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  • it's always been.

  • Barris is embarrassing.

  • If they are, it's embarrassing of the dog.

  • I'm Matthew McConaughey.

  • Hey, Michelle Dockery.

  • I am Charlie Hunnam and Guy Ritchie, and this is notes on the scene for the gentleman.

  • Oh, I bought you a gun.

  • That's a nice little gift.

  • Five years in prison, All in one little box.

  • That's not a gun, dear.

  • That's a paperweight.

  • Courses along with a family of 65 bullets.

  • It's enough to get rid of that.

  • Yeah, when I got the script, it was it was one of Oh, okay.

  • This is the arena that I'd like to go play with.

  • That guy Ritchie directing lock, stock and snatch.

  • This is that small gangster crime.

  • World war things are a bit heightened.

  • The humor is there the bullets hit, people do fall out of buildings and die.

  • But it's all got a hidden link behind it.

  • The first time we haven't met, which was full author, we we spend an hour and 1/2 talking about the California medical marijuana business, which I realize now, guys interest in that Oh, I bought you a gun.

  • You must have already been thinking about this, but I wrote this song about 10 years ago.

  • I think you did.

  • Yeah, I've always Bean.

  • Incidentally, I don't have any particular, particularly strong opinions on the legalization or not of marijuana in the UK and because it's fraught with all sorts of complications and no one says this particular subject.

  • There was a line once upon a time in the film a cz, long as there's a queen sitting on the throne, that marijuana would never be legalized.

  • And in the great UK, there's something that all of that is attractive to Mae.

  • I'm not sure why, but I like the juxtaposition.

  • So Matthew Vulgar has given me this paperweight yet he knows that if I'm holding onto it, be jail time, et cetera, et cetera.

  • But it's not, actually, paperweight is a It is a gun baby with six baby bullet.

  • Yeah, we did make actually has crossed.

  • The sea is quite hard.

  • The foot, the only one that they had in the country at the time was like an enormous caliber, and it was not fit for killing bears.

  • So it wasn't very appropriate because we had to have sick baby bullets.

  • So now we're gonna get six baby billets of the one.

  • So in the end we had it, We had it made and it is 24 karat gold.

  • Is it plated?

  • 24 karat gold.

  • I don't believe it.

  • Yeah, across the sea.

  • And it works to any fall.

  • And it doesn't nice outfit, by the way, not skin this'll man could put his fingers on your threads and tell you what the thread count is.

  • What material is what part of Syria came from and what it might cost you.

  • I'm the costume designer, but this whole this whole look, you say I like all of this and I like all of this because film into a degrees back contrast on old baby boy is Mr Americana who comes along with Terra on DDE.

  • What we have over here is someone that's come from the rough side of the tracks and has This is an aspirational outfit.

  • In fact, these two characters are pretty aspirational on.

  • It's the idea that an American is a spouse.

  • Tw actually you have this in Downton Abbey.

  • It was kind of American money in an English world, and it's this espousing of a kind of English way of life seen through an American prism.

  • You can You're allowed to be an actor, Enjoy a ll the best aspects of England without being dragged down by two serious and narrative.

  • And I like that so you can have that outfit that look.

  • But you're not authentically dragged down by the dogmatic narrative of sporting.

  • Those threads are very much like the idea that I've always been attracted to women that attracted cars because I'm not on dhe.

  • I like that again.

  • It's a sort of juxtaposition.

  • I like that.

  • And there are quite a few girls on a a lot about cars and terribly passionate about it.

  • And I also like the idea that it's a garage where ladies can go and they don't feel intimidated or uncomfortable by traditional mechanics.

  • So just that was a nice sort of juxtaposition sanctuary for the ladies.

  • Yeah, also, I like the idea that you are essentially a businesswoman.

  • You like your old man being a businessman, But you understand all the aspects of business I just saw that was an interesting world to put you in.

  • And she's No, it's typical stereotype of a gangster's wife.

  • You know what we say She's got her own business.

  • And she knows she knows what's going on with Mickey.

  • She's very much alive, you know, behind all of it.

  • And those no school, which is no different from any other role.

  • Yeah, a woman in this type of film which I loved.

  • This is one of those scenes in particular where way had a laugh, You six baby bullets.

