US /'skʌlptʃərəl/
・UK /'skʌlptʃərəl/
In 1977, Richter took on new directions, creating two sculptural pieces using glass, something he would develop further in the future, but also introducing colourful abstract works, referred to as abstractive bild or abstract painting. A new investigation of perception, colour light, space depth and optics emerged, and as Richter formally separated from Emma in 1979, a decade which was dominated by grey ended with colour and marked a new chapter in the life and oeuvre of Gerhard Richter.
In 1977, Richter took on new directions, creating two sculptural pieces using glass, something he would develop further in the future, but
We wanted it to be very minimal, very sculptural, and paired back.
And it was just a pure expression of that first version of the chair, we wanted it to be very minimal, very sculptural and paired back.
So it's just much more about the sculptural part of it than actually designing light.
So it's just much more about the sculptural part of it than actually designing light.
So this sculptural piece is actually a plant, but it looks like a piece of art.
So this sculptural piece is actually a plant, but it looks like a piece of art.
Once you see it, it's sort of such a great sculptural feature to the house.
Once you see it, it's sort of such a great sculptural feature to the house.
And Michelangelo's "David" presents truly human characteristics even as it sought to copy ancient sculptural styles.
And Michelangelo's David presents truly human characteristics, even as it sought to copy ancient sculptural styles.
In the later one, we have narrative psychology, movement, bodies with a sculptural reality.
Movement bodies with a sculptural reality.
And the grey one with the shoulders, at first, well, it was very sculptural, structural anyway, so that kind of, at first I thought it was gonna be frontal, because, you know, you've got all of that shape there, and then it ended up being a profile thing, which at first threw me, but then I was like, oh no, this actually works, you get a nice hole up into the arm underneath, and yeah, I liked putting the wig on, that's always good, changes the whole character.
And the gray one with the shoulders, at first—well, it was very sculptural, structural anyway, so that kind of—at first I thought it was gonna be frontal because, you know, you've got all of that shape there,
and then I was able to work with and luckily collaborate with Nairi Bagramian in doing a sculptural kind of support for these structures because I really wanted them to be freestanding.
luckily collaborate with Nayari Bagramian in doing a sculptural kind of support for these structures, because I really wanted them to be freestanding.
Just a short drive away at the Longhouse Reserve, the sculptural works of Buckminster Fuller, Yoko Ono, and
the sculptural works of Buckminster Fuller, Yoko Ono and William de Kooning