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  • (Male announcer) Tonight on Kitchen Nightmares,

  • Gordon may be in the city of brotherly love...

  • All right, now I'm gettin' mad!

  • (Announcer) But no one is feeling the love at Chiarella's.

  • Put it up! Let's go!

  • (Announcer) Chef Ramsay is in for a major struggle

  • with a proud but misguided husband and wife team.

  • - The food was disgusting. - I disagree with you.

  • (Announcer) While one deals with the failing business...

  • I don't know what youse are doing!

  • (Announcer) By fighting back...

  • Everybody get it together.

  • (Announcer) The other has given up.

  • It's just so much I'm afraid of.

  • (Announcer) Not surprisingly, the marriage is at its breaking point.

  • What the hell is going on with you?

  • (Announcer) Get ready for a night of raw emotion...

  • It ain't her fault, it's my [Bleep] fault!

  • (Announcer) As chef Ramsay tries to rebuild not just a restaurant...

  • You've got to bounce back.

  • (Announcer) But an owner's confidence as well.

  • I shouldn't even be here.

  • (Announcer) Tonight, failure might just be an option

  • in Philadelphia.

  • Do you know how you can turn this around?

  • Save your [Bleep] money. Shut the door!

  • What is that?

  • Disgusting crap!

  • You're done! I'm done?

  • I'm not insane! Yes, you are!

  • Shut the place down! Get out of here!

  • (Gordon) That is amazing!

  • [Sobbing] I can't take any more!

  • I just can't thank you enough.

  • Kitchen Nightmares s05 ep16 - chiarellas

  • sync and corrected by dr.Jackson for www.Addic7ed.Com

  • (announcer) South Philadelphia,

  • boasting some of the most authentic Italian restaurants

  • in the country,

  • and home to Chiarella's.

  • Good evening. Two?

  • closed the original Chiarella's,

  • which was located in Wildwood, New Jersey.

  • My parents owned the original Chiarella's.

  • Phenomenal business... Busy every night, packed.

  • We just figured once we opened here,

  • we would be just as successful here

  • as Chiarella's was in Wildwood.

  • (Tommy) Hello. How you doing?

  • (Dina) When we first opened Chiarella's,

  • Tommy was fun and happy.

  • How you doing tonight?

  • Great, great. Couldn't be better.

  • - But as business went down... - Who didn't come in?

  • (Dina) A four, a two, a four.

  • - Why? - I don't know.

  • Tommy became, like, a completely different person.

  • The success in Wildwood did not at all

  • follow me to Philly.

  • No, man. A lot of people didn't come in.

  • Oh, don't worry about it.

  • We have a great little restaurant.

  • The menu is fantastic.

  • We have good food...

  • And I can't figure out what the problem is.

  • That's your opinion.

  • Tommy and Dina need to admit,

  • like, our food [Bleep] blows, and that's it.

  • - What happened with that? - She don't like that.

  • They can go [Bleep] themselves, all right?

  • You have to put out what people want,

  • and we're not doing that right now, not at all.

  • You take this [Bleep] out. I'm done.

  • When there's problems in the kitchen,

  • Tommy just goes, "I ain't dealing with this [Bleep],"

  • and he leaves.

  • [Grunting]

  • He just goes down in the basement

  • and lifts his little weights.

  • And he does his crazy sit-ups or whatever on the chair.

  • Or he'll just practice his golf swing.

  • That's a shank.

  • Maybe one time a golf ball hit him in the head

  • because he is not himself,

  • and he's mentally breaking down.

  • Anybody know where my check is?

  • I lost a check, unless it's down my ass.

  • Is it down my ass? Is it?

  • I can't figure it out.

  • When I see the restaurant doing poorly,

  • and I see an empty restaurant,

  • it's the worst feeling you can ever imagine.

  • Why is this happening to me, man?

  • I gotta pick myself up.

  • Tommy can't deal with the lack of business.

  • It's driving him crazy.

  • I ain't destined for this business no more, man.

  • I don't know what to do.

  • Over the last couple years, the stress...

  • Tommy's just, like, drained from it.

  • Let's get this night over with, man,

  • 'cause I wanna get out of here.

  • And I want Tommy to be happy,

  • 'cause he deserves that.

  • This is not right.

  • I'm not even doing enough business

  • to keep my electric and gas on.

  • I can't lose this.

  • This was it. This was everything.

  • I can't lose the restaurant. I'm dead.

  • I'm in South Philly, known to locals

  • as the "red sauce neighborhood,"

  • because this place is surrounded

  • with great Italian restaurants.

  • Now, I'm really looking forward to checking out Chiarella's.

  • It small.

  • Wow. Oh, hello.

  • - Hello. How are you? - Nice to see you.

  • - And your first name is? -Dina.

  • Dina. And the name Chiarella's came from?

  • My father. My family.

  • Okay... We had a restaurant in Wildwood.

  • And how long was it in Wildwood for? 36 years.

  • Oh, wow. Wow, wow, wow.

  • - And did you spend time there? - All my life.

  • You're not that old, are you?

  • Yeah, I am. [Chuckles]

  • We need chef Ramsay's help because

  • Tommy needs to take control of his business and himself

  • to make things work.

  • And that is our problem.

  • And Mr. Chiarella, he oversees it?

  • - He's retired. - Oh, he's retired.

  • It's mine and my husband's place.

  • - May I meet your husband? - Yes.

  • Please? Thank you.

  • - Excellent. - If I can find where he is.

  • - Thomas, are you in the bathroom? - No, I'm right here.

  • Can you come up here, babe?

  • - Is he in the kitchen? - No. Thomas doesn't cook.

