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    Privacy˙Terms˙
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    drawn to

    US

    ・

    UK

    A1
    adj.AdjectiveAttracted or inclined towards someone or something.
    Many people are drawn to the idea of living in the countryside.
    adj.AdjectiveHaving a natural tendency or inclination towards something.
    She was drawn to help those in need.
    adj.AdjectiveHaving an inclination or tendency towards something.
    He was drawn to a career in medicine because he wanted to help people.

    Video subtitles

    12 Signs You’re Way More Intelligent Than You Realize

    11:4412 Signs You’re Way More Intelligent Than You Realize
    • to understand and replicate musical patterns. They  not only perform music well but they're drawn to  

      to understand and replicate musical patterns. They  not only perform music well but they're drawn to  

    • but they're drawn to diverse musical genres and often get lost in pieces that are complex and moving.

      but they're drawn to diverse musical genres and often get lost in pieces that are complex and moving.

    B1

    What is Art for?

    05:53What is Art for?
    • The art we love is frequently something we're drawn to because it compensates us for what we lack: it counterbalances us.

      The art we love is frequently something we're drawn to because it compensates us for what we lack: it counterbalances us.

    B1

    Forced Positivity on YouTube

    10:08Forced Positivity on YouTube
    • I think a lotta people on YouTube are drawn to..

      I think a lotta people on YouTube are drawn to..

    • And as a teenager you're drawn to

      And as a teenager you're drawn to

    A2

    The Story of: Gerhard Richter (1932–Today)

    19:49The Story of: Gerhard Richter (1932–Today)
    • Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife

      Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife

    • He was strongly drawn to depicting certain subjects from found photographic material.

      He was strongly drawn to depicting certain subjects from found photographic material.

    B1

    How Do We Produce Food? Crash Course Geography #43

    11:40How Do We Produce Food? Crash Course Geography #43
    • As geographers, we're drawn to understanding the connections between the physical needs of the organisms that provide us food and the systems and structures humans create to interact with those organisms.

      As geographers, we're drawn to understanding the connections between the physical needs of the organisms that provide us food and the systems and structures humans create to interact with those organisms.

    • As geographers, we’re drawn to understanding the connections between the physical needs

      As geographers, we’re drawn to understanding the connections between the physical needs

    A1

    10 Things Travis Scott Can't Live Without | GQ

    04:4510 Things Travis Scott Can't Live Without | GQ
    • What are you drawn to? What do you find yourself taking pictures of?

      What are you drawn to? What do you find yourself taking pictures of?

    B1

    Become better at talking to people ?️

    08:52Become better at talking to people ?️
    • Own your skills and don't shy away from sharing them in conversations either. It shows confidence and competence which people are naturally drawn to.

      Own your skills and don't shy away from sharing them in conversations either. It shows confidence and competence which people are naturally drawn to.

    • It shows confidence and competence, which people are naturally drawn to.

      It shows confidence and competence, which people are naturally drawn to.

    B1

    Quiz: What Type of Attractiveness Do You Naturally Give Off (self test)?

    10:34Quiz: What Type of Attractiveness Do You Naturally Give Off (self test)?
    • Five: What part of you do you think people are most drawn to?

      Five: What part of you do you think people are most drawn to?

    • Five, what part of you do you think people are most drawn to?

      Five, what part of you do you think people are most drawn to?

    B1

    A Christmas Carol by Charles Dickens Full Audiobook with Subtitles and Chapters

    17:28A Christmas Carol by Charles Dickens Full Audiobook with Subtitles and Chapters
    • and deep red curtains ready to be drawn to shut out cold and darkness.

      and deep red curtains ready to be drawn to shut out cold and darkness.

    • ready to be drawn to shut out cold and darkness.  There all the children of the house were  

      ready to be drawn to shut out cold and darkness.  There all the children of the house were  

    B2

    2 Designers Transform Each Other’s Work (ft. Stella McCartney & Shie Lyu) | Vogue

    08:252 Designers Transform Each Other’s Work (ft. Stella McCartney & Shie Lyu) | Vogue
    • I was drawn to the color of the skirt and the jacket.

      I was drawn to the color of the skirt and the jacket.

    B1