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  • - Well, financially, I think people

  • are very confused about my narrative.

  • People think I was handed,

  • I love it when people troll me.

  • "He was handed," I was handed nothing.

  • I don't own Wine library.

  • Financially, it was the other way.

  • Financially, I gassed my parents up.

  • That's facts.

  • I went in, spent 14 years.

  • I never paid myself.

  • That's the impact that I had on the business.

  • What I deserved.

  • Because I invested in the business.

  • And I left the 34 with no money to my name.

  • (relaxed music)

  • But, emotionally, they put me so on,

  • because I thought I was unstoppable.

  • And, experientially, my dad put me on

  • by giving me autonomy to run a business.

  • So, it was a trade, right?

  • (slow music)

  • Yes, so lets just do everything here at 7:00.

  • And have me done by like 9:30.

  • - [Interviewer] If someone wasn't raised

  • in that environment, with that self-belief,

  • how does one develop that for themselves?

  • - Surrounding themselves by people that do it for them,

  • or consuming content that does it for them.

  • Penetrating people's skulls,

  • and fucking reframing their game.

  • Their fucking mom told them they were a loser,

  • I'm telling them they're a winner.

  • I think I can out-market their mom.

  • Their mom had a big head start at a whole lot

  • of emotional, fucking physiological advantages,

  • but guess what?

  • Give me fucking 18 months of your time,

  • give me two hours a day,

  • I'll make you realize, fuck your mom.

  • And go do your thing.

  • That's what I'm up to.

  • (electronic music)

  • Hey guys, it's Gary.

  • I say to myself, I suck.

  • But I don't let any of you say I suck.

  • You know, subcultures can call themselves a certain thing,

  • but nobody else can.

  • You can fucking make fun of your brother,

  • but if somebody else does,

  • you punch them in the fucking mouth.

  • That's how I think about the creative process.

  • It's a very interesting fine line.

  • I'm going to hold myself accountable, but that's me with me.

  • You are actually the judge.

  • You, as a collective, is number one.

  • Me to myself is number two.

  • A distant third, which I can't even hear,

  • is an individual giving me feedback.

  • I think my game is very reversed

  • from everybody else's, creatively.

  • All of you is number one., the market.

  • I only care about your motherfuckers, as a collective,

  • so I'm just putting out.

  • It's the creative, strategic framework that I have,

  • that is absolutely fucking right.

  • (upbeat music)

  • I think you guys should build a media company.

  • I don't think you should advertise.

  • I think you should build bar stool,

  • instead of being a media creative output.

  • Fundamentally, I believe, a decade from now,

  • every company is going to realize they're

  • in the publishing business, they're in the media business.

  • They'll be thinking about their OTT.

  • The Red Bulls, and the Pepsi's,

  • they'll be thinking about owning an OTT outright.

  • I think our kind of companies,

  • not to that trillion levels yet, on our way,

  • are going to be thinking about becoming the bar stools,

  • and the Refinery 29's, and whatever it may be.

  • I think that's the number one thing I would invest in.

  • - Thank you, nice to meet you.

  • - It's a pleasure.

  • - Good to meet you, thank you.

  • - [Tom] Hey, how's it going?

  • - Such a pleasure.

  • - [Tom] Tom, nice to meet you.

  • - How's it going, brother?

  • - [Gary] How's it going, brother, how are you?

  • - What's going on, I'm all right.

  • Real, the date right there, early.

  • It's tremendous.

  • Fuck, it's amazing, great job.

  • - [Tom] Thanks, Judy.

  • - Super pumped, it's a great piece of content.

  • I think literally putting the date a little earlier,

  • I think, will win that three-second Facebooking

  • that I care so much about.

  • Other than that, man,

  • that was fucking tremendous storytelling.

  • - Nice to meet you.

  • - Great to see you.

  • Thank you guys.

  • (upbeat music)

  • - [Interviewer] Do you have a strategy to staying present?

  • - No, man, that's,

  • if there was strategy behind that, it wouldn't work.

  • It's who I am.

  • So, I was about the say, I'm the CO of a big company,

  • I've got this profile, but it's not true.