  • - Oh, he doesn't cook? - No.

  • - Hey. - Pleasure.

  • Pleasure's all mine, bud. Good to see you. You too.

  • - You look fit. - Yeah, a little bit.

  • Uh, let's sit down, let's have a catch-up,

  • and let's find out what's going on, shall we?

  • You got it. Yeah?

  • If I knew exactly why I needed help,

  • I wouldn't need chef Ramsay.

  • -So, Dina. -Yes.

  • So whose idea was it to move that name

  • and to buy in South Philly?

  • Well, my father retired... Right.

  • And we needed to figure out

  • what we were gonna do with our lives.

  • I mean, all we know is the restaurant business.

  • That's all we knew.

  • What's wrong with the restaurant, Dina, what?

  • No consistency. No consistency. Service, food?

  • I think our food is better than the area's food around here...

  • It's quality, it's fresh.

  • But Dina just said you're inconsistent.

  • What's inconsistent is the customers.

  • So the food's consistent,

  • - but the customers are inconsistent? - Right.

  • I don't think they like Italian food.

  • - Come on. - Oh, yeah.

  • And I stand behind our food.

  • But what's missing from the restaurant?

  • We don't know what's missing. Customers.

  • Well, okay, in terms of how this place is run,

  • I mean, who actually runs it?

  • - Me. - You're in charge?

  • And how many days a week are you here?

  • Maybe two or three. Right.

  • And do you always agree with what Tommy's doing?

  • - Really? - Yeah.

  • I don't agree with the way he runs the kitchen.

  • You're not taking it seriously enough?

  • Oh, I take it serious, it's just

  • there's not enough business.

  • (Dina) That's not the issue.

  • The issue is you can't better your business

  • the way you're running it.

  • Well, he's asking a question...

  • He's asking a question and I...

  • I'm here every day, you don't have to be here every day.

  • And I go home, and that's what I do.

  • I don't fully understand why this place is not working.

  • He keeps denying what the real issue is.

  • I didn't think she felt like that.

  • I mean, I thought...

  • Can I just have a word with this man on his own

  • for two minutes, please?

  • I love my wife, but this restaurant has killed

  • our relationship... It killed it.

  • Listen, I can see you're hurting.

  • That's why I wanted a word in person, that's all.

  • I'm embarrassed.

  • She thinks I don't care, man.

  • But it's my fault.

  • I mean, my wife... I'm the man.

  • Italian... I'm the man.

  • I'm buried.

  • I stay in bed because I'm afraid to get up.

  • I'm afraid who's gonna come after me.

  • Who's gonna shut my gas off?

  • I need help here.

  • I need somebody to help me, man,

  • because this business has been absolutely horrendous.

  • And it's the worst feeling you can ever imagine.

  • (Announcer) Coming up...

  • That's ghastly.

  • Feel like I've just given birth.

  • (Announcer) Gordon discovers how deep

  • Tommy has fallen into depression...

  • What the hell is going on with you?

  • (Announcer) How far the restaurant has sunk...

  • (Gordon) It's like cat food.

  • (Announcer) And how Fed up Dina has become.

  • All right, now I'm getting mad.

  • (Announcer) It's fight time in Philly.

  • Put it up! Let's go!

  • I don't know what youse are doing!

  • (Announcer) Coming up on Kitchen Nightmares.

  • (Announcer) After a disheartening conversation

  • with Dina and Tommy...

  • Give you another tea.

  • - Thank you. - Thank you.

  • (Announcer) Chef Ramsay is hoping to find encouragement from Chiarella's menu.

  • Okay... Casual gourmet dining. Whoa.

  • Wow, do they have veal!

  • "The veal cutlet Johnny, veal parmigiana,

  • "veal cutlet with roasted peppers,

  • "veal scalapini, veal saltimbocca,

  • "veal Chiarella,

  • "veal Sinatra, veal francaise,

  • "veal picante, veal marsala

  • "veal cutlet Roberto, and veal Mia." Wow.

  • There's so much veal on here. I didn't see any chicken.

  • Whoa. Hold on.

  • 1, 2, 3, 4, 5, 6, 7, 8, 9, 10,

  • 11 chicken dishes.

  • That's insane.

  • - Hello. - Hello, how are you?

  • - I'm good, how are you? - Very well, thank you.

  • - Your first name is? - I'm Renata.

  • - Renata, pleased to meet you. - You too.

  • Is that real, all these veal and chicken dishes?

  • Yeah.

  • Damn! And these names...

  • Veal Chiarella.

  • And down here, the steak Michael Anthony.

  • These are all named after people.

  • Yeah, they're all named after the family.

  • So why have they got a veal Sinatra?

  • Yeah, so I think they ran out of names.

  • [Laughs]

  • Frank Sinatra is not a relative of the family.

  • I think they had to get a little creative with it,

  • so why not go with Sinatra?

  • He's a great singer, right?

  • Okay, let's order, shall we, darling?

  • Yes. Um...

  • (Gordon) Why not go for the veal Sinatra?

  • Sure.

  • Yeah, and the steak Sarah Ann, let's go for that,

  • - mid-rare, please, darling. - Medium-rare.

  • Next I'll go for the land and sea sheree.

  • Is that okay if we use a New York strip for it?

  • - Oh. -We don't have filet.

  • - Hold on a minute. - No filet.

  • You're kidding me. Says filet on the menu.

  • Yeah, I know. It's a problem.

  • How long has there been no filet?

  • We probably haven't had it since I've been here.

  • (Gordon) How long have you been here?

  • (Renata) 4 1/2 years.

