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  • Jamie Phelps?

  • Between you and me, he's a bit of a rascal, that one, but I'm sure I mustn't judge.

  • In what way, Mr. Montgomery?

  • Oh, call me Arthur, please.

  • Arthur, in what way did you mean that Jamie Phelps is a rascal?

  • Oh, you know... the usual sort of thing.

  • We've had some good nights at the Groucho Club, that's all.

  • Although, I'm sure he's settled down now. He's a good man.

  • How long have you been Mr. Phelps' client, Mr... Arthur?

  • A long time. Ten years?

  • You see, I had a restaurant in town.

  • That was when he was part of KPL and he looked after our accounts.

  • Then he lured me away when he struck out on his own. Rascal...!

  • Mr. Montgomery, when did you last speak to Jamie?

  • We spoke this morning, which I believe is why I'm here.

  • And what did you talk about, if you don't mind me asking?

  • Oh, he was after my paperwork. And quite right too.

  • I can be a bit slapdash when it comes to record keeping and whatnot.

  • It's all a bit tedious, isn't it?

  • Is it?

  • It is. Especially when you're as busy as I am.

  • I've got a new book outWinter Warmers. I'll leave you a copy.

  • Cheers! My wife will...

  • Nikesh, we can't accept that. Thanks, anyway.

  • I'll just leave it in my drawer for later.

  • Cheers, Arthur... Mr. Montgomery.

  • No problem. I can tell who's in charge here.

  • I did actually email Phelps' secretary this afternoon.

  • Just so we're dotting all the 'i's.

  • Really? What about?

  • Make an appointment. Can't put the blasted accounts off forever.

  • Is it usual for your accountant to call you from his mobile? Out-with office hours?

  • Well, like I said, we've always got on well and I can be difficult to get hold of.

  • But not today.

  • No.

  • If there's nothing else, I'd better get off.

  • Thanks for your time.

  • Pleasure meeting you, Mr. Montgomery. Let me show you out.

  • What?

  • I don't get it. He's a total tool.

  • No. It's part of his thing, you know. You should watch his show. It's part of his vibe.

  • All I'll say is that if a woman behaved how he does, there's no way she'd have a TV show and a book deal.

  • I think we should take a look at the timeline.

  • Take me through what we've got.

  • Right. So, he was hacked last night, but he only saw the ransomware email this morning.

  • Probably before he left the family home at 24 Carnwell Avenue.

  • He leaves the house at 08:00, drives towards work at 56 Harbour Road.

  • He's supposed to drop Pip off at nursery but doesn't.

  • On his way to work, at 08:25, he speaks to Juliet Arnott, his PAasks her what's going on.

  • Then calls his brother Paul Stevenson, at 08:35 – asks for a loan. Paul says no.

  • He then gets to the office on Harbour Road at around 8:45, goes inside, gets somethingsome filesfrom his desk.

  • We're not sure which client they pertain to.

  • He then gets back in his car, calls one of his clients, Arthur Montgomeryasks him to send in his paperwork.

  • He then heads out of town, past Beltonfield ParkPip's still in the carand a couple of hours later, leaves Pip in a car park and sends a text to his wife asking for forgiveness.

  • It doesn't make any sense.

  • Why was he chasing paperwork when he was being blackmailed?

  • Well, Arthur Montgomery's a pretty big account, right?

  • He was trying to raise funds. Perhaps he was going to bill him?

  • Could be. It seems weird.

  • How long did he have to raise the money?

  • 72 hours, according to Mrs. Arnott.

  • I suppose they recognise that people need time to get hold of that kind of cash.

  • Why send that text?

  • There's nothing previous to suggest he was suicidal, and if he's not suicidal, why ask for forgiveness from his wife?

  • Because he chucked away all of their savings.

  • But why text that?

  • Is he running away? What's he doing?

  • And why didn't he just drop Pip off at nursery?

  • We're missing something. I need you to...

  • DS Pritchard.

  • Yes... sounds like him.

  • What's the location?

  • Secure the scene. We'll be half an hour.

  • Best get your wellies. We've got a body on the beach.

Jamie Phelps?

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