B1 Intermediate US 2062 Folder Collection
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THERE IS A HOME IN PLANO WORE THE WALLS ARE RAILROAD CHANGING, A PLACE WHERE
PLANO WORE THE WALLS ARE RAILROAD CHANGING, A PLACE WHERE THE MINIMALIST MOVEMENT AND
RAILROAD CHANGING, A PLACE WHERE THE MINIMALIST MOVEMENT AND NATURE COME TOGETHER AS WE
THE MINIMALIST MOVEMENT AND NATURE COME TOGETHER AS WE DISCOVER AT THE FARNSWORTH HOME.
NATURE COME TOGETHER AS WE DISCOVER AT THE FARNSWORTH HOME. >>THE FANSWORTH IS FIVE OR SIX
DISCOVER AT THE FARNSWORTH HOME. >>THE FANSWORTH IS FIVE OR SIX OF THE MOST IMPORTANT HOUSES OF
>>THE FANSWORTH IS FIVE OR SIX OF THE MOST IMPORTANT HOUSES OF THE 20TH CENTURY.
OF THE MOST IMPORTANT HOUSES OF THE 20TH CENTURY. IT REPRESENTS THE BEST OF
THE 20TH CENTURY. IT REPRESENTS THE BEST OF MID-CENTURY MODERNISM THAT
IT REPRESENTS THE BEST OF MID-CENTURY MODERNISM THAT EXISTED IN THE WORLD, AND IT IS
MID-CENTURY MODERNISM THAT EXISTED IN THE WORLD, AND IT IS RIGHT HERE IN PLANO.
EXISTED IN THE WORLD, AND IT IS RIGHT HERE IN PLANO. THE CONCEPTION FOR THE HOUSE
RIGHT HERE IN PLANO. THE CONCEPTION FOR THE HOUSE CAME IN 1945 WITH DR. EDITH
THE CONCEPTION FOR THE HOUSE CAME IN 1945 WITH DR. EDITH FARNSWORTH MEET E NUS VANDERGOET
CAME IN 1945 WITH DR. EDITH FARNSWORTH MEET E NUS VANDERGOET ASKED HIM TO DESIGN A HOUSE ON
FARNSWORTH MEET E NUS VANDERGOET ASKED HIM TO DESIGN A HOUSE ON THE PIECE OF PROPERTY OF THE
ASKED HIM TO DESIGN A HOUSE ON THE PIECE OF PROPERTY OF THE COLONEL MC CORMICK SOUTHWEST OF
THE PIECE OF PROPERTY OF THE COLONEL MC CORMICK SOUTHWEST OF CHICAGO.
COLONEL MC CORMICK SOUTHWEST OF CHICAGO. THE HOUSE WAS COMPLETED IN 1951
CHICAGO. THE HOUSE WAS COMPLETED IN 1951 AND IT REPRESENTS ALL OF THE
THE HOUSE WAS COMPLETED IN 1951 AND IT REPRESENTS ALL OF THE SORT OF MINIMALISTS IDEALS OF
AND IT REPRESENTS ALL OF THE SORT OF MINIMALISTS IDEALS OF THE BOUGH HOUSE AND YOU KNEES IN
SORT OF MINIMALISTS IDEALS OF THE BOUGH HOUSE AND YOU KNEES IN PARTICULAR WHO WAS THE LEADER OF
THE BOUGH HOUSE AND YOU KNEES IN PARTICULAR WHO WAS THE LEADER OF THE MINIMALIST MOVEMENT.
PARTICULAR WHO WAS THE LEADER OF THE MINIMALIST MOVEMENT. HIS TERM FOR THE HOUSE WAS
THE MINIMALIST MOVEMENT. HIS TERM FOR THE HOUSE WAS "ALMOST NOTHING."
HIS TERM FOR THE HOUSE WAS "ALMOST NOTHING." INDEED, WHEN YOU ARE IN THE
"ALMOST NOTHING." INDEED, WHEN YOU ARE IN THE HOUSE, IF THERE WERE NO
INDEED, WHEN YOU ARE IN THE HOUSE, IF THERE WERE NO FURNITURE IN THE HOUSE, IF THERE
HOUSE, IF THERE WERE NO FURNITURE IN THE HOUSE, IF THERE WERE NO DRAPERIES, IT WOULD LOOK
FURNITURE IN THE HOUSE, IF THERE WERE NO DRAPERIES, IT WOULD LOOK LIKE ALMOST NOTHING.
