Name: Jun Hwi Cho: Schubert's Impromptu Op. 142, No. 3 | Juilliard Sir András Schiff Piano Master Class
Uploaded: 2023-02-04T06:45:54.000Z
Duration: 47 min 20 s
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♫ ♫ ♫  [Impromptu in B-flat Major,  Op. 142, No.3 by Franz Schubert]

Just a small thing, yeah, but I don't have a lot  to say because it's very good, it's beautiful.

This last variation...no no...but it's a little

bit too mechanical...to many scales ...reminds me too much of tyranny.

It's not a compliment, so, because it shouldn't  it should be very it's the (humming)

gesture, it's like like the water flowing, or like the wind blowing and I don't

want to hear so many individual notes here, yes.

It's not...I cannot put it into words,  but do you know what I mean?

Try to achieve...it's not not so long the  gato, it's between legato and (humming).

Try to play not with very curved  fingers, but flatten it a little bit here.

I don't like Czerny, but I love Schubert.

At the end of each passage, the last  three notes play especially beautiful.

Sort of fill out the corners there, yes? Mm-hmm.

♫ ♫ ♫  [Impromptu in B-flat Major, Op.  142, No.3 by Franz Schubert]

And what happens with the... (humming and playing piano)

Diminished 7c. (humming and playing piano)

So, you have to underline the diminished seventh chord.

Alright, so let's go back to the theme and what happens at that point from the...

♫ ♫ ♫  [Andras humming and playing the piano]

So, it's a question mark and then release the tension yes now let's just play the

accompaniment alone please but  played with two hands. (humming)

SCHIFF: What's the problem with  that...if you are listening to yourself?

JUN HWI CHO: I didn't clarify it, the main corporation well.

SCHIFF: It just doesn't...doesn't  have any character because...

Every time we play Schubert,  we have to go to the songs.

SCHIFF: And this one too Rosamond, yeah? You know the string quartet in A minor?

SCHIFF: And ballet music, yes? So, it's of course...

And it's all based on this and rhythm it goes further...can you tell me what what

inspires Schubert to give always this ductile...

SCHIFF: What is this? It's not by Schubert.

CHO: Um...I guess it sounds like a dance.

You know? So he was obsessed with Beethoven...they lived in the same city

and he worshiped Beethoven, but he was  so shy he would never it's not like today

everybody would go up here in New  York to Beethoven, "Hi, how are you?"

You know, this was not like that it's better so so try to do this...(humming).

But you I didn't feel the harmony of the diminished seventh chord (humming and piano).

Just leave it a tiny little bit of time, yeah...the couple.

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Jun Hwi Cho: Schubert's Impromptu Op. 142, No. 3 | Juilliard Sir András Schiff Piano Master Class

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