representation
US /ˌrɛprɪzɛnˈteʃən/
・UK /ˌreprɪzenˈteɪʃn/
A2
n.NounDepicting objects, figures, or scenes as seen
The play is a representation of real life events
n.NounPicture showing something in a particular way
This painting is a representation of the love of families
n.NounAct or action of representing something
The political party had no representation in local government
n.NounThe act of speaking or acting on behalf of someone.
The union provides legal representation for its members.
Video subtitles
An Antidote to Dissatisfaction
- In the end, how you experience life is a representation of what you believe about it.
In the end, how you experience life is a representation of what you believe about it.
- is a representation of what you believe about it.
is a representation of what you believe about it.
7 YEARS IN JAPAN // MY REGRETS AND WEIRD EXPERIENCES
- Maybe I'm not the best representation of what a 'foreigner in Japan' is
Maybe I'm not the best representation of what a 'foreigner in Japan' is
- Maybe I'm not the best representation of what a foreigner in Japan is,
Maybe I'm not the best representation of what a foreigner in Japan is,
It’s Not Just the U.S. Why Are World Leaders So Old Now? | WSJ State of the Stat
- But that representation is lopsided when it comes to age.
But that representation is lopsided when it comes to age.
- - [Narrator] But that representation
- [Narrator] But that representation
One Piece Cast Answer 50 of the Most Googled Questions About the Anime & Manga | WIRED
- so it's a representation of her family and her home.
so it's a representation of her family and her home.
- Second one is the pinwheel and also the tangerine, so it's a representation of her family and her home.
Second one is the pinwheel and also the tangerine, so it's a representation of her family and her home.
The Story of: Gerhard Richter (1932–Today)
- Emma, nude on a staircase, one of his most famous works he ever painted, and he took on geometric abstraction with his colour chart, influenced by his friend Blinky Palermo, but also influenced by pop art and minimal art. Richter had already been experimenting with abstraction and minimal painting, think of the abstracted blur or washed out zones of oil paint, but also depicting very minimal elements, such as curtains, tubes, turning sheets or daily objects. The colour charts were copies of paint sample cards, which paved the way for Richter's future abstract paintings. After Emma, nude on a staircase, Richter would paint several erotic nudes in 1967, followed by cityscapes, aerial views, mountains, starscapes, clouds, seascapes and landscapes in 1968 and 1969. With these artworks, there is this notion of both an almost nostalgic romanticism and an ongoing exploration of abstraction. He would paint many shadow pictures, corrugated iron as a geometric abstract work, grey monochromes, colour streaks and grit, arriving at pure abstraction and questioning the limits of representation. By the end of the decade, Richter had established himself as a contemporary artist, participating in group exhibitions across the globe. In 1969, he was included in the exhibition Nine Young Artists at the Solomon R. Guggenheim Museum in New York, his first show at a major institution. However, Richter was still unsure about his future and in search for a specific direction, so his paints and the experiments would continue.
Emma, nude on a staircase, one of his most famous works he ever painted, and he took on geometric abstraction with his colour chart, influenced by his friend Blinky Palermo, but also influenced by pop art and minimal art. Richter had already been experimenting with abstraction and minimal painting, think of the abstracted blur or washed out zones of oil paint, but also depicting very minimal elements, such as curtains, tubes, turning sheets or daily objects. The colour charts were copies of paint sample cards, which paved the way for Richter's future abstract paintings. After Emma, nude on a staircase, Richter would paint several erotic nudes in 1967, followed by cityscapes, aerial views, mountains, starscapes, clouds, seascapes and landscapes in 1968 and 1969. With these artworks, there is this notion of both an almost nostalgic romanticism and an ongoing exploration of abstraction. He would paint many shadow pictures, corrugated iron as a geometric abstract work, grey monochromes, colour streaks and grit, arriving at pure abstraction and questioning the limits of representation. By the end of the decade, Richter had established himself as a contemporary artist, participating in group exhibitions across the globe. In 1969, he was included in the exhibition Nine Young Artists at the Solomon R. Guggenheim Museum in New York, his first show at a major institution. However, Richter was still unsure about his future and in search for a specific direction, so his paints and the experiments would continue.