  • (Gordon) Wow, and does it still cost the same?

  • - Uh, yeah. - Wow.

  • We've changed the filet mignon to, now, a New York strip.

  • These menus are straight from

  • when they had the place down the shore.

  • These are the menus from the old restaurant? Yes.

  • So they've never had their own identity? No.

  • Why wouldn't you just change the menu?

  • I've been saying that since I've gotten here.

  • Wow. So are you going to get the land and sea sheree?

  • Yeah, let's go for that. Yeah.

  • How would you like your steak cooked?

  • - Mid-rare, please, darling. - Medium-rare.

  • - Okay, I think we're done, darling. - All right, I'll be right back.

  • Lovely. Thank you.

  • I need a veal Sinatra, land and sea sheree.

  • I told him it was a strip. Medium-rare, he wants it.

  • And steak Sarah Ann, medium-rare.

  • Oh!

  • ...my menu.

  • Bathroom's downstairs, darling?

  • Yeah, downstairs to the right.

  • - Watch your step. - Watch your step. Thank you.

  • Mm-hmm. Wow.

  • What's this?

  • You are kidding me. What the hell?

  • What the hell is this?

  • Oh, my God!

  • This is a gym. Oh, [Bleep]!

  • Man... What is this guy doing?

  • [Bleep]. That is incredible.

  • Like the surface of the moon.

  • Tommy?

  • Would you like me to go get him for you?

  • -Yes, please. -Sure.

  • Oh, my God. Bang, straight through.

  • - He's in your office. - Oh, God.

  • -Tommy. -Yes, sir?

  • What the hell is this down here? Huh?

  • It's my, uh, office.

  • I want to get a membership at your gym.

  • Is this, uh... Is this where you come

  • to sort of relieve a bit of stress?

  • Yes. Exactly.

  • - Do you work out in here? - Yeah.

  • - Every day? - Yeah.

  • When Tommy gets stressed out, he goes downstairs,

  • starts lifting weights,

  • starts hitting balls with golf clubs.

  • What's this?

  • That wasn't me. That wasn't me.

  • There's holes in the wall. He's punched holes in the wall.

  • He'll say it wasn't him. It was.

  • That wasn't me.

  • - Man! - That wasn't me.

  • And that on the wall there?

  • (Tommy) That's my golf balls.

  • So it's a driving range as well as a gym?

  • Yeah. Broke a few TVs.

  • Wow. Okay.

  • All right, this is coming out too.

  • Is the steak coming?

  • (Felipe) Steaks are in, all right?

  • All right.

  • I think chef Ramsay will like our food.

  • Thank you, darling.

  • I know you hear that on every show,

  • but our food is great.

  • - So this one is what, darling? - That's the steak Sarah Ann.

  • The one with the prosciutto, mozzerella... okay.

  • -Okay? -Yeah. Thank you.

  • You're welcome.

  • Man.

  • Look at that. That is frightening.

  • Oh, [Bleep].

  • I feel like I've just given birth.

  • I guess that's the placenta.

  • Wow... It's ghastly.

  • - Renata. - Yeah?

  • The steak is raw, and... what is that?

  • Prosciutto and mozzerella.

  • What a disgusting combination. Tommy?

  • Yes? Two seconds?

  • The steak is raw, and...

  • That's supposed to be mozzerella and what?

  • Prosciutto. Prosciutto.

  • Honestly, I mean, that's ghastly.

  • It's like someone's thrown up on my plate.

  • Tommy, have a word with the chef, would you, please?

  • Yeah.

  • I know my food's good. I know it's good.

  • I know... pretty good.

  • What's wrong?

  • Felipe, this was rare. Not good at all. Too rare.

  • When the kitchen messes up, Tommy, instead of, you know,

  • telling them to step their game up, like, "let's go,"

  • like, he just mopes around.

  • - Veal Sinatra. - Okay, thank you, darling.

  • That is ghastly.

  • (Dina) Are you kidding me? Veal's our specialty.

  • I have people that order the veal Sinatra all the time,

  • including myself.

  • Renata, please. That's dreadful.

  • It's just chewy.

  • They lost all the texture when they pound the veal.

  • - It's just such a shame. - Okay.

  • This is the land and sea sheree.

  • - Thank you. - You're welcome.

  • Oh, dear, they're not actually lobsters.

  • These are crayfish. Large crayfish.

  • So I didn't get my filet mignon,

  • and I didn't get my lobster.

  • It's a cheap imitation of lobster.

  • I've gotta hack that off there.

  • That's bright white, so that's just overcooked [Bleep].

  • Absolutely chewy as anything.

  • My God, it's bland, it's chewy,

  • it's an insult to Italy.

  • Renata, I would just like you to taste this.

  • That's a crayfish, by the way. It's not even lobster.

  • It's spiny lobster... It's a crayfish, darling.

  • But it's solid. Everything's overcooked.

  • Jesus Lord, help us.

  • I'd like Tommy to taste those lobsters.

  • - Sure. - Thank you, darling.

  • (Renata) You're welcome.

  • He wants you to taste the chewy lobster.

  • So eat up, 'cause I just had to taste the lobster.

  • - What was the matter? - It was too chewy.

  • I have really good food.

  • Chef Ramsay might not agree with that.

  • I think it's all right.

  • (Dina) But it still comes back to

  • I have really good food.

  • And I know I do.

  • (Gordon) That was foul.

  • I'm dying to meet the chef.

  • - You wanna go back? - Let's get them out.

  • [Chuckles]

  • Tommy and Dina never thought every single meal

  • that we would send out would get critiqued that big.