  • When I was 22 years old,

  • and I had nine employees at Wine library

  • and I was trying to build this business,

  • if I sat down with somebody for 15 minutes,

  • even though I had a lot going on,

  • because it seemed like a lot at the time,

  • it was my a lot, just like they have their a lot,

  • you have your a lot, right?

  • I think I work for somebody else.

  • And so when we sat down, whether it's somebody like you

  • that had some context from me before,

  • and think its really cool,

  • or some people like, right,

  • my CO's got fans or something, right?

  • And sits down, I'm in that meeting for that person.

  • It's less about strategy, it's about thoughtfulness.

  • I'm thoughtful more than, that it's this crazy strategy.

  • One added layer of human psychology in the current state

  • that I think you're tapping into fashion-wise.

  • All the powers and restrictions, it's why Snapchat won.

  • I think one of the things you should consider is

  • only available from 2:00 AM to 6:00 AM.

  • Make it impossible.

  • (people muttering agreement)

  • I'm obsessed with restrictions.

  • Like, only available 2:00AM to 6:00AM.

  • That's fucking terrible, no, that's the worst--

  • - [Woman] Shackle.

  • (laughing)

  • - But exactly why it's right, in my opinion.

  • All the answers are in the no.

  • All the answers.

  • And it's so authentic to where your brand's positioned.

  • I think resources are going to run out.

  • I will say this.

  • The high low of influencers, I think,

  • is going to be your pay dirt.

  • So to me, the holy grail is GG and Yung Baby Tate.

  • - [Woman] Mm-hmm.

  • - [Man] Who's Yung Baby Tate?

  • - She's just a real cool, like fuck it.

  • - Is that Lil Tay, is that who you're talking about?

  • - No, no Lil Tay's ridiculous.

  • Look her up, Yung Baby Tay, right?

  • She's like in Atlanta, fuck it she wears like,

  • she looks like she's Avril Lavigne, but she's black.

  • And she can really sing, and she's in Atlanta.

  • And she's 15 months away from

  • 21 Savage putting her on a feature.

  • And, you know, 22 months from now, she's famous.

  • And then I get to recall that I mentioned her,

  • and be like, "Look how I was on before all of you."

  • Her, right, she's a 14.4 right now.

  • You in my vicinity. ♪

  • ♪ 'Bout to pack up, moving up to Italy. ♪

  • - Here's what's great about her.

  • I have no idea how you guys would filter fashion,

  • that's where you know.

  • Here's what I know, she's going to be a big star.

  • All right, I'm going to be late as fuck,

  • and my wife is going to punch me in my neck.

  • - Thank you for your time.

  • - Thank you so much.

  • - You're welcome.

  • - It's nice to meet you, Gary.

  • - A real pleasure.

  • (upbeat music)

  • Hey brother, how are you?

  • Dude, happiness is the fucking ROI.

  • Not checking some arbitrary,

  • back to the delusion and ego thing

  • that you and I just talked about.

  • Knowing what you're going to do

  • for the rest of your life at 30.

  • Or being out of the house by 30.

  • Or having your shit together by 30.

  • Or fucking being married by 30.

  • Or having a kid by 30, that's fucking horseshit.

  • And as long as you don't fucking spend your money

  • on fancy shit on the outside, right?

  • As long as you don't get,

  • the key is when you get a developer job,

  • and you get paid $150,

  • that you don't live a lifestyle that's based on 150,

  • then if you don't want to then be a cook,

  • and you can only make 78, you're fucking stuck,

  • and you end up being a developer for your whole life.

  • Even though you fucking hated it.

  • Because you needed to be able to pay your rent,

  • and your fucking lifestyle.

  • The reason I never needed the fancy car, or fancy apartment,

  • or fancy clothes, or fancy things, or go to fancy places,

  • was because I didn't yearn for them,

  • and I definitely wasn't going to do them for somebody else.

  • I think most people do shit for other people.

  • I think most people buy the car,

  • and the house, for other people.

  • Dude, some people love the leather of a car,

  • or the horsepower, yes.

  • Do some people love having a home

  • that has nine rooms they never use, sure.

  • But do you understand?

  • - [Interviewer] Mm-hmm.

  • (pop music)

  • - I think once you own your weaknesses,

  • and once you tap into emotions, you become unstoppable.

  • The reason I want to talk about all these insecurities,

  • is once you own it, it goes completely the other way.

  • Like, maybe its the best.

