Changes to the temperature Let's examine a hypothetical reaction at equilibrium.

For this stress, we will examine another hypothetical reaction at equilibrium:

- So we're just gonna dive right into this 'cause you brought along two samples for us to basically examine. - Thank you for having me.

Gonna dive right into this 'cause you brought along two samples for us to basically examine.

the reverse reaction must be endothermic. Let's examine this hypothetical reaction

-When Aldi comes in, it prompts other retailers to look at their prices again and kind of, you know, surgically examine how to adjust what they sell and for how much.

and kind of, you know, surgically examine

WE WILL EXAMINE WHAT IS WORKING,

WE WILL EXAMINE WHAT IS

Fine, I'll examine all of you for signs of the pestilence meself!

Over here, we also like to examine the oil level.

Regularly take time to examine your thoughts and reactions.

Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife

These experiments brought him to his formalum or in-paintings, in which he continued to examine the relation between representation and abstraction. What started as a representational painting was being reworked in such a manner, the imagery was entirely obliterated, using gestural brushstrokes and thick impastos. Uniquely, Richter made these gestural brushstrokes without being expressive, pulling the paint across the canvas in an emotionless manner, involving expression as an impelling force of painting. Doing so, Richter emphasised the painterly gesture, a witness of Richter's engagement towards the abstract as a counter-model of the figurative, coming to terms with the new possibilities for painting offered by abstraction and minimalism. Furthermore, from a personal perspective, the 1970s were not the happiest of years for Gerhard Richter, as his marriage with Emma was gradually coming to an end, and he lost his very dear friend Blinke Palermo unexpectedly in 1976. As a result, his grey paintings, but also his figurative works, think of his seascapes in particular, are embedded with a deep melancholy.