  • Okay, let's come around, buddy, so we can talk.

  • (Renata) Well, everything that we do here needs improvement.

  • Is he the head chef?

  • Yeah.

  • How long have you been working here?

  • Almost close to five years. Five years?

  • I'm gonna tell you straight...

  • If that's the best this restaurant's got to offer,

  • it's embarrassing.

  • It's 2012, and we're serving food from 1970.

  • Are you happy with that setup?

  • I'm 28 years old. This menu's older than me.

  • But they don't let me change the menu.

  • You need to change something different.

  • I can't blame him entirely.

  • I've got to blame the individuals

  • that he's working for... You two.

  • Because you've handicapped him.

  • The stuffed entree first. It was gross.

  • The steak was raw, cooked one side.

  • If there's one thing you don't do

  • to a New York strip is stuff it.

  • The land and sea...

  • You know that's not lobster. That's called a crayfish.

  • So we haven't even got filet mignon,

  • and we haven't got lobster on the menu,

  • yet the dish is titled with both the headlines...

  • "Lobster, filet."

  • But the horror for me today was to discover

  • that you've got a menu that has screwed you

  • from the first night you opened.

  • It's absolute, utter madness.

  • And you don't need me to tell you that.

  • - I still stand by it. - I still stand by my food.

  • - But you're in denial. - No, I'm not in denial.

  • When you sit there and tell me that food is good,

  • there's nothing wrong with it...

  • It ain't her fault! It's my [Bleep] fault!

  • It's my fault I threw him to the [Bleep] wolves.

  • But where am I [Bleep] going...

  • You've given him an impossible task!

  • Do we start a whole new menu? I think our food's still good.

  • I disagree with you.

  • Well, now you're in denial!

  • The food was disgusting.

  • No, I disagree. That's your opinion.

  • Come on.

  • You are gonna have to get your head out your ass.

  • (Announcer) With the owners and chef Ramsay having

  • vastly different opinions of the food...

  • How you doing, sir?

  • I've had better afternoons. Nice neighborhood. How are you?

  • (Announcer) Gordon's curious to see how the locals react

  • during dinner service.

  • What are you doing this evening? Tell me the roles.

  • - Hosting. - Hosting, great.

  • And what are you doing?

  • Wait. Wow.

  • Tommy tends to think he is a waiter.

  • And he needs to understand that he is the owner.

  • He is not a worker.

  • All right, I'll get the order in as soon as I can.

  • (Dina) Good evening how are we? Right this way.

  • Here's some bread for youse.

  • I'm gonna have veal Mia.

  • Excellent choice.

  • Hi, guys. God, it's tight down here, huh? Yeah.

  • All right, first table in.

  • - Tommy, who's expediting? - Who's expediting?

  • Who's expediting?

  • I don't. I'll let you know in a second.

  • Wow. So no one calls out an order?

  • No. There's no system. Felipe, that's normal?

  • Even when I'm not here, that's the same?

  • - Every day. And you're not Fed up? - Sometimes.

  • Tommy, he don't know how to run his kitchen,

  • so I have to do it myself.

  • Oh!

  • What's wrong?

  • He's the boss. I'm not the boss.

  • That's fine.

  • (Announcer) Despite no expediter,

  • and no real system in the kitchen,

  • Felipe quickly pushes food out to the diners.

  • - Veal Johnny? - Ravioli and meatball.

  • (Announcer) But it quickly becomes apparent

  • that the customers are far from satisfied.

  • Yes?

  • Okay, I will take off the meatball.

  • - What's wrong? - They didn't like the meatballs.

  • Just two seconds.

  • Let me taste the meatball.

  • [Bleep] Me. Tommy, come here.

  • I just want you to taste that for me.

  • [Bleep]. I mean, it's [Bleep] disgusting.

  • And if anyone tells me again that their food is amazing,

  • I'm gonna blow my lid.

  • It's like cat food. Come on, Tommy.

  • It's definitely up to Tommy

  • to make sure everything goes out perfect,

  • nothing comes back, and the restaurant runs smooth.

  • I mean, that's the main problem right now.

  • How's everything, ladies?

  • That's all right.

  • (Gordon) John, what's the matter with it?

  • It's stringy and it's watery.

  • All right, Tom, I think you need to go back in the back

  • and check on your cooks.

  • Keep going back there and just...

  • Tommy needs to stand up for himself.

  • Then you go expedite.

  • You go expedite. You wanna expedite...

  • (Dina) Instead of him going back there and talking to his chef,

  • he's hiding and leaving it up to me.

  • And it's not supposed to be like that.

  • All right, now I'm getting mad!

  • Put the food that we need up!

  • Youse are messing up my own friggin' restaurant!

  • Gimme table ten, and gimme the pasta specials!

  • What a nightmare.

  • Honestly, Dina, she's trying her best.

  • Tommy, well, he's not even there.

  • He's just all over the shop.

  • No wonder there's so many complaints.

  • This restaurans just not going anywhere.

  • It's such a shame.

  • Look at that. That's disgusting.

  • (Tommy) How's everything?

  • (Gordon) What's going on?

  • What is all that?

  • Here's your bowl, Tom.

  • I don't want to go back there and...

  • So you're not gonna say anything to him?

  • Yeah, I'm gonna...

  • Yeah, let me go back...

  • No, give... want me to grab that last one?

  • No, give me the oil.

  • Felipe. Hello.

  • It's just all swimming in oil.

  • And you weren't gonna say anything.

  • You can't drain that off like that

  • and then serve it back to the customers.

  • They deserve better than that.

  • Who said drain it out?

  • No, that's what you do on the side.