  • It's like the last scene of 8 Mile.

  • Right, I need you to talk about the fact

  • that you're scared shitless.

  • Hey bro, I need you to understand

  • that the reason you bought a Rolex,

  • is because you think you need it to bang a chick.

  • (pop music)

- Well, financially, I think people

Subtitles and vocabulary

A2 US fucking fancy tay fuck people music

How to Start to Believe in Yourself | DailyVee 457

  • 81 2
    劉家均 posted on 2018/10/25
Video vocabulary

Keywords

authentic

US /ɔˈθɛntɪk/

UK /ɔ:ˈθentɪk/

  • adjective
  • From a reliable source; accurate; true
content

US /ˈkɑnˌtɛnt/

UK /'kɒntent/

  • adjective
  • Being happy or satisfied
  • In a state of peaceful happiness.
  • Willing to accept something; satisfied.
  • In a state of peaceful happiness.
  • noun
  • Information in something, e.g. book or computer
  • other
  • The things that are to be found inside something.
  • The subject matter of a book, speech, etc.
  • The things that are to be found inside something.
  • Information made available by a website or other electronic medium.
  • Information made available by a website or other electronic medium.
  • other
  • To make (someone) happy and satisfied.
  • To make (someone) happy and satisfied.
  • To make (someone) happy and satisfied.
  • To satisfy (someone).
  • other
  • To be satisfied or willing to do something.
  • other
  • A state of peaceful happiness and satisfaction.
  • The things that are to be found inside something; the ideas, facts, or images that are contained in a book, article, speech, etc.
  • Information or other material put out by an individual or organization via communications mediums.
  • The amount of a particular substance contained in something.
strategy

US /ˈstrætədʒi/

UK /'strætədʒɪ/

  • noun
  • Careful plan or method for achieving a goal
  • A plan of action designed to achieve a long-term or overall aim.
  • other
  • Branch of military dealing with command
tremendous

US /trɪˈmɛndəs/

UK /trəˈmendəs/

  • adjective
  • Very good or very impressive
  • Extremely large or great.
  • Extremely good or impressive; excellent.
  • Extremely large or great.
  • Extremely large or great.
  • Extremely good or impressive; excellent.
deserve

US /dɪˈzɚv/

UK /dɪ'zɜ:v/

  • verb
  • To be worthy of, e.g. getting praise or attention
realize

US /ˈriəˌlaɪz/

UK /'ri:əlaɪz/

  • verb
  • To become aware of or understand mentally
  • To understand or become aware of something.
  • To achieve something that you have been trying to do.
  • other
  • To understand or become aware of something.
  • To achieve or make something happen.
  • To convert something into cash or a different form.
  • To convert something into cash.
fancy

US /ˈfænsi/

UK /'fænsɪ/

  • verb
  • To want to have or do something; feel like
  • To imagine or suppose that something will happen
  • To believe or imagine something that is not true
  • adjective
  • Unusual and attractive in design
position

US /pəˈzɪʃən/

UK /pəˈzɪʃn/

  • noun
  • Person's opinion or attitude about something
  • Specific location where someone or something is
  • Where you play or your role on a sports team
  • Person's job or status level
  • Set of conditions affecting what you can (not) do
  • A job; a post.
  • A particular stance or attitude towards something.
  • A condition with regard to circumstances.
  • A player's place in a team.
  • The way in which someone or something is placed or arranged.
  • verb
  • To put in a particular location or direction
  • other
  • To put or arrange (someone or something) in a particular place or way.
  • To put (someone or something) in a particular position in relation to other people or things.
  • To put (someone or something) in a particular place or arrangement.
dude

US /dud, djud/

UK /du:d/

  • noun
  • Form of address for a man
  • (informal) A man; a fellow.
  • A surfer.
  • (historical) A man, especially one showily fashionable.
  • other
  • (informal) Used as a term of address, often between men.
reverse

US /rɪˈvɚs/

UK /rɪ'vɜ:s/

  • noun
  • Setting that makes the vehicle go backward
  • Instance of a significant change, for the worse
  • In a backwards order
  • Back part or side of something
  • verb
  • To drive a vehicle backward
  • To change to an opposite state, way or condition
  • To change back to a previous or normal condition
  • To change something to its opposite

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