WERE NO DRAPERIES, IT WOULD LOOK LIKE ALMOST NOTHING. THE BASIC ELEMENTS ARE HERE, BUT
LIKE ALMOST NOTHING. THE BASIC ELEMENTS ARE HERE, BUT THE WALLS CONSIST OF GLASS.
THE BASIC ELEMENTS ARE HERE, BUT THE WALLS CONSIST OF GLASS. FLOORS ARE TRAVERTINE, AND THE
THE WALLS CONSIST OF GLASS. FLOORS ARE TRAVERTINE, AND THE CORE OF THE HOUSE IS IN PRIMA
FLOORS ARE TRAVERTINE, AND THE CORE OF THE HOUSE IS IN PRIMA PRIMAVERA WOOD.
CORE OF THE HOUSE IS IN PRIMA PRIMAVERA WOOD. TOWARD THE END OF THE COMPLETION
PRIMAVERA WOOD. TOWARD THE END OF THE COMPLETION OF THE HOUSE, THERE WERE SOME
TOWARD THE END OF THE COMPLETION OF THE HOUSE, THERE WERE SOME POINTS OF CONFLICT.
OF THE HOUSE, THERE WERE SOME POINTS OF CONFLICT. THE WARDROBE, FOR INSTANCE, IN
POINTS OF CONFLICT. THE WARDROBE, FOR INSTANCE, IN THE HOUSE WAS SOMETHING THAT
THE WARDROBE, FOR INSTANCE, IN THE HOUSE WAS SOMETHING THAT EDITH INSIST UPON WHICH YOU
THE HOUSE WAS SOMETHING THAT EDITH INSIST UPON WHICH YOU KNEES DID NOT WANT AT ALL
EDITH INSIST UPON WHICH YOU KNEES DID NOT WANT AT ALL BECAUSE HE DIDN'T WANT ANYTHING
KNEES DID NOT WANT AT ALL BECAUSE HE DIDN'T WANT ANYTHING TO IMPEDE THE FREE-SPAN, OPEN
BECAUSE HE DIDN'T WANT ANYTHING TO IMPEDE THE FREE-SPAN, OPEN ONE ROOM SPACE.
TO IMPEDE THE FREE-SPAN, OPEN ONE ROOM SPACE. SHE INSISTED ON WINDOWS THAT
ONE ROOM SPACE. SHE INSISTED ON WINDOWS THAT OPENED SO YOU COULD GET CROSS
SHE INSISTED ON WINDOWS THAT OPENED SO YOU COULD GET CROSS VENTILATION WHICH YOU KNEES DID
OPENED SO YOU COULD GET CROSS VENTILATION WHICH YOU KNEES DID NOT WANT TO HAPPEN.
VENTILATION WHICH YOU KNEES DID NOT WANT TO HAPPEN. SHE INEVITABLY SCREENED IN THE
NOT WANT TO HAPPEN. SHE INEVITABLY SCREENED IN THE PORCH TO PROTECT HER FROM THE
SHE INEVITABLY SCREENED IN THE PORCH TO PROTECT HER FROM THE MOSQUITOS.
PORCH TO PROTECT HER FROM THE MOSQUITOS. MEICE DIDN'T WANT THAT.
MOSQUITOS. MEICE DIDN'T WANT THAT. HEATING SYSTEM SUNDAY THE TV
MEICE DIDN'T WANT THAT. HEATING SYSTEM SUNDAY THE TV AVATINE FLOOR.
HEATING SYSTEM SUNDAY THE TV AVATINE FLOOR. THERE IS A SERIES OF COPPER
AVATINE FLOOR. THERE IS A SERIES OF COPPER TUBES.
THERE IS A SERIES OF COPPER TUBES. IN THE WINTER, THE FLOOR HAS
TUBES. IN THE WINTER, THE FLOOR HAS THIS GENTLE WARMTH THAT EMANATES
IN THE WINTER, THE FLOOR HAS THIS GENTLE WARMTH THAT EMANATES FROM IT, AND IT IS A VERY, VERY
THIS GENTLE WARMTH THAT EMANATES FROM IT, AND IT IS A VERY, VERY WARM COMFORTABLE TOAST I HOUSE
FROM IT, AND IT IS A VERY, VERY WARM COMFORTABLE TOAST I HOUSE IN THE WINTERTIME.
