wow, this is...

  • It's becoming a song.

  • So I'll probably bring in the hi-hats a bit later.

  • - Okay. Yeah. - Just because... - Yeah, I was thinking that.

  • - I was thinking that. - You want a buildup. - Yeah.

  • Now, my next one would be...

  • 808.

  • So if you're lazy...

  • - Whoa. - ...take the bottom note.

  • Yeah.

  • Working smart, not hard.

  • Yeah!

  • There we go. It can be in the bass.

  • Oh, that's what it is!

  • Actually, you might wanna bring it out.

  • You know, introduce the classic.

  • So like, start off with that, you know?

  • What are you feeling?

  • Is there more elements to this? Or is that it?

  • There's so much stuff you can do.

  • - Can you amp it up more? - I can make it more Coffin style.

  • - Oh, can we go? - For sure.

  • - Yeah, okay, that's it. - Oh, that's the freaking...

  • Yeah.

  • You know where that beat came from?

  • I mean, I don't know if it came from that,

  • but it's the whole Habanera. Carmen.

  • - Dude, that synth is freaking, like, coming at me. - It's like, in my face.

  • Okay. I'm gonna do something really quickly,

  • just to make it kind of more dance-y.

  • - Oh, of course! - Duuude!

  • Holy moly!

  • This looks like my heart monitor,

  • - when I'm in the hospital. - Yeah! Ding ding ding!

  • - Wow. - Is this why it's called a sidechain?

  • Sidechain compression. Yeah.

  • - Wowww! - I mean I didn't know that.

  • I'm a...

  • ...classical musician.

  • - Wow! - So it's very...

  • We'll add in like, the snare again, and try.

  • You know...

  • - Yeah, let's do that! Let's do that... rhythm. - Okay.

  • Do you wanna try make that rhythm?

  • - Yeah, let's do it! - I'll...

  • sit out for a bit.

  • So...

  • Whoa, dude.

  • Ah, you do it.

  • Yeah!

  • - You dragged so far, I was like, oh my god. - Yeah!

  • Let's bring it down.

  • Oh, can we add like a...

  • - In the music? - Yeah!

  • - Like ad libs? - Yeah, chuck it in the microphone. - Yeah.

  • We'll add in some ad libs.

  • I'll see if we can chuck in a pitch correction.

  • So we can get like the...

  • - that autotune type of sound. - Okay.

  • So I can sing out of tune.

  • Oh yeah!

  • That's it?

  • Is that it?

  • I wanna listen to it.

  • It kinda works.

  • It kinda works, hey!

  • It has like a... kinda like, cute vibe to it.

  • - I was going to add stuff earlier. - Yeah.

  • But now I feel like I shouldn't.

  • 'Cause it'll take away

  • - from the suspense to his "Oh, yeah." - "Oh, yeah."

  • Well like, you can do stuff with it.

  • You know, make it like, more electronic.

  • Yeah, you just pitch shift it up.

  • - And make it like a... - What?

  • What is that?!

  • Dude, that's epic!

  • - I'm done, that's it. - "oH yeAh!"

  • - I don't think I can top that. - Bro. There'll be ad libs. - You should be like, can you just be like...

  • "Oh no."

  • When should I come in?

  • You just have to feel it, bro.

  • - Yeah, you have to feel it. Like... - Bro, I don't know!

  • - Like, I felt it around there. - Ad libs, you just feel them.

  • Dude...

  • Uh-oh!

  • - It's perfect. - Why'd you go, "uh-oh!"

  • I don't know! I just felt it.

  • That's so dumb.

  • What is that?!

  • (both) Uh - o h .

  • Did you pitch it down?

  • Yeah.

  • Dude! I wasn't expecting that.

  • - We take out the... the kick there. - Dude, that's so good!

  • And add in the bass, so you have like a mini drop.

  • I would actually listen to this.

  • - That was really good! - Yeah. - Dude!

  • We got it!

  • This is a masterpiece.

  • I told you guys!

  • Can you get those things, like a...

  • - Um, so, some people... - "Oh yeah!"

  • You should just do the sound effects yourself.

  • - Alright. Brett, you can do this one. - Alright, I'll do this one.

  • It's my honor.

  • I can't do it!

  • Bro, I believe in you!

  • I lost...

  • - "Oh, yeah!" - That was funny.

  • I'll get rid of that.

  • Yeah, do it again.

  • No, wait wait wait. I gotta go...

  • I'm not ready!

  • Dude, wait!

  • That's a hi-hat right there.

  • That...

  • Gonna save that for later.

  • Alright.

  • - I'm gonna look away. - I got this.

  • I got, I got this. Nah.

  • Dude, you went through like, three different things there!

  • I love the part at the very end, the...

  • It sounded like a cowboy!

  • - Bro, you try and hold it, it's so hard! - All right.

  • Dude, this is so much better than I anticipated.

  • I'll put some reverb on it.

  • "Vienna Concert Hall."

  • "Vienna Concert Hall."

  • You walk onstage and you go...

  • Some dude just lost it at the mic.

  • I'll blend it with like, another riser.

  • Dude!!

  • - Dude, you actually made it sound like it fits! - Yeah.

  • We can still add in your hi-hat.

  • Just gonna have it like...

  • Here we go.

  • Cut you half the composition.

  • Half the creativity needed!

  • Can we have a "uh-oh" one more time?

  • We should end it on the "uh-oh."

  • - Yeah, we should. Yeah! I like the "uh-oh." - Yeahhh!

  • And give it a big boom as well.

  • (both) UH-OHH!

  • Do you want to do, try to do a boom sound effect?

  • - Alright! Can I do it? - You should do it. I think you should do it. - Yeah, yeah.

  • - This is your - - This is your part! - This is my moment, man!

  • That's good.

  • - We can make that work. I like that. - Oh, man. Alright. - Dude, that was good.

  • - Do you wanna add some bass to that? - Yeah, I think bass to it. I want the bass to that.

  • It needs like, a roar.

  • Might add a bit of distortion, give it a bit more grit.

  • We want the "oh" on the end. So, "uh-oh."

  • - Yeah, that is better! - Yeah, that's better. That's better.

  • But can you change that to a D instead of a C sharp?

  • See how that's like, C sharp? Yeah.

  • Little bit sharper, like fine-tune it. The D.

  • - It's a bit better. - That's better. - Yeah.

  • - Are you serious? - A little bit more. A tiny bit.

  • - Minus 2 cents. It's off. - Yeah. Yeah, yeah.

  • Man, it really is perfect pitch.

  • (both) Yeahh!

  • - Yeah! - That's better. - Alright.

  • Ready for the

  • Are we ready for the grand...

  • - Alright, here we go guys! - Reveal? - Grand premiere.

  • Dude, that epic!

  • It has an explosion!

  • That's it. That's a song.

  • That's it, that's a song now!

  • - Thank you... producer Shaun. - Thank you so much, producer Shaun.

  • If you ever want

  • your vocal ad libs turned into a masterpiece...

  • Alright, guys! Accent the like button.

  • And don't forget to, uh...

  • That's difficult. It's so hard to do.

  • Don't forget to uh-oh.

  • Uh-oh!

WOW~

Subtitles and vocabulary

Click the word to look it up Click the word to find further inforamtion about it