US /ˈrepərtwɑ:(r)/
・UK /ˈrepətwɑ:(r)/
It's a little odd to be adding to our repertoire, perhaps for the savory day, but because we've had so many savory things, this is like a nice palate cleanser.
If you've got any questions on developing your Sicilian repertoire, please put them in the comments below.
Kobokobo has a repertoire of around 15 varieties of beer, including seasonal and aged ones.
If you can think of it, it's not strange enough because the Bible says you can't even think of it or imagine it because it's outside of your repertoire of ability.
It's just if you're interested in adding a little something fun to your repertoire, it does show a little personality, which can be good.
You can even, like Dre has done, do this with very heavy load but again we must start at square one which is just your ability to raise up onto your heels and back down and then eventually add this into your movement repertoire.
I think is the repertoire of teaching and it answers some of the previous questions as well about what keeps someone in the profession is thinking this is an intellectual, layered, I mean when I first came in that's what I thought, sort of complex, it would take you many years to master all these different techniques so in terms of critical thinking or compassion
Similarly on the social media and understanding that's got to be rich discussions that are facilitated in the class to really get underneath what people are thinking and what people are doing online and all the rest of it and similarly your real world and virtual blending is a type of repertoire for teachers, it's a sophistication in understanding how you can use technology and I'm very much significant in real world learning and giving young people the chance to apply their knowledge to situations outside of school because it's so empowering so I think that's what we've got to be promoting.
The dead people that he photographs, he doesn't always, I think, see them, they are actors that he needs to stage the theatricals with, and they're precious to him, they're part of his repertoire, and he's very careful about what kinds of actors he chooses, it's not just anyone.
And it's an opening that actually holds a dear place in my heart, because when I quit chess between the ages of 12 and 15, the thing that brought me back was a book by Lars Skendorf called Grandmaster Repertoire 7, the Karo-Khan.
Do you want to make a whole repertoire list of things that you know that you'll probably be able to grasp quickly and connect to the things you naturally do well, or do you want to go in the opposite direction and try to learn a whole bunch of stuff that just almost feels averse to your musical approach and almost is like another language?