  • He's draining the [Bleep] thing on the side.

  • Who says? It [Bleep] Tommy!

  • It shouldn't have oil. I... yeah.

  • It is so simple. And do you know what...

  • Hey, Tommy!

  • My God. Dysfunctional owner, and a dysfunctional kitchen.

  • I'm already embarrassed in life.

  • You can't embarrass me any more, but guess what.

  • I found out that you can be embarrassed even more.

  • Even if it's rock bottom,

  • you can hit even deeper than rock bottom.

  • (Dina) Put it up! Let's go!

  • I don't know what youse are doing!

  • When I tell you I need 'em, I'm telling you that's the one.

  • And everybody get it together!

  • (Announcer) With Dina now firmly in charge of the kitchen...

  • Craigy...

  • (Announcer) And Tommy retreating to the basement...

  • Let's just put up the two tables and end it.

  • (Announcer) This extremely Rocky dinner service

  • comes to an end.

  • I don't know what to say.

  • I'm just almost at a loss for words.

  • Even when food was coming back,

  • no one gave a [Bleep].

  • No one gives a damn.

  • We're serving [Bleep], and you tell me your food's good.

  • I think our food is really good.

  • You're gonna have to get your head out your ass.

  • And, Tommy, I felt for you today.

  • I just thought you were under immense pressure.

  • But you hide, like it's a game.

  • I'm not here to play games, you know?

  • I just... the confrontations...

  • At the time right now, I'm not feeling that great.

  • Confrontation?

  • It's about being responsible, Tommy!

  • Yes.

  • The orecchiette was swimming in oil!

  • You're draining it off.

  • This is not a time to be nervous and wimping around.

  • But right now, you're in denial. And do you know what?

  • Do you know how you can turn this around and make money?

  • Honestly, Dina, Tommy...

  • Stop, and save your [Bleep] money.

  • Shut the door!

  • (Announcer) After 24 hours of sheer frustration

  • dealing with owners in denial,

  • chef Ramsay decides to make a home visit...

  • - Hello. - Nice to meet you.

  • Likewise. Good to see you.

  • (Announcer) To have a chat with Dina and her eldest daughter, Denay.

  • - Rough morning? - Um...

  • You know, I woke up a little upset because,

  • like I said, I really feel I have good food.

  • - Mm-hmm. - I stick by that.

  • - I know you're here to help me... - Mm-hmm.

  • But I was humiliated.

  • I suppose if I put it this way...

  • Outside that restaurant,

  • there's better and cheaper restaurants.

  • Okay.

  • Your menu does not work in South Philly.

  • So basically, what he's saying is that

  • is that your food isn't horrible,

  • it's just that there's a million Italian restaurants

  • in one area...

  • You're right, I didn't say the food was horrible.

  • I said it was disgusting.

  • Oh, I... I... No, no. Here's the issue.

  • Here's the issue.

  • You're in denial that your food is good.

  • It is. Okay?

  • Darling, if that's the case...

  • - That's the bottom line. - I'm... I'm gonna go.

  • Seriously. "A," I'm not gonna waste your time.

  • "B," I'm not gonna waste my time.

  • But more importantly, you know,

  • I'm not gonna deal with someone that is that deluded.

  • - You want help... - Yes!

  • But you don't like the help that I'm suggesting.

  • I guess I'm scared.

  • Don't be scared.

  • That's why I'm here.

  • Scared is staying the same.

  • You've gotta grasp a complete new change.

  • And that's scary territory.

  • I have great memories of Chiarella's,

  • and I've been doing this for so long, it's all I know.

  • So it's very hard for me to get past the past,

  • get on with the future.

  • It's not working.

  • It's the truth.

  • I know what you're saying to me,

  • that I have to go...

  • The menu's outdated, things aren't right,

  • the food's different... We'll try our best.

  • Okay. Um, I came by here this morning

  • to talk about Tommy.

  • Because there's this level of depression

  • that's sinking this man.

  • And you can see this figure just almost disintegrating.

  • And I've seen small, little fragments of a personality.

  • Oh, he's got such a great personality.

  • Okay, we need to get him back.

  • Because I don't think he actually understands.

  • No.

  • This place just wiped him out.

  • It wiped him out. It did.

  • If there's one area that he'll listen to,

  • it's the family.

  • And I just think you need to tell him

  • what he means to you,

  • and how we want to see him back at his best.

  • (Gordon) - Hey. Good morning. - Ah, my man.

  • How are you, bud? Good.

  • Take a seat, please. Sit down.

  • How you doing?

  • - Good. - Yeah?

  • - Good sleep? - No.

  • No, I didn't think so, no.

  • Let me tell you something.

  • I came to see your family this morning

  • because I'm concerned that you've lost that spark.

  • Your self-esteem is at a sort of all-time low,

  • and before I can make any changes, Tommy,

  • I need you back... I need to see that spark.

  • Dina.

  • I want you back. I love you.

  • I want me back too.

  • Listen, I love you.

  • I know you love me, babe.

  • It's just so much I'm afraid of, you know.

  • The problem with the restaurant is me.

  • You know, it's me. I shouldn't even be there.

  • An owner should make sure everything runs prop...

  • It's me, know what I mean? I'm afraid.

  • I'm not the same person I was. My whole life...

  • You have to get that person.

  • You've gotta reach inside, Tommy, and pull it out.

  • What person am I pulling out?

  • You. The real you. The real you. Oh, come on.

  • What the hell is going on with you?

  • Pull it out. Excuse me.

  • What do you mean what person are you pulling out, dad?

  • What person am I pulling out?

  • Are you kidding?