- These experiments brought him to his formalum or in-paintings, in which he continued to examine the relation between representation and abstraction. What started as a representational painting was being reworked in such a manner, the imagery was entirely obliterated, using gestural brushstrokes and thick impastos. Uniquely, Richter made these gestural brushstrokes without being expressive, pulling the paint across the canvas in an emotionless manner, involving expression as an impelling force of painting. Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism. Furthermore, from a personal perspective, the 1970s were not the happiest of years for Gerhard Richter, as his marriage with Emma was gradually coming to an end, and he lost his very dear friend Blinke Palermo unexpectedly in 1976. As a result, his grey paintings, but also his figurative works, think of his seascapes in particular, are embedded with a deep melancholy.
These experiments brought him to his formalum or in-paintings, in which he continued to examine the relation between representation and abstraction. What started as a representational painting was being reworked in such a manner, the imagery was entirely obliterated, using gestural brushstrokes and thick impastos. Uniquely, Richter made these gestural brushstrokes without being expressive, pulling the paint across the canvas in an emotionless manner, involving expression as an impelling force of painting. Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism. Furthermore, from a personal perspective, the 1970s were not the happiest of years for Gerhard Richter, as his marriage with Emma was gradually coming to an end, and he lost his very dear friend Blinke Palermo unexpectedly in 1976. As a result, his grey paintings, but also his figurative works, think of his seascapes in particular, are embedded with a deep melancholy.
What is the metaverse? - BBC News
- Okay, so, boss, here we are in what might be considered a representation of... of what the metaverse could be.
Okay, so, boss, here we are in what might be considered a representation of... of what the metaverse could be.
- OK, so, Bolt, here we are in what might be considered a representation of what the metaverse could be.
OK, so, Bolt, here we are in what might be considered a representation of what the metaverse could be.
Where Did The “Heart Shape” Come From? | COLOSSAL QUESTIONS
- But accurate or not, Aristotle's description may have inspired medieval artists to develop the heart shape that became a representation of love and romance over time.
But accurate or not, Aristotle's description may have inspired medieval artists to develop the heart shape that became a representation of love and romance over time.
- But accurate or not, Aristotle's description may have inspired medieval artists to develop the heart shape that became a representation of love and romance over time.
But accurate or not, Aristotle's description may have inspired medieval artists to develop the heart shape that became a representation of love and romance over time.
MatPat & Kellen Goff on the FNAF Lore They Want to See in the Next ‘Five Nights at Freddy’s’ Movie
- In FNAF—in the FNAF 3 movie coming to theaters near you soon, there better be some sea bonnie representation.
In FNAF—in the FNAF 3 movie coming to theaters near you soon, there better be some sea bonnie representation.
- There better be some Seabonny representation.
There better be some Seabonny representation.
Women less likely to survive CPR because of boobs
- I'm gonna make sure there's equal representation so that when someone is given CPR- They're not too busy worrying about someone's bazoigus.
I'm gonna make sure there's equal representation so that when someone is given CPR- They're not too busy worrying about someone's bazoigus.
- I'm gonna make sure there's equal representation so that when someone is getting CPR— You mean capture dummies with boobies, Carl?
I'm gonna make sure there's equal representation so that when someone is getting CPR— You mean capture dummies with boobies, Carl?
Why Apple, Samsung and Google Need Each Other
- But Google needs Samsung because Samsung smartphones are the representation of Android phones for way, way more people.
But Google needs Samsung because Samsung smartphones are the representation of Android phones for way, way more people.
- But Google needs Samsung because Samsung smartphones are the representation of Android phones for way, way more people.
But Google needs Samsung because Samsung smartphones are the representation of Android phones for way, way more people.