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If we are running at altitude ─ high up
If we are running at altitude ─ high up
There's something in their bios that would be quite high up that would connect them.
There's something in their bios that would be quite high up that would connect them.
And high up above or down below. When you're too in love to let it go.
In easy state upon this couch, there sat a jolly giant, glorious to see, who bore a glowing torch in shape not unlike Plenty's horn and held it up, high up, to shed its light on Scrooge as he came peeping round the door.
and held it up, high up, to shed its light on Scrooge, as he came peeping round the door.
You start high up by the jaw, this is the jaw, and you just work your way down.
You start high up by the jaw, this is the jaw, and you just work your way down.
And you have this tiny mirror, which is placed oddly high up considering the average height of Japanese people being somewhere between, like, 5'2" and 5'7".
And you have this tiny mirror, which is placed oddly high up, considering the average height of Japanese people being somewhere between like five foot two and five foot seven.
Back of the tongue is pulled high up.
Back of the tongue is pulled high up.
I have had many conversations with people from China who might come to me and say, "Hi, I'm so-and-so, um, I've been doing this for a while and I'm high up in this company," and tell me in quite a lot of detail about what they're doing for work and maybe how successful they are.
and I'm high up in this company,
I was using that to help with that extension movement as I rocked my way over from one edge to the other. You can do a couple of things with this. You could even take that snap and pop an ollie at the end of the turn. Make your edge change in the air. Pop off your toe edge carve, land into your heel edge carve. One thing that I really like to do is I like to progressively push my legs out through the turn, build the pressure up in the board and at the end of the turn I release it all and I snap my legs up underneath my body and try and get them high up on the slope to begin the next turn nice and early.
So rather than before when we were standing up and crossing our hips over the board, this time we're actually bringing the board underneath our body. We call it a cross under turn. Now this is really effective because you bring the board nice and high up to start the turn early but also because you've stuck your legs up underneath you, you're starting the turn in a crouch down position. You're in this low position ready to start extending your legs and applying pressure through the board right from the beginning of the turn. Whereas before we were standing up then sinking into this low position which you could then apply pressure from. Here you're doing these cross under turns, you can get pressure right from the start of the turn and this is what I start to call more high performance carving. So give me a watch, I'll film some in slow motion so you can really see the board snapping up underneath me. So from my heels to the toes I've got to bring it up underneath me and back up the hill. From the toes to the heels, same thing, I release that snap, pull the board underneath me, you see it lets me engage my edge nice and early and already I'm in that low strong position to start pushing out through the turn.
I am high up in the air.
I am high up in the air.