WARM COMFORTABLE TOAST I HOUSE IN THE WINTERTIME. THE HOUSE IS QUITE COMFORTABLE
IN THE WINTERTIME. THE HOUSE IS QUITE COMFORTABLE BECAUSE YOU HAVE PRIVACY CREATED
THE HOUSE IS QUITE COMFORTABLE BECAUSE YOU HAVE PRIVACY CREATED BY THE NATURAL VEGETATION AROUND
BECAUSE YOU HAVE PRIVACY CREATED BY THE NATURAL VEGETATION AROUND THE HOUSE.
BY THE NATURAL VEGETATION AROUND THE HOUSE. AND, IN FACT, THE PURPOSE OF THE
THE HOUSE. AND, IN FACT, THE PURPOSE OF THE HOUSE IN THIS SETTING IS TO JOIN
AND, IN FACT, THE PURPOSE OF THE HOUSE IN THIS SETTING IS TO JOIN WITH THE NATURAL SETTING TO
HOUSE IN THIS SETTING IS TO JOIN WITH THE NATURAL SETTING TO CREATE THIS KIND OF EVER
WITH THE NATURAL SETTING TO CREATE THIS KIND OF EVER CHANGING EXPERIENCE
CREATE THIS KIND OF EVER CHANGING EXPERIENCE ARCHITECTURALLY.
CHANGING EXPERIENCE ARCHITECTURALLY. THE NATURE OUTSIDE THE HOUSE
ARCHITECTURALLY. THE NATURE OUTSIDE THE HOUSE TAKES ON A HIGHER SIGNIFICANCE
THE NATURE OUTSIDE THE HOUSE TAKES ON A HIGHER SIGNIFICANCE WHEN YOU ARE IN THE HOUSE
TAKES ON A HIGHER SIGNIFICANCE WHEN YOU ARE IN THE HOUSE LOOKING AT IT.
WHEN YOU ARE IN THE HOUSE LOOKING AT IT. I HAVE BEEN HERE HUNDREDS OF
LOOKING AT IT. I HAVE BEEN HERE HUNDREDS OF TIMES, AND IT IS DIFFERENT EVERY
I HAVE BEEN HERE HUNDREDS OF TIMES, AND IT IS DIFFERENT EVERY SINGLE TIME BECAUSE THE
TIMES, AND IT IS DIFFERENT EVERY SINGLE TIME BECAUSE THE ATMOSPHERIC CONDITIONS ARE
SINGLE TIME BECAUSE THE ATMOSPHERIC CONDITIONS ARE DIFFERENT, VEGETATIVE CONDITIONS
ATMOSPHERIC CONDITIONS ARE DIFFERENT, VEGETATIVE CONDITIONS ARE DIFFERENT.
DIFFERENT, VEGETATIVE CONDITIONS ARE DIFFERENT. THE RIVER IS AT A DIFFERENT
ARE DIFFERENT. THE RIVER IS AT A DIFFERENT LEVEL.
THE RIVER IS AT A DIFFERENT LEVEL. EDITH OWNED THE HOME FOR 20
LEVEL. EDITH OWNED THE HOME FOR 20 YEARS, AND THEN SOLD IT TO LORD
EDITH OWNED THE HOME FOR 20 YEARS, AND THEN SOLD IT TO LORD PETER PALUMBO, A DEVELOPER AND
YEARS, AND THEN SOLD IT TO LORD PETER PALUMBO, A DEVELOPER AND ARCHITECTURAL ENTHUSIAST FROM
PETER PALUMBO, A DEVELOPER AND ARCHITECTURAL ENTHUSIAST FROM LONDON.
ARCHITECTURAL ENTHUSIAST FROM LONDON. THIS IS VERY DIFFERENT FROM THE
LONDON. THIS IS VERY DIFFERENT FROM THE WAY IT LOOKED WHEN EDITH LIVED
THIS IS VERY DIFFERENT FROM THE WAY IT LOOKED WHEN EDITH LIVED HERE.