  • But it was quite it felt like it was quite late in the day, this scene because it was something that changed really most of this up.

  • And it was pretty much on the spot.

  • Yeah, you kept, like, trying to find a way weren't happy with what we had.

  • And it was holding that box of bullets a small box in a family way.

  • Happy family.

  • Six baby bullets.

  • All right, Muslims.

  • Sorry for the interruption.

  • You need right repress field being returned home safely.

  • So trying to measure he is being one of the people that may have sabotaged Try to sabotage my enterprise were right hand, man.

  • My heavy here comes in and find out we've got another leak.

  • The boat It wasn't We weren't.

  • We weren't clean.

  • We've got a dead body on our hands to complicate things.

  • Or so, quite like the fact that you're delivering this information in quite a tacit fashion.

  • And it is you that cards onto the fact that by his paws there is more to come.

  • Yes.

  • Good.

  • Yeah.

  • I was going to do another film that I was scheduled to dio before Guy had asked me to do this.

  • That required a very long, substantial beard.

  • So I showed up with this beard, right?

  • And it was a little bit anxiety inducing to begin with, but I think it ended up working right.

  • Well, Dobson sideburns and tidy the hair up a little bit.

  • You're handsome, man.

  • Well, thank you.

  • The glasses were a last minute addition.

  • Right?

  • There was.

  • Those went on way.

  • You're those were those were dubbed on 30 seconds before we started the before we shot the first scene.

  • Right.

  • Well, you see, the other thing we do want is a traditional tough guy.

  • Constantly Eri I quite fancied this on.

  • I think the glasses give you the illusion of being clever Children.

  • Yeah, yeah, yeah, sure.

  • I understand.

  • Associates are an accident.

  • Shit allover window.

  • I'll say what time is the time for you to fuck off way.

  • Just sort of man out the window.

  • Yeah, it's a real stuntman.

  • It's a funny thing on the first time I ever did was called Lock Stock and two smoking barrels made about 23 years ago.

  • Something on DDE, you know, he Argh!

  • Watch films on Stuntman and all that sort of stuff.

  • And I was good.

  • Wait.

  • We had one sequence where a man runs a man over, he dies, And so in a stunt man was limbering himself up, and I'm still speaking to the stunt coordinator.

  • Could do this is interesting.

  • I thought there's gonna be some special Take me anyway, So the car comes along.

  • The man threw himself in front of the car.

  • He got run over.

  • That was it.

  • You'll be.

  • You'll be surprised that the punishment that stuntman can take he saw, got up, limped away again and out came with other stuff that we did the same thing to him.

  • Yeah, This guy e his vice, I think no longer with us.

  • That was just one time.

  • Yeah, it's quite an extreme accident.

  • Yeah, like a death.

  • Really?

  • You killed him?

  • No, it was the gravity of the skeleton.

  • I brought this up to you, but I still think it's a good idea.

  • You might not want to do it because you said you wanted to be elusive.

  • But have you ever made dictionaries for your films?

  • No.

  • Because you do have probably thousands of riches and riches ums.

  • So you can't look that one up, she goes.

  • Well, of course, if you're a company knew it dark, it was.

  • Usually I choose actors according to whether I think I'm going to get on with him or not.

  • It's not any good at acting.

  • Well, sort of.

  • That second drink was primary is whether I'm gonna have a nice time or not.

  • Yeah, I think it's rare that I ever talk about the script when I meet an actor.

  • If they've read the script, I'd much rather talk about something.

  • Go Fassel or philosophical.

  • That way, you can find out if you're not enjoy smart, are you?

  • If you do, you just don't ever have it.

  • I do not bet small talk I feel is seldom about small talk is like the English talking about the weather.

  • I don't think it's ever talking about the weather.

  • I think it's some form of lubrication to understand the contours of one's character.

  • Small talk should never be small talk, but it's still small talk.

  • Yeah, well, I'm interested in is whether I could dial into the frequency of an individual.

  • Whether you have some simpatico, you're on that similar frequency, and then everything's just much easier thereafter, And it feels to me like if you think propose an idea, they propose an idea to you, you'll be able to dial into that in a much more organic and efficient fashion.

  • Otherwise, you just tether toe someone that you don't really want to be with.

it's always been.

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