Name: Eminem x Sway - The Kamikaze Interview (Part 2)
Uploaded: 2020-03-15T05:41:10.000Z
Duration: 13 min 45 s
Description: Thousands of YouTube videos with English-Chinese subtitles! Now you can learn to understand native speakers, expand your vocabulary, and improve your pronunciation...

How do you describe your relationship with Joe Button?

The imperative

I mean, listen, me and Joe Budden aren't You know, we're not friends like that.

We're not like we didn't go to the same fucking high school or something.

But when I'm out here flying around in different places and doing interviews and trying to use my platform to pump up slaughterhouse every chance I get and you're using your platform to fucking trash me, and I'm one of the things that keeps this ship moving do No, I'm saying so.

So you actually could be affecting the ship a little bit, you know, saying because you don't owe me nothing, But I've never gotten a fucking interview and been like Joe Button Shit is fucking trash.

That last album he put out is fucking trash.

So that's that's kind of the attitude I took.

So this whole album kamikaze is like, All right, what if I give everybody my opinion about them?

Well, I want to talk about slaughterhouse because there's a lot of including myself, people that I really feel like the slaughterhouse saga.

You know, I noticed a glass, an album that was pretty much completed, but never relief.

Right where we had left it about two years ago was everybody came in and different.

Some of some of the guys in the group picked certain beats.

They like the other beats, and it was like there was definitely enough songs to put an album out.

But for the most part, it wasn't a complete picture because everybody wasn't on the same page of what their favorite songs work.

So I thought they were gonna go back, go back home, regroup and try to make a few more songs.

And then at that point I started getting really deep in tow, revival recording every day.

So a couple months go by, and from what I understand it to be what I was told.

From that point, everybody started branching out.

Royce wanted his album Prime like everybody started doing their own kind of some bullshit.

So I thought they were just happy with that, you know?

Saying like they just wanted to maybe work on their own projects for a while.

And we'll come back and visit this or whatever.

When we made the first lot of house album, the welcome to our welcome to our house That was another album that I felt like Holy shit.

That was a huge fucking backlash of man to see what we want to hear.

It sounds too polished English it like you're not listening.

You're critiquing these guys who were fucking wordsmiths.

There's a certain type of person, that man I like.

I only like the beats, a certain type person to lean towards lyrics, mortars, certain type person that will lean towards voice more.

You know, I'm saying, like everybody leans towards towards their own thing.

But I was just like, holy shit because to me, the beats were crazy on that album and only thing I did was added my little touch of like sprinkling music in these tracks and mixing them to try to bring out.

You know, the production a little bit, which I don't even know if I did any actual beats on there on the first album.

But but all I heard was the backlash that it was too polished.

So we said, Okay, let's do another album and then you guys do what you want to do with it, which is kind of we left the ball in their court kind of thing.

So I didn't want to touch it in the sense of like, other than give my opinions on songs.

I didn't want to touch it with my production because I felt like if if what if that is the reason that they didn't sell albums.

I don't want to hinder that, you know, saying so we gave another album, and next thing I know, I hear Jo talking about who got that money, who got what money.

He did say, I saw a clip that he put of interview with him, a crooked, that he felt like that maybe perhaps like eluded that you and Paul got majority the money.

I hate to say this because I think the guys are super fucking talented.

But the album didn't do much to even recoup the first budget.

Then we spent hundreds of thousands of dollars on the second album that never came out.

I don't know if I made a fucking dime off slaughterhouse.

I wanted a group that lyrical toe fucking just must do everything you know, saying and it definitely hurt my feelings a lot.

When the album didn't do good the first out, it was just like fuck, man.

Like when we got seal on the hook of my life song I was like, Yo, this is this might be out of here.

What was the meaning Behind the line When you said the last hit you I'm paraphrasing.

That was what that was was that that was a tap different tack.

But he was also saying that his his ah alleged domestic abuse things or whatever which I'm not going to get into, But But I feel like I feel like the reason I had to do that is because, like I said, there's a there's a there's a fine line between saying You know what?

He's help me out and tried to help out on many occasions.

So I'm not gonna go in on untouchable like that.

I'm gonna say, It ain't for me Not crazy about it.

Whatever, whatever, but to be the worst song I've ever heard in your life.

Because if that's the worst fucking song you've ever heard in your life, I don't know.

So we'll never see that Glass House album, Probably as far as you know.

I, uh I I want to just make it clear, though, that aside from the Joe shit, I think that slaughterhouse is one of the best rap groups ever ever happen.

But that being said, I I wish their first album would have connected Yeah, two more people than it did.

I don't to this day, I still don't mean Paul.

You know, I'm saying like, But look, man, everybody is not gonna like everything you put out all the time so that that was a dream team of EMC stole.

And I think a lot to what you're saying and regards to Why are people reacting to these words?

Smith is That's how we came up, you know?

And honestly, what people may not realize is that's what really separated hip hop from R and B rock and roll.

Another John Russell, is our ability to ben words to create patterns that made it unique to our genre, specifically which it seems like it's something that doesn't get any credibility.

People don't put a whole Not everybody put a whole lot in to bat now.

They don't give a lot of credence to that.

You know, which is probably a slaughterhouse.

Could have been a victim of that, that kind of ideology.

Um, you also on this album you went in on M g.

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Eminem x Sway - The Kamikaze Interview (Part 2)

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