  • The last seven years?

  • Dad... 'Cause you don't think...

  • What am I pulling back, that guy that's tired and exhausted...

  • And never sees anything good ever happen in his life?

  • When you [Bleep] fail your whole life, man, it hurts.

  • (Dina) You haven't failed your whole life.

  • How could you fail your whole life?

  • You've got three beautiful kids. We love you.

  • We want you to be happy.

  • You have to pull yourself out of this.

  • I'm gonna. I know I gotta.

  • I need... I need... We love you.

  • [Bleep], I need a good day's sleep, man.

  • I'm weak. My body's weak.

  • You don't think anybody's proud of you... it's not true.

  • They don't understand, man. I'm so depressed.

  • My whole life I've been a failure.

  • It's been awful.

  • I mean, all through life, man.

  • (Announcer) It is clear that Tommy's depression

  • is one of the major problems of the restaurant.

  • When you [Bleep] fail your whole life, man, it hurts.

  • (Announcer) And chef Ramsay knows that before he can ke any changes,

  • Tommy needs to change.

  • How could you fail your whole life?

  • You got three beautiful kids. We love you.

  • We want you to be happy.

  • You have to pull yourself out of this.

  • I'm gonna. I know I gotta.

  • I need... I need... We love you.

  • [Bleep], I need a good day's sleep, man.

  • I'm weak, you know? My body's weak.

  • You don't think anyone's pro of youit's not true.

  • You haven't failed. We love you.

  • You haven't failed. You know?

  • You have not failed.

  • You're a lucky man.

  • You have amazing kids, amazing wife.

  • And I'm telling you, you know, you have not failed.

  • You can't give up. You've got to bounce back.

  • I know, I got to.

  • - Okay? - I gotta get tough.

  • Come on, he needs you. Tommy bones, he needs you!

  • I need the funny, charismatic, witty,

  • -energetic man. -I got it.

  • - That's what I need. - I gotta pull back Tommy.

  • Exactly that. That's what he's trying to say.

  • We can make great changes,

  • but unless you're back...

  • It ain't gonna work, I know.

  • - Nothing'gonna work. - Thank you.

  • You're right. That's it.

  • - I want to fight, yeah. - Okay, good.

  • I'll see you back he restaurant.

  • Yeah? New day.

  • It was important to hear from my family.

  • 'Cause sometimes, you know, you get knocked down a lot.

  • You don't realize you're not getting back up.

  • I think it's time I gotta get back up.

  • So... I'm a fighter.

  • This nose don't look like this for a reason.

  • Come on. Ow, man.

  • Come on! [Bleep].

  • (Tommy) I love that guy.

  • (Announcer) With Tommy beginning the day with a more positive outlook...

  • Let's go. All right.

  • - I want you in the kitchen. - Yeah?

  • I knew you were gonna do this to me. Yeah?

  • (Announcer) Chef Ramsay's anxious to get Tommy more involved

  • in the kitchen.

  • What you've never, ever gotta fear

  • is your kitchen... This is the engine room.

  • The more he sees you supporting him,

  • the closer you guys get.

  • I'm very happy that chef Ramsay's doing this

  • because themas doesn't have the experience in the kitchen.

  • Right, now we're gonna make some orichette.

  • And he needs to understand that this is his entity.

  • This is his business.

  • Oil in.

  • Garlic in.

  • (Tommy) This is the first time I've ever been a cook on the line,

  • let alone with chef Ramsay.

  • That's pretty scary, man. That's scary.

  • So far so good? You with me? Yeah, yup.

  • - What's the matter? - This stuff's tough, man.

  • White wine. Where's my white wine? Nice.

  • Good. That's enough. Little shake.

  • Come on, what's the matter with you?

  • For God's sake!

  • It's very difficult, but if I know my kitchen,

  • I can take hold of this place,

  • run it the way it's supposed to be run.

  • (Gordon) Now taste the seasoning.

  • - Well done. Nice. - Wow.

  • - You happy with that? - I'm a chef now.

  • Nice. Tommy was really proud of himself.

  • - Like, "I made that, Dina." - Nice.

  • Now that Tommy learned a few things with chef Ramsay,

  • it'll give Tommy a chance

  • to take control of our business.

  • It's gonna be a new start for us.

  • (Gordon) Well done. All right, let's go.

  • (Announcer) With the rebuilding of Tommy's confidence underway,

  • chef Ramsay and his team work through the night,

  • and in just 12 hours, they transform Chiarella's

  • into a slick contemporary eatery.

  • - Good morning. - How are you? Well? Hey!

  • - Freezing. - Good to see you.

  • Are you ready to come inside? I'll take your jacket, yeah.

  • Come with me. Come in.

  • - Wow... oh! - Wow.

  • - Oh, it's nice. - Oh, my God.

  • (Tommy) That's phenomenal.

  • - Oh, my God. - How'd you do it that fast?

  • (Gordon) It was an eyesore before, and now it's another table.

  • We're gonna use this bar to eat from.

  • It's gorgeous, it's stunning.

  • And it's a main feature as you walk in.

  • - It's gorgeous, yeah. - It really is.

  • Are you ready to see next door?

  • Ready. Okay, great.

  • Come through, please.

  • Oh, wow. [Tommy laughs]

  • Oh, my God.

  • Holy, [Bleep], how'd you do that?

  • (Gordon) Gone is that old-fashioned '70s mustard color.

  • You have this nice light pale gray

  • that opens up the room... The room looks twice as big.

  • It looks huge.

  • New light fittings. Look at the lights.

  • Where'd you get these lights at? They're unreal.

