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  • You guys are now reacting to the four member girl group aespa and their title track,

  • Drama, off of their 2023 mini album of the same name.

  • They sing about having total confidence in themselves and the strength they feel with support from each other and from their fans.

  • aespa use this power to bring drama and break trauma.

  • Dang.

  • But they are more than just the main characters of this drama, they are also the writers.

  • They sing,

  • You and I, together we write this story, pass hurdles no more, push boundaries every day,

  • I'ma make it my way.

  • The song is composed by NoIdentity, Waker, EJ, and Charlotte Wilson.

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  • Patreon and YouTube memberships are how viewers like you can support us and also gain access to exclusive content like extra reactions to both old and new K-pop songs, early access to every ReacttotheK video, and a weekly podcast.

  • I think Trick or Trick is one of those tracks where like,

  • I still think it's probably the best one in the album.

  • When I first heard it, yes, I think it was very fun to discover the journey that this song had.

  • We also started a new series where we'll be ranking every song in an artist's discography every month.

  • I'm surprised it's not God Tier for you, I was pretty sure a***** was like amazing for you.

  • It is, but I'm being sparing with God Tiers.

  • If you want to become a Patron or YouTube member to help our channel grow and to access over 1,000 exclusive videos, check out the description of this video for how to join.

  • Thank you to all of you who already support us.

  • We really couldn't do this without you.

  • And now, back to the video.

  • Let's go.

  • Are we ready for the drama?

  • Yeah, yup, yup.

  • 3, 2, 1.

  • Welcome to the drama. Please follow rules.

  • Wait, can we pause this and read the rules?

  • Welcome to drama. Please follow four rules.

  • Look back immediately when you feel a presence in the dark.

  • Are we in the dark yet, though?

  • It's opposite day, so yes.

  • Okay, then I'll look forward.

  • Oh.

  • It's opposite day.

  • It's because we're, yeah, we're looking, okay, okay, right, right.

  • If your reflection tries to shake your hand, don't let it.

  • That's crazy.

  • Let it.

  • Yes, we let it.

  • Light can blind your eyes.

  • Run away at full speed.

  • Run to the light.

  • All of the above is false.

  • Oh, yeah.

  • The only way to escape is by doing the opposite.

  • Okay.

  • Yeah, you were right.

  • It is opposite day.

  • I had not read that far.

  • Me neither.

  • I called it.

  • Let's get it.

  • 3, 2, 1.

  • Great scary music.

  • This is scary.

  • Sounded like an eggshell.

  • Great noises.

  • Yeah, yeah.

  • Whoa.

  • Yeah.

  • Oh.

  • Wow.

  • I love that percussive instrument.

  • Those triplets.

  • I like the mix in their flow.

  • There's that major.

  • Ooh.

  • Wow.

  • That's traumatic.

  • Ooh.

  • The bass.

  • Silking that really dark heavy sound in the pre-chorus.

  • Yeah.

  • That organ.

  • Yeah.

  • That was a nice-

  • Look at that.

  • That was a nice use of triplets actually.

  • Damn.

  • Was that the reflection?

  • Ooh.

  • Wow.

  • Wow.

  • Whoa.

  • I like that.

  • That was a nice subversion.

  • I didn't think that's where I was going at all.

  • Okay.

  • Nice little line.

  • Now major third.

  • This feels so like, lead-coded, you know?

  • Mm.

  • Mm.

  • Was she counting all the off-beats?

  • Nice.

  • That's super nice, yeah.

  • Oh, this is cool.

  • Really glad that they're bringing in this new melodic motif in the second verse.

  • Is that Gucci?

  • The bass drum is cool.

  • Yeah.

  • Gucci's so powerful.

  • Ding-ding rap, that's unusual.

  • There's a lot of counting in this song.

  • Wow.

  • 4 to 1.

  • What?

  • What is going on?

  • Whoa.

  • Yeah.

  • Nice.

  • That one measure where they drop everything out.

  • Yeah.

  • Variety is important.

  • Whoa.

  • Where did this come from?

  • Kardashians are cowering right now.

  • Hmm, interesting.

  • Whoa.

  • It's like using the- the b2 chord as the pivot chord.

  • God, the vocal harmonies are so thick.

  • Mm.

  • Dance break?

  • I want a dance break, please.

  • Oh!

  • High note.

  • She's still going.

  • And ad-libs.

  • Sick.

  • That was sick, yeah.

  • You're still hanging?

  • That's hella like upper body strength.

  • I want a little outro.

  • Oh!

  • Whoa.

  • This is so interesting.

  • Intense.

  • It's really intense.

  • Oh, nice.

  • I love that.

  • The texture of that sound is really nice.

  • That was so satisfying.

  • I like how they brought back the talking, like the kind of rap thing at the end.

  • Yeah.

  • Yeah, that's like close harmony.

  • Did you hear that?

  • Ooh, some of their vocal harmony there is really cool.

  • It's close, the timbre is so similar that it just really sounds like one chord, not like a couple voices at the same time.

  • That sounds out to me as like, that probably the most like musically exciting and interesting thing for this.

  • And then the drama vocal fries also stands out like, oh, that's unique.

  • All in all, I think it's a pretty good song.

  • I don't really know why it's not like resonating with me as much yet.

  • Maybe I'm just too full from Thanksgiving dinner.

  • Very beginning and very end were my favorite.

  • Yeah.

  • Ooh, I think I like it when like things sound like atonal or like when you, when there's sounds, but I can't really hear the exact pitch.

  • The pitch, yeah.

  • Yeah, I like that effect a lot.

  • If you listen to at the end of the song.

  • Oh, the sound develops.

  • Yeah, like it's much more clean.

  • What I'm guessing, again, this is speculation on the production methods.

  • If you run a sound like a transient through a resonator, but then you can turn it where the harmonics aren't, like you have the harmonics lined up and that'll tend to give you something like kind of like a string pluck or lined up another way.

  • It'll give you kind of like a clean, like tuned metal sound.

  • But if you turn them to like weird, like not clean fractions, you'll get this sort of bizarre, like metallic sound.

  • There's like, it's hard often to even hear what the fundamental is.

  • And I'm guessing that's how this is done is running a transient through a resonator that's set someplace weird.

  • And maybe even like, given how some of these sound, the harmonics or partials of a sort are moving contrary to where the note is, it might even be like randomizing or just like resetting where it is each time they do a new note.

  • Future K-pop producer people.

  • Hopefully.

  • How do you feel listening to that song?

  • It's definitely giving drama.

  • How do you feel like their vocal delivery added to the drama?

  • It was very like bold.