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  • Hi, welcome to the third and final part in this video tutorial series.

  • In this video we'll be showing you how to make this professionally finished prepreg carbon fibre airbox,

  • using the complex three piece split mould that we made in the previous video.

  • If you are new to prepreg check out our complete introduction to prepreg carbon fibre video.

  • In that video you'll find lots of information on the handling, processing and curing of this material.

  • For what we're doing today we can keep things really simple because almost everything that

  • we're using to produce this part comes in our prepreg carbon fibre kit starter kit.

  • In the kit you've got all of the consumables that you need.

  • You have five metres of vacuum bagging film, unperforated release film and breather cloth.

  • You also get high temperature silicone vacuum hose, through bag connector, two rolls of vacuum bagging gum tape

  • and optionally if you don't already have a pump, a composites vacuum pump.

  • Then of course the prepreg itself.

  • We have over 1.2 square metres of both the Easy-Preg surfacing layer and the Vari-Preg backing layer

  • This is dispatched straight from our freezers in sealed packets and stored on roll.

  • One of the great things about working with prepreg is how accurately and efficiently you can cut the material.

  • So the first thing we're going to do here is just lay masking tape on to these moulds to give us some accurate cutting templates.

  • This one is a very simple part to template for because we're going to laminate this is one component.

  • When it comes to the lower section we actually want to laminate these two while they are fastened together.

  • So I'm going to bolt these together now and then create the masking tape template inside there.

  • When deciding where to put cuts in the material you should consider both the

  • cosmetic appearance of the join will be and also the ease of which the part can be laminated.

  • In many cases this will mean locating the join in a corner on the mould.

  • Corners visually hide the join and also make it easier to lay up without bridging. You can transfer these

  • templates that you've made onto any material that you like. We're going to be using fluted

  • signboard as it's very to cut and fairly durable. With templates from compound shapes you will

  • find that they often will not easily lay flat. In these cases you should flatten them and

  • interpret the true shape as best as you can. With the rough templates down we've got to

  • consider before we cut these out whether any of them need extending or how they're going

  • to sit into the mould. This will be our first component into the mould. So we want this

  • piece

  • of material to be precisely cut to this line so this won't get changed. It will be cut

  • out at that size. However where the join is it's much better to have overlap of material

  • rather than a butt join. So we will extend the side panels here out by around a bout

  • 10mm to give us that overlap. When we're looking at the top section we will be cutting this

  • one slightly oversize. Just to give us an extra bit of tolerance and margin for error

  • when we're laying it up. Before precisely cutting it down to the seam on the mould.

  • So these are the basic templates now and you can see roughly how they'll fit into the mould

  • itself. Now the other thing that we want to consider is where ever these parts of are

  • joining. so where that part meets that part. We'd like the weave to align. There's a simple

  • trick to doing that and that is to mark up the orientation of the weave on the respective

  • components. So again with the top section there to be in that position. We can do the

  • same thing and ensure that the weave along that join will line up. Before we go on to

  • cutting out the prepreg material itself we're going to take the opportunity to apply release

  • agent to the mould. Now as you may have already gathered we've produced a part from this so

  • its already had several applications of release agent. But it is always a good idea between

  • every release to apply one more application. Normal release agent, conventional release

  • agent such as wax and PVA don't work for prepregs due to the high temperatures that are involve.

  • So you really have to use chemical release agent such as Easy-Lease. Now when this part

  • is actually vacuum bagged some of the resin will get driven between the parting lines.

  • So it's equally important to get release agent on to the flanges of the mould as it is the

  • surface of the moulding. So we'll be applying release agent right over the surface over

  • here and also these areas here and here. If you've been storing your prepreg in a freezer

  • make sure it's fully defrosted before you unpackaged it. We need a piece of the surfacing

  • and a piece of the backing ply of the prepreg. The special Easy-Preg surfacing ply you can

  • identify because it's dry on one side. This prepreg really is the secret behind getting

  • a pinhole free surface finish. The backing ply is much heavier material made from 450g

  • cloth and that can be identified by the fact that it's got plastic covering on both sides.

  • You're looking to get these templates nested as tightly as you can thus avoiding waste

  • material. Cutting the prepreg is very straightforward as long as you've got a substantial pair

  • of shears. The surfacing layer being much thinner than the backing can be cut quite

  • easily using a pair of shears or a knife. Now we can see here how we're looking to get

  • the weave alignment. This is the first layer into the mould so this is the piece of material

  • that you see. So we're looking to ensure that our weave alignment is absolutely perfect

  • on these parts. With the twill fabric you get quite a distinct line running in the diagonal

  • across at forty five degrees to the weave. These lines here we're looking to align those

  • with the lines that we can see on the surface of the material. So we'll be taking the templates

  • and making sure at every stage that line carries through from the lines that we have marked.