  • There is a feature in the center of this dining room...

  • Reclaimed wood. Local wood.

  • And it's part of the community. Shelving adjacent.

  • All these little touches

  • give a contemporary feel to this dining room.

  • (Dina) It's so nice.

  • You should be an architect too.

  • How the hell you know all this stuff, man?

  • On the table, we got rid of those hideous cloths.

  • We got white, crisp linen, all new China,

  • a very cool slab of slate, salt, peppers.

  • All these little touches

  • give a contemporary feel to this dining room.

  • You've brought the neighborhood into the restaurant.

  • It's phenomenal. It looks like the city.

  • It looks like it should look. It looks like the neighborhood

  • the neighborhood would want.

  • Oh, my God, I love it.

  • You're phenomenal, man.

  • Happy? Oh, my God, am I happy?

  • This is the best day of my life besides having my kids.

  • (Dina) I love the look of the restaurant.

  • It looks brighter, it looks bigger.

  • We definitely will have our own identity.

  • (Announcer) Not only has chef Ramsay given the restaurant's interior

  • a modern makeover...

  • Okay, come over, please.

  • Wow, look at that food. Maronna Mia.

  • (Announcer) He's also done the same with the 30-year-old menu.

  • Right, the beauty of this menu,

  • it's small, powerful.

  • It sends out all the right messages. Yes.

  • Gone are the 75 dishes. (Tommy) I like that.

  • - It looks wonderful. - Oh, by the way...

  • 16 veal, 12 chicken... All gone.

  • (Renata) Thank God.

  • Now, let's start off from the top.

  • Classic Italian antipasto.

  • Next to that you got arancini...

  • Parmesan, smoked paprika aioli, and parsley.

  • Small but powerful.

  • I'm, like, so excited.

  • Entrees... chicken parmesan.

  • It's a staple, it's a classic.

  • Veal marsala... Oregano, marsala,

  • mushrooms, and spinach.

  • It looks so good.

  • After that you've got a classic spaghetti, meatball.

  • Big, hearty dish that just oozes Italy.

  • Orecchiette. This time it's not gonna be swimming in oil,

  • and Tommy's not gonna be taking it back

  • and draining it. Dina, what do you think?

  • - I love it. - You love it?

  • - Phenomenal. - Tommy, what do you think?

  • I love it, man. Love it. Yeah, I love it.

  • Good. One more thing to talk to you about.

  • Felipe's not gonna learn how to cook this in a day.

  • I know that. (Dina) Right.

  • You need help. Yeah.

  • I phoned an amazing, talented chef

  • who's been here since first thing this morning.

  • He's been in there, he's been working.

  • And you need to get close to this guy.

  • Yeah? Please say hello...

  • Chef Mike Trow.

  • Mike, good to see you, buddy.

  • Let me introduce you to our owners.

  • - This is Dina. - Hi, Mike.

  • - And this is Tommy. - Pleasure.

  • - Good to see you, buddy. - Thank you very much.

  • First of all, local boy.

  • Trained in some of the best restaurants in the country.

  • But more importantly, this man knows

  • exactly what you need.

  • (Tommy) I'm very, very excited with the chef Mike Trow.

  • Chef Ramsay definitely set me up for success.

  • - It's up to me now. - Food looks amazing.

  • Great new menu tonight. Let's get excited.

  • Let's focus and have a great service.

  • - Thank you. Hell of a job. - I'll see you shortly.

  • - Yeah? Brilliant. - (Tommy) That makes me feel good.

  • I don't have to worry about the kitchen as much, you know?

  • Right, dig in, guys, come on. Dig in, dig in, dig in.

  • - Wow. - Excellent.

  • - I really like this. - I really like that.

  • (Renata) Oh, my God, that sauce is so good.

  • That food is delicious.

  • I mean, I could keep eating it, and I'm full.

  • - That is good. -(Renata) Yeah, it's so good.

  • Everything is good. Meatballs are good meatballs.

  • I like the meatballs.

  • I mean, [Indistinct] Is fantastic.

  • - Thomas, taste this, babe. - What's that, just meatballs?

  • Our menu was a dinosaur.

  • What a difference in the food.

  • (Dina) 36 years of that menu.

  • Out with the old and in with the new.

  • That looks so good. I'm so happy.

  • This is a good life.

  • (Announcer) Coming up...

  • All right, Tom, they've been waiting for a while.

  • (Announcer) It's the all-important relaunch of Chiarella's.

  • (Dina) I knew it was running way too smooth.

  • (Announcer) Will Tommy finally step up and take control...

  • One little mistake, we don't collapse.

  • (Announcer) Or will he crumble, and take his restaurant with him?

  • (Dina) Tom, don't screw this up, please.

  • (Announcer) It's relaunch night at Chiarella's.

  • Everybody know their menus? Yes, yes.

  • (Announcer) With chef consultant Mike Trow

  • guiding Felipe behind the line...

  • One at a time, one at a time.

  • Don't get too far ahead of it.

  • (Announcer) All eyes are on a re-energized Tommy.

  • Let's go.

  • Hello, hello. How are you? Three?

  • Folks, welcome to the new Chiarella's. How are you?

  • Have a nice dinner. You're welcome.

  • (Dina) Relaunch night is a big night. Have a nice dinner.

  • And if Tommy steps up and does what he's supposed to do,

  • everything will be great tonight.

  • - You folks set to order? - Yes.

  • Can I have the Caesar salad?

  • I'm gonna have the buffalo mozzerella bruschetta.

  • All right, checking in, guys. First one.

  • Order in. Two calamari and buffalo. Let's go.

