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  • Aloha I'm Mike Rugnetta, and this is Crash Course Mythology and today we're

  • going to continue looking at goddesses, and what makes them so great!

  • In this episode we'll focus on two myths:

  • one about a volcano goddess,

  • and another about White Buffalo Calf Woman.

  • We're going to look at these myths a bit more in-depth

  • than we usually do, and head to places we haven't talked about much before:

  • Hawaii and North America. Y'all packed, Ttoth?

  • Ooh!

  • Ooh! ..Nice! Sharp!

  • *title music, images and jokes*

  • *jokes you'll need to pause the video to read, honestly*

  • Longtime crash-course fans may remember that Hawaiian mythology featured heavily

  • in our episode about Captain Cook.

  • The god in question then was "Lono,"

  • who was supposed to be pretty powerful, but he was only one of the great gods who

  • followed Pele, the fire goddess, to Hawaii from the land beyond the vast oceans.

  • By the time Cook arrived in Hawaii, Pele was the most feared and respected of

  • Hawaii's divinities, holding court with her five brothers and sisters in the Kilauea

  • Volcano--which is a scary place to hold court, but very convenient if you like BBQ.

  • Pele exemplifies the "Triple-Goddess" that we talked about in the previous episode:

  • she's a goddess of life AND death--

  • controlling the lava that gives the Hawaiian islands its rich, fertile soil

  • but-also destroys EVERYTHING in its path.

  • And in this story we also see her as

  • the regenerative goddess of sexual allure and creativity.

  • In short, "This girl / is on fi-yah!" ...(emoji)

  • One day Pele decided to come out of her smoldering pit at Kilauea to go to the beach.

  • After frolicking in the Hawaiian surf with her sisters,

  • she lay down for a nap in a cave.

  • But before she fell asleep,

  • she warned her sisters that if any of them woke her

  • she would kill them all!

  • (Whoa, grouchy!)

  • If it were absolutely necessary to awaken her

  • she said that her youngest sister,

  • Hi'iaka, should be the one to do it.

  • At the time, Hi'iaka was out playing in the Lehua groves,

  • and making friends with a tree spirit, named Hopoe,

  • who quickly became Hi'iaka's best friend.

  • Meanwhile, the dream spirit of the sleeping Pele traveled to

  • Kauai where there was a hula performance in the Alaka sacred hall.

  • And there she found the prince Lohiau.

  • The prince saw her and fell in love with her instantly.

  • He invited her to eat with him and then go back to his house.

  • Pele allowed the prince to kiss her but not to touch her--which is a little confusing,

  • because, isn't kissing a kind of touching?-- anyway, the Prince tried getting handsy

  • anyway, and Pele floated away back to Hawaii.

  • Distraught beyond compare,

  • he (Lohiau) hanged himself with his loincloth.

  • Thaught Bubble, you can take it from here.

  • After a few days Pele's sisters grew worried about her trance-like nap

  • and summoned Hi'iaka to wake her.

  • The little sister chanted over her big sister's body

  • and the great goddess woke up (and didn't kill anyone).

  • Pele asked each of her sisters to go to Kauai

  • and fetch Lohiau, but they were all too afraid

  • to make the journey--except for Hi'iaka.

  • Pele promised the youngest sister that-

  • -after she accomplished her task, Pele would take Lohiau as a lover

  • for five days and nights, and then he would belong to Hi'iaka.

  • Before going, Hi'iaka made Pele promise

  • not to destroy the Lehua groves where her friend Hopoe lived.

  • She also asked for some of Pele's magic power to help her on her journey.

  • Hi'iaka made the dangerous trip to Kauai

  • where she found that Lohiau had been dead.. for many days.

  • --well, mostly dead.

  • Hi'iaka looked closely and noticed above the prince's body a dim ghost-Spirit hovering.

  • Using all her extra magic power she brought Lohiau back to life.

  • While Hi'iaka was away on her journey, Pele broke her promise,

  • and her lava destroyed the Lehua groves! --KILLING Hopoe!

  • Hi'iaka saw this betrayal so she decided that, since the bargain was broken,

  • she would take Lohiau as her own, saying,

  • "I have faithfully kept the compact between myself and my sister,"

  • "I have not touched her lover,"

  • "I have not let him caress me,"

  • "I have not given him a kiss."

  • "Now that compact is at an end."

  • "I am free to treat this handsome man as my own lover,"

  • "-this man, who has had a desire for me."

  • "And I will let Pele with her own eyes see the compact broken."

  • Thank you Thought Bubble!

  • So that's exactly what Hi'iaka did.

  • When their sisters saw her kissing Lohiau,

  • they tattled to Pele, who responded,

  • "Mouths were made made for kissing."

  • Which makes it seem like she's okay with it

  • --but she's definitely not okay with it.

  • Pele called upon the other great gods

  • to help her destroy Lohiau..

  • which they did..

  • with LAVA.

  • The lava spared Hi'iaka but flowed over Lohiau

  • who died...

  • AGAIN.

  • Pele, still angry, would have destroyed the world itself,

  • but another God, Kane the earth-shaper, calmed her down.

  • The story doesn't end there though.

  • A great sorcerer came to the pit where Pele and her sisters lived

  • and asked them why his friend, Lohiau, had been destroyed.

  • After the sisters told him, he asked, "why, since Lohiau had

  • already died, did he have to die again?"

  • Pele asked him to explain what he meant

  • and the sorcerer told her

  • about what Hi'iaka had done on Kauai to save Lohiau.

  • Hi'iaka confirmed her deeds,

  • explaining that she had saved him,

  • but only smooched him

  • after learning Pele off'd her rad tree pal.

  • The sorcerer then asked Pele to show herself to him.

  • He fell down and adored her,

  • an act which seemed to soften her heart.

  • Pele sent to her brother, Ka-moho-alii, to find Lohiau's spirit

  • and bring him back to life.

  • Hi'iaka found him in the charred groves,

  • the place where the destroyed Lehua

  • were beginning to grow again.

  • As they wandered together through Hawaii,

  • they knew that the goddess of the pit

  • was not now so terror-inspiring.

  • As a mother goddess,

  • Pele has power over life and,

  • Pele has power over life and, especially,

  • Pele has power over life and, especially, death.

  • Her actions are often destructive but also..

  • Her actions are often destructive but also.. regenerative.

  • By the end of the story,

  • the Lehua groves are regrowing, and

  • the love between her sister and the prince is rekindled.

  • the love between her sister and the prince is rekindled. (wink!)

  • While Pele's powers are terrible,

  • we should also note that she sometimes chooses to limit them.

  • Pele makes threats,

  • including the threat of killing her sisters,

  • but she doesn't follow through.

  • Circumstances can also alter her behavior.

  • When she discovers the truth about Hi'iaka's loyalty,

  • and her efforts to bring Lohiau back,

  • Pele's attitude changes. She.. .

  • Pele's attitude changes. She.. . cools off a bit.

  • Does this mean that our actions towards the gods

  • can influence their actions upon us?

  • Or is it primarily an analogy for how we, as humans,

  • should behave towards one another:

  • honoring our elders, but also keeping our promises.

  • Maybe it's just about n ot getting hot under the collar about your sister!

  • The creation of the social order is another aspect of

  • great goddