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    gesture

    US /ˈdʒɛstʃɚ/

    ・

    UK /'dʒestʃə(r)/

    A2
    n. (c./u.)Noun (Countable/Uncountable)Bodily movement expressing a particular meaning
    We understand much more from speech than we do from gesture
    v.i.Intransitive VerbTo move your body to convey a message e.g. wave
    Can you gesture to him to come here?
    n. (c./u.)Noun (Countable/Uncountable)Something you do to express gratitude, regret etc.
    Your flowers are a very kind gesture, thanks

    Video subtitles

    8 Odd Dog Behaviors That Have Hidden Meanings

    08:108 Odd Dog Behaviors That Have Hidden Meanings
    • That is why it is faster to teach your dog a new command by pairing it with a hand gesture.

      That is why it is faster to teach your dog a new command by pairing it with a hand gesture.

    • by pairing it with a hand gesture.

      by pairing it with a hand gesture.

    B1

    Families sue Universal Orlando after actor made white-power ‘OK’ gesture posing with girls

    02:21Families sue Universal Orlando after actor made white-power ‘OK’ gesture posing with girls
    • We're learning two families are now suing Universal Orlando after an incident in which one of their actors is seen using a gesture used by white supremacists.

      We're learning two families are now suing Universal Orlando after an incident in which one of their actors is seen using a gesture used by white supremacists.

    • after an incident in which one of their actors is seen using a gesture used by white supremacists.

      after an incident in which one of their actors is seen using a gesture used by white supremacists.

    B1

    Why Does Texting Feel Different from Talking? | Otherwords

    07:03Why Does Texting Feel Different from Talking? | Otherwords
    • And speaking of nods, synchronous conversation is full of gesture.

      And speaking of nods, synchronous conversation is full of gesture.

    • But research shows that gesture also helps the speaker with cognition and fluency.

      But research shows that gesture also helps the speaker with cognition and fluency.

    B1

    Learn 60 English Action Verbs In Under 10 Minutes! Acted Out For Easy Memorization!

    09:25Learn 60 English Action Verbs In Under 10 Minutes! Acted Out For Easy Memorization!
    • And we also use our fingers to make really bad gestures, but I'm not going to show you which gesture I'm making here, because it's not a very nice one.

      And we also use our fingers to make really bad gestures, but I'm not going to show you which gesture I'm making here, because it's not a very nice one.

    • which gesture I'm making here,

      which gesture I'm making here,

    B1

    Why these all-white paintings are in museums and mine aren't

    06:30Why these all-white paintings are in museums and mine aren't
    • and it's his gesture, it's his physical body, it's his arm, it's who he is as a person that's creating that canvas, that painting.

      and it's his gesture, it's his physical body, it's his arm, it's who he is as a person that's creating that canvas, that painting.

    B1

    The Story of: Gerhard Richter (1932–Today)

    19:49The Story of: Gerhard Richter (1932–Today)
    • These experiments brought him to his formalum or in-paintings, in which he continued to examine the relation between representation and abstraction. What started as a representational painting was being reworked in such a manner, the imagery was entirely obliterated, using gestural brushstrokes and thick impastos. Uniquely, Richter made these gestural brushstrokes without being expressive, pulling the paint across the canvas in an emotionless manner, involving expression as an impelling force of painting. Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism. Furthermore, from a personal perspective, the 1970s were not the happiest of years for Gerhard Richter, as his marriage with Emma was gradually coming to an end, and he lost his very dear friend Blinke Palermo unexpectedly in 1976. As a result, his grey paintings, but also his figurative works, think of his seascapes in particular, are embedded with a deep melancholy.

      These experiments brought him to his formalum or in-paintings, in which he continued to examine the relation between representation and abstraction. What started as a representational painting was being reworked in such a manner, the imagery was entirely obliterated, using gestural brushstrokes and thick impastos. Uniquely, Richter made these gestural brushstrokes without being expressive, pulling the paint across the canvas in an emotionless manner, involving expression as an impelling force of painting. Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism. Furthermore, from a personal perspective, the 1970s were not the happiest of years for Gerhard Richter, as his marriage with Emma was gradually coming to an end, and he lost his very dear friend Blinke Palermo unexpectedly in 1976. As a result, his grey paintings, but also his figurative works, think of his seascapes in particular, are embedded with a deep melancholy.

    • Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism.

      Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism.

    B1

    20 Essential English Phrases for Daily Conversation

    16:3620 Essential English Phrases for Daily Conversation
    • This is usually accompanied with this kind of crossing fingers with your middle and your pointer finger gesture.

      This is usually accompanied with this kind of crossing fingers with your middle and your pointer finger gesture.

    • pointer finger gesture.

      pointer finger gesture.

    A2

    Bob Odenkirk Has a Goodbye Gift

    03:16Bob Odenkirk Has a Goodbye Gift
    • I really appreciate the gesture, I do.

      I really appreciate the gesture, I do.

    • Bob, I—I—I—I really appreciate the gesture.

      Bob, I—I—I—I really appreciate the gesture.

    B2

    Welcome to the world of handkerchiefs!

    14:14Welcome to the world of handkerchiefs!
    • I think handkerchiefs can be used as a gesture or a sign of concern.

      I think handkerchiefs can be used as a gesture or a sign of concern.

    B1

    Rashid Johnson on 'Soul Paintings,' Art History and Consciousness | The Now Issue | Harper's BAZAAR

    05:06Rashid Johnson on 'Soul Paintings,' Art History and Consciousness | The Now Issue | Harper's BAZAAR
    • Where am I now?" And so as a result of all of that kind of curious exploration, you kind of come into the process of thinking about kind of gesture and thinking about identity and thinking about the complexity of how we begin the process of imagining the self, our imagining the collective.

      Where am I now?" And so as a result of all of that kind of curious exploration, you kind of come into the process of thinking about kind of gesture and thinking about identity and thinking about the complexity of how we begin the process of imagining the self, our imagining the collective.

    • And so as a result of all of that kind of curious exploration, you kind of come into the process of thinking about kind of gesture and thinking about identity and thinking about the complexity of how we begin the process of imagining the self or imagining the collective.

      And so as a result of all of that kind of curious exploration, you kind of come into the process of thinking about kind of gesture and thinking about identity and thinking about the complexity of how we begin the process of imagining the self or imagining the collective.

    B1