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  • Youre right, that is kind of poetic.

  • "Trouble on my tongue."

  • I guess we are poets.

  • Little trouble on my tongue over here.

  • So, the day we wrote this song, the day we came up with the idea, we were at a concert

  • venue calledThe Bitter Endwhich is in New York City.

  • This tiny, little historic venue and Ryan – I believewent into the bathroom and

  • saw a sticker on the wall that said, “The Weaklings.”

  • I guess a local band.

  • Yeah, a local band there and I remember thinking, “That’s a very AJRish thing to say.”

  • I’m weak, to be self-deprecating like that.

  • So, we brought it back to the living room and I remember the first thing we came up

  • with for this song was “I should stay strong, but I’m weak.”

  • That was the punchline of the song that we knew everything needed to be

  • circled around that idea.

  • Yeah, I think that lines meanskind of the feeling that you get at the beginning of the night

  • where you know there’s going to be trouble tonight.

  • Such a great night is in front of you and you don’t know that it could be generally

  • bad for you but that moment before you do it is the greatest feeling in the world and

  • you can’t say no to it, you know?

  • I feel like were just neurotic, worried, Jewish guys that grew up in this household

  • where everything is kind of bad for you.

  • And we were just raised like that.

  • For some reason in our brains we can’t shake that all of these vices are actually bad for us.

  • And specifically, for that line, we used a girl’s voice going, "One sip, one hit, one

  • kiss" and it's actually my girlfriend and she’s not a singer at all.

  • She was just over one day and we said, "Can you just do it" and she just did it.

  • And we wanted to give this temptationtemptress sort of feeling, "One sip.

  • One hit" – drawing us in, and I'm saying, "Bad for me."

  • Kind of like, conflicting emotions right there.

  • We all either go or went to Columbia in New York.

  • And he graduated.

  • And me and him are technically there now, but were taking time off.

  • And I did my freshman semester there and that happened once or twice a week.

  • I think I would be in my dorm working on something.

  • "I should go to sleep and get some rest" and my friends would knock on my door and

  • say, "Nope!

  • Were going out."

  • And it’s just so hard to say no to something like that when I should be getting sleep and

  • I know I have to keep healthy, but I gave in every single time.

  • So, that exact situation happened again and again and again.

  • I think maybe everything in moderation because the song values giving into temptation.

  • But also if you go through it enough youre going to abstain from taking part in some

  • of these things.

  • So, I think moderation is probably a good model to live by.

  • Our favorite band of all time is The Beach Boys.

  • We grew up on the music of the 1950’s and ‘60s.

  • Them specificallyeven you can seeclothing wise, we take from them.

  • And I think our favorite producer of all time is Kanye West.

  • So, if you take those two influencesmarry The Beach Boys songwriting with Kanye West

  • forward thinking productionYou get AJR sound.

  • 'Cause we have "Ooh waaaaaaa ee ya".

  • Which is very Beach Boys mixed with this hip hopkind

  • of dirty beat and it creates something that throws our fan base off a little bit.

  • And I think that’s why they connect to our music so well.

  • Because they hear something and theyre like, "Oh wow.

  • There’s something else and there’s something else."

  • And you constantly want keep people’s brains moving.

  • In this song, we have a thing called "Spoke Step", which is something that we created.

  • You know how Dubstep takes a bass line and kind of messes it up?

  • We did the same thing with vocals.

  • And you hear it in a lot of radio songs now.

  • People kind of messing up vocals, but we try and take that to the next level.

  • And when theyre recording, they just spurt random sounds into the microphone and mess

  • them up completely.

  • Everything from like "AHH" to "BRR".

  • When you say "spurt" I just imagine me spitting all over the living room all over

  • the place.

  • That’s what it was.

  • That’s the image that we want, yeah.

  • Yeah but, that’s when he was going "Bah bah bah" – If you listen on the record,

  • it ends up sounding a lot cooler than what he was doing.

Youre right, that is kind of poetic.

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