WAY IT LOOKED WHEN EDITH LIVED HERE. EDITH HAD OVER-STUFFED COUCHES
HERE. EDITH HAD OVER-STUFFED COUCHES AND VICTORIAN FURNITURE AND
EDITH HAD OVER-STUFFED COUCHES AND VICTORIAN FURNITURE AND CHINESE FEU DOGS OUT ON THE
AND VICTORIAN FURNITURE AND CHINESE FEU DOGS OUT ON THE TERRACE, AND PETER PALUMBO BEING
CHINESE FEU DOGS OUT ON THE TERRACE, AND PETER PALUMBO BEING MUCH PURER IN HIS DESIGN SENSE
TERRACE, AND PETER PALUMBO BEING MUCH PURER IN HIS DESIGN SENSE AND APPRECIATION FOR MEICE
MUCH PURER IN HIS DESIGN SENSE AND APPRECIATION FOR MEICE REMOVED EVERYTHING THAT WASN'T
AND APPRECIATION FOR MEICE REMOVED EVERYTHING THAT WASN'T MEISIAN AND LEFT FOR US WHAT YOU
REMOVED EVERYTHING THAT WASN'T MEISIAN AND LEFT FOR US WHAT YOU SEE HERE TODAY.
MEISIAN AND LEFT FOR US WHAT YOU SEE HERE TODAY. WHAT YOU SEE IN THE HOUSE NOW
SEE HERE TODAY. WHAT YOU SEE IN THE HOUSE NOW ARE AUTHORIZED KNOLL
WHAT YOU SEE IN THE HOUSE NOW ARE AUTHORIZED KNOLL REPRODUCTIONS OF MEICE DESIGNS.
ARE AUTHORIZED KNOLL REPRODUCTIONS OF MEICE DESIGNS. ALL OF THE FURNITURE WAS
REPRODUCTIONS OF MEICE DESIGNS. ALL OF THE FURNITURE WAS PURCHASED BY LORD PALUMBO IN
ALL OF THE FURNITURE WAS PURCHASED BY LORD PALUMBO IN FURNISHING THE HOUSE AFTER HE
PURCHASED BY LORD PALUMBO IN FURNISHING THE HOUSE AFTER HE PURCHASED IT FROM EDITH
FURNISHING THE HOUSE AFTER HE PURCHASED IT FROM EDITH FARNSWORTH.
PURCHASED IT FROM EDITH FARNSWORTH. THE HOUSE IS OWNED TODAY BY THE
FARNSWORTH. THE HOUSE IS OWNED TODAY BY THE NATIONAL TRUST FOR HISTORIC
THE HOUSE IS OWNED TODAY BY THE NATIONAL TRUST FOR HISTORIC PRESERVATION IN WASHINGTON.
NATIONAL TRUST FOR HISTORIC PRESERVATION IN WASHINGTON. THE ORGANIZATION THAT I HAD HAS
PRESERVATION IN WASHINGTON. THE ORGANIZATION THAT I HAD HAS EXCLUSIVELY MANAGING AND
THE ORGANIZATION THAT I HAD HAS EXCLUSIVELY MANAGING AND OPERATING COVENANT WITH THE
EXCLUSIVELY MANAGING AND OPERATING COVENANT WITH THE NATIONAL TRUST ON THE HOUSE.
OPERATING COVENANT WITH THE NATIONAL TRUST ON THE HOUSE. THE DESIGN OF THE FARNSWORTH
NATIONAL TRUST ON THE HOUSE. THE DESIGN OF THE FARNSWORTH HOUSE REPRESENTS SORT OF THE
THE DESIGN OF THE FARNSWORTH HOUSE REPRESENTS SORT OF THE APEX OF 20TH CENTURY MODERNISM,
HOUSE REPRESENTS SORT OF THE APEX OF 20TH CENTURY MODERNISM, AND EVERYTHING IS REDUCED TO THE
APEX OF 20TH CENTURY MODERNISM, AND EVERYTHING IS REDUCED TO THE ABSOLUTE MINIMUM THAT ONE NEEDS
AND EVERYTHING IS REDUCED TO THE ABSOLUTE MINIMUM THAT ONE NEEDS TO MAKE A HOUSE STAND AND MAKE A
ABSOLUTE MINIMUM THAT ONE NEEDS TO MAKE A HOUSE STAND AND MAKE A HOUSE FUNCTION.
FOR MORE INFORMATION ABOUT THE FARNSWORTH HOME, GO TO WWW. WWW.FANSWORTH HOUSE.ORG OR
FARNSWORTH HOME, GO TO WWW. WWW.FANSWORTH HOUSE.ORG OR (630)552-0052.
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Illinois Adventure #1607 "Historic Farnsworth House"

2062 Folder Collection
yy published on March 16, 2015
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