  • The excess material that we have got here, if it's not going to be used immediately that

  • can be rolled back up put into a sealed bag and re-frozen. With out kit of prepreg ready

  • and our moulds prepared we are now ready to start the lay up. First loosely place the

  • material into the mould ensuring that it is accurately in position before firmly pressing

  • it against the surface. It is goods practise to work the material from the centre outwards.

  • This ensures that the material is in intimate contact with the entire mould surface. Any

  • air pocket or bridging of the fabric in corners must be driven out. In a cooler working environment

  • for intricate shapes it's sometimes advantageous to slightly warm the prepreg using a hair

  • dryer or a heat gun to make it tackier and more pliable. In the case of this part however

  • it won't be needed. The backing ply is laminated in much the same way as the surface but extra

  • care must be taken when placing it into the mould as repositioning can often disturb and

  • lift the surface ply beneath. You will also find that this heavyweight material is less

  • pliable and can take a little more force to manipulate. Prepreg laminating tools are often

  • used to aid the laminating process. These normally consist of a range of blunt instruments,

  • often hand shaped by the laminator from plastic or even carbon fibre. These are then used

  • to push, manipulate and burnish the material firmly against the mould surface. If ever

  • there is a fault in a final component. 9 times out of 10 it will be small pin holes in a

  • corner this is as a result of the material bridging. You must pay extra attention to

  • corners ensuring that there are no voids between the mould surface and the prepreg. With the

  • two plys properly laminated into the mould the excess is trimmed off with a sharp knife

  • blade. Ensure that the blade is kept flat and does not scratch and damage the mould

  • flange. You should make sure that the cut line is neat and level with the flange. This

  • will ensure a neat join in the part is provided. With the opposite section complete we will

  • now move on to the slightly more complex lay up of the lower mould tool. Starting with

  • the base piece of material this is laid precisely into the mould. The edges of this piece will

  • be the visible join on the part so accurate placement ensures a neat final finish. To

  • make handling easier the hole for the aperture is not cut until the piece is in place. The

  • hole is then simply cut with a knife. The sides pieces are then placed into the mould.

  • If you remember these are cut slightly larger to allow for overlap onto the first piece.

  • In the case of this part the overlap of around 10mm will provide a strong joint. When curing

  • the resin will flow around this joint making a seamless finish at the point of overlap.

  • To make the lay up easier in the corners I'm snipping small nicks into the material. I'm

  • only doing this where the material is overlapping so that it won't excessively weaken the part

  • or be visible on the surface. Again here I'm using the same prepreg laminating tool mentioned

  • earlier to ensure that this special surfacing prepreg is pressed down firmly against the

  • mould surface. Small snips are used again in

  • the corners to allow the main material to

  • be folded into the mould with minimal distortion. A real benefit of working with prepregs is

  • the way the intricate layups like this can be carefully assembled step by step with the

  • prepreg tacking itself into place on the mould surface and staying in position. Again the

  • backing layer we're laying down here is tacky enough to stick nicely to the surface layer.

  • We position it carefully and then apply pressure to stick it down firmly. Excess reinforcement

  • is easy to trim away using scissors or a knife. That's the prepreg carbon laid into both these

  • two parts. You can see on this one we've put the carbon completely level with the flange

  • there. Whereas on the other half we've left about 15mm on the top. That 15mm flap will

  • be folded in, but then we'll join the two together when we come to the vacuum bagging

  • stage. I'm going to put a few small snips into the carbon around the corner here to

  • allow the flaps to be folded in without creasing. We'll fold these over and give them a quick

  • press so that they align in to the mould and get the lid section on before they have chance

  • to straighten up. Now we've got these two moulds parts bolted together you can see the

  • extension that we left on the lower part of the section will overlap over the upper part

  • making a very strong bond between the two. With the layup complete we're now going to

  • move on to the vacuum bagging. it uses a completely conventional vacuum bagging stack so we're

  • using the materials that come in the kit. Starting

  • with the unperforated release film follow

  • by breather layer and then We'll put that into an envelop release bag. The purpose

  • of this release film is to provide a non stick impervious barrier between the prepreg material

  • and the breather layer which we will be adding next. Prepregs have perfectly measured resin

  • to fibre ratios and so we don't want the breather to absorb any resin from the laminate. Which

  • is why always use unperforated release film with these prepregs. Ensure the film covers

  • the whole surface of the part without any tight spots of bridging using some tape to

  • hold it in place. Don't worry about overlaps and creases as these will not have an adverse

  • effect on the part. Check again carefully for any bridging particularly in the corners.

