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  • And the Tango, and that is the Back Corte. So, here we go.

  • The Back Corte. I’ll do a basic step first.

  • And: slow, slow, quick-quick, slow. Slow, slow, quick-quick, slow.

  • Basic. Slow, slow, quick-quick, slow.

  • Back Corte. Slow, slow, quick-quick, slow.

  • So in this step, the man does this.

  • He’s going to take a step back, I repeat, back with the left foot,

  • and turn to the left. He’s going to flex into the left knee,

  • keeping the right leg where it is, straight. The left side stretch up higher,

  • the right side remains low, and he’s going to look at the lady.

  • So all of that in one motion. From here, to here.

  • Left side, left hand, left knee, right leg, right arm, face.

  • Count ofslow’. Very deliberate.

  • He replaces his weight back onto the right foot for the second slow,

  • complete the basic step: quick-quick, slow. Step, side, brush.

  • Same count as the basic step: slow, slow, quick-quick, slow.

  • The lady has the mirror image of that. So as Wendy takes a step,

  • I will describe it. She’s going to go forward,

  • I repeat, forward. Right heel take a firm bow step.

  • Go. Slow. And when she does that,

  • she goes into the right knee flex and a lunge kind of feeling.

  • Left leg remains where it is. Left foot remains there,

  • left leg is fairly straight, and her right side is higher than her left

  • side. The forward side is higher.

  • And she’s looking forwards and upwards. She replaces back onto the left foot on the

  • secondslow”, and finish the basic step:

  • quick-quick, slow. Back, side, brush.

  • So the very first step is very important because it sets up the feeling and the look of the

  • Corte. So, once again,

  • take dance hold, in one motion,

  • and: slow, slow, quick-quick, slow. The turn of the body is important.

  • To do this step nicely and feeling good about it,

  • you need to be offset to the left and close together.

  • And, slow. You see me, you see Wendy.

  • From this angle, and: slow, slow, quick-quick, slow.

  • From this angle, and: slow, slow, quick-quick, slow.

  • The Back Corte. Leading this is very obvious.

  • The man simply does his back step, the lady will feel that right away.

  • There’s no secret signal. So I combine that with the basic step and

  • the music. And that concludes our Tango.

And the Tango, and that is the Back Corte. So, here we go.

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