  • Come on, come on. Let's go tonight, guys.

  • Let's go. Come on.

  • (Announcer) With Tommy leading his staff...

  • Fire up four. Fire up four.

  • (Mike) Calamari, soup, and livers.

  • (Announcer) Dishes are going out at a rapid pace.

  • Service, please. [Bell dings]

  • - Pesto crostini? - Enjoy.

  • (Announcer) While most of the diners are ecstatic with the new menu...

  • (Announcer) There is one table that is feeling left out.

  • - Renata, where is their dinner? - I don't know.

  • (Dina) What table is this?

  • There was one table... I could see

  • they were getting a little antsy.

  • I knew it was running way too smooth tonight.

  • Tommy has to step up and really do what he's gotta do.

  • All right, Tom, Dina wants to know about table 20

  • because they've been waiting for a while.

  • I messed up on the table number.

  • (Dina) Tom, don't screw this up. Please!

  • Tommy, listen, I said to you,

  • one little mistake, we don't collapse.

  • Stay on top of it. Just change it.

  • Get on with it. Let's go. Come on.

  • Chef Ramsay's definitely right. Take it easy, relax.

  • It's just a little bump in the road here or there.

  • I made a mistake on the table number, Mike.

  • What do you need?

  • - It's coming right now. - Thank you.

  • It'll be out in about five minutes, all right?

  • Nice. Keep it going. Come on, Tommy, keep it going.

  • How we looking here? How we looking here?

  • Coming right now. Table 20.

  • Follow me. Table 20. Here we go.

  • Seeing Tommy step up and run the business

  • was fantastic... Spectacular.

  • Soup's right here. Enjoy it.

  • Come on, let's go, Tom.

  • Come on, baby. Do your thing.

  • I move these down, all right?

  • We're good in there. We're good in there.

  • We're good in there. We're good.

  • - Nice, nice! - Good, good, good.

  • Lasagna, baby! Oh, yes.

  • (Craig) Tommy now is showing his true passion for this business,

  • and his true love for this business.

  • He's full of enthusiasm, he's full of life.

  • Good job, Michael.

  • (Craig) Tommy's back. He's himself again.

  • And I'm very, very happy for him.

  • (Dina) Good job tonight. Great job.

  • I'm the boss!

  • (Gordon) Okay. How we feeling?

  • Great, great. Fantastic, brother.

  • You should be. I know.

  • This restaurant looked and felt

  • like a completely different restaurant

  • than I first walked into at the beginning of the week,

  • let me tell you that.

  • Tonight, Chiarella's was the place to be in Philadelphia.

  • - Thank you. - Thank you.

  • You've got to maintain that now.

  • We gotta keep it. We gotta keep it.

  • You cannot go backwards. To the team, well done.

  • And a great job, Mike, and Felipe.

  • (Tommy) Felipe... Felipe, excellent.

  • And can I have a quick word with you two, please?

  • Well done. Good job, Mike. Good job, yes? Well done.

  • Tommy just seems like he's a different person.

  • He feels secure in running his business.

  • He's Tommy.

  • Okay, did you notice how well your kitchen ran tonight?

  • Excellently.

  • Yeah, the standard was night and day tonight. Oh, yes.

  • - You two work well together. - Yes, we do.

  • And you'd forgotten that. And your tenaciousness...

  • - He needs that. - Yes.

  • And tonight I could see and hear the old Tommy.

  • And it's just... it's moving.

  • But Chiarella's needs both of you.

  • Dina and Tommy. I know exactly what you're saying.

  • - And you can do it. - Yes.

  • Chef Ramsay, he's a good man with a big heart.

  • Look after yourself, will you? Yeah.

  • - Come on. - Look after yourself.

  • He was here to fix me. But he did fix the restaurant.

  • Don't get me wrong. But he was here to fix me.

  • And I hope I stay like this.

  • Take care.

  • God bless. (Both) Thank you.

  • [Sighs]

  • When you consider the changes we made to the food, the decor,

  • and how this restaurant was run,

  • this is the biggest transformation

  • of any Italian restaurant I've ever done.

  • But I'm leaving here with one big question,

  • and that is, will Tommy and Dina maintain

  • the high standards that we set tonight?

  • I promise you, only time will tell.

  • (Announcer) In the weeks that followed...

  • Fire up table ten.

  • (Announcer) The combination of a confident Tommy...

  • Yeah, baby.

  • (Announcer) And a supportive Dina have made it possible

  • for Chiarella's to maintain the high standards

  • - set by chef Ramsay. - This is decadent.

  • Yeah, it's really good.

  • (Announcer) And this once fractured couple

  • is truly united as a team.

  • (Dina) When chef Ramsay came to our restaurant,

  • we were not thrilled at all

  • with what he had to say.

  • I got five right here. I got it. I know.

  • All right, go.

  • (Dina) But with change comes opportunity to grow

  • and be stronger.

  • And I'm hoping that this will become the best

  • Italian restaurant in South Philadelphia.

  • A new beginning, Chiarella's.

  • Ready? One, two, three...

  • (All) A new beginning!

  • Announcer: Next time on Kitchen Nightmares...

  • Chef Ramsay visits a Mexican restaurant

  • that has completely lost its way.

  • - Come back here and help me. - Yeah, right.

  • The restaurant that originally brought this couple together

  • is now tearing them apart.

  • Wait a minute, wait a minute, wait a minute!

  • Hurry up! What?

  • Can Gordon get this husband and wife working together

  • as a team and not as enemies?

  • Sync and corrected by dr.jackson for www.addic7ed.com

(Male announcer) Tonight on Kitchen Nightmares,

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