  • So now we're onto the breather layer. Which again we're going to put in to the mould in

  • the same way we did the release film. The breather cloth is there to maintain air paths

  • through the bag. it should be positioned across the whole surface of the mould and then held

  • in place with some tape. To eliminate the chances of any of these sharp mould edges

  • or the bolts themselves puncturing the bag we're also going wrap the back of the mould

  • in some breather. This will offer a reasonable degree of protection. Now we're going to use

  • the vacuum bagging film from the kit to make an envelope bag. So a bag that all of this

  • goes inside and then seal it. To seal the bag you want to go slightly beyond the fold

  • in the film. Then lay your sealant tape flat onto the bag. Then that fold, once the backing

  • tape has been removed, can be doubled back on itself and will provide a perfect seal.

  • It makes life a lot easier at this point if you also apply the seal to the other side,

  • but obviously don't seal the bag up completely. Lift the whole mould and the extra breather

  • surrounding it into the vacuum bag. Through bag connector is the next thing, easily forgotten.

  • So we put one insert on the inside there. Then pinch a small amount of the bag, snip

  • it, place that side of the insert through the bag and then firmly tighten the two together.

  • Now that both the part and the through bag connector are where they should be inside

  • the bag peel off and seal the tape that we positioned earlier. We're now ready to pull

  • a vacuum. So all we need to do is take the composites vacuum pump. Connector our high

  • temperature silicone hose to it and then to the through bag connector. Switch the pump

  • on and we'll gradually pull down the bag whilst positioning it. Being such a complicated shape

  • it is perhaps a little difficult to see what's happening here as we first begin to pull

  • down the vacuum. Essentially what I'm doing is feeding all of the surplus bag inside the

  • mould through the aperture in the base and then pushing this surplus of bag up into the

  • neck of the airbox. Whilst at the same time pushing more surplus bag into the neck through

  • the other side As the bulk of the air is removed from the bag you'll want to periodically close

  • the vacuum valve to provide sufficient time to reposition the bag. It is essential that

  • by the time the bag starts to tighten up it has been carefully positioned and jostled

  • in to place so that it's properly in to all of the corners of the mould. Without any bridging

  • or tighter areas. You can see here where the vacuum bag that's been pushed into the neck

  • from the inside meets the bag that's been pushed in from the outside. We need to make

  • sure that there is no bridging around the outside of this area too. With the bag fully

  • pulled down all that's left to do now is fully cure this part. To do that we're going to

  • be curing this at 80 degrees Celsius which is 176 Fahrenheit for eight hours. Here we

  • are using our own specialist composites curing oven which gives us plenty of space for loading

  • parts like this. It also has vacuum lines ready

  • available inside the oven. It is however perfectly

  • possible to cure prepregs in a range of different types of oven, from small domestic ovens through

  • to large industrial ones. The key thing is that you need a vacuum line into the oven

  • to maintain vacuum throughout the cure. For more information on prepreg cure cycles including

  • ramp breaks and cure times at different temperatures, please download the companion PDF guide that

  • accompanies this tutorial. Now that we've left the part to cure for eight hours all

  • that's left to do is remove it from the oven, allow it to cool and demould it. We're back

  • down to room temperature now o we can look at removing the bag. Like most vacuum bagging

  • processes we generally regard the vacuum bag as disposable but don't forget to remove the

  • through bag connector first. The breather cloth can if you like be saved and used repeatedly.

  • But like the bagging film the release film is normally discarded. Once the consumables

  • have been removed we can unbolt the various sections of the mould to release the part.

  • The Easy-Lease that we used earlier ensures that the part release incredibly easily. We

  • can see what we're left with here is just some flash lines that can b cleaned up and

  • then the trim around the lower section to make the final part. A quick way of cleaning

  • up the flash lines is just taking a Stanley blade and scraping it across the surface until

  • the flash has been brought down to a minimum. To trim the part we'll be using a Dremel Fortiflex

  • which in our daily production environment has proven itself to be incredibly reliable.

  • Fitted into the Dremel is a perma-grit tungsten carbide wheel which is absolutely perfect

  • for cutting carbon fibre. The fortiflex is great because its remote motor keeps the electric

  • part of the tool away from the conductive carbon fibre dust which would quickly damage

  • the smaller hand held models. And it's foot pedal operation leaves hands free to concentrate

  • on the trim. Perma grit sanding blocks and round files are ideal for shaping and correcting

  • the cut edge before taking it to a smooth finish

  • with abrasive paper. For lots more information

  • on trimming check out our video tutorial on cutting and shaping carbon fibre. Once all

  • the edges have been nicely smoothed off our brand new top spec carbon fibre part is finished

  • and ready to use. I hope you've enjoyed this video series, we've finally got there. We

  • started from an original design idea. We made a pattern carving it out of foam, gone on

  • to make a split mould and finally prepreg carbon fibre part. I hope this gives you the

  • confidence and inspiration to take on your own project no matter how complex. If you

  • do take on your own project we'd love to hear from you. Get in touch with us on our facebook,

  • twitter or forum. of course if you want to be the first to hear about our videos as we

  • release them subscribe to our youtube channel.

Hi, welcome to the third and final part in this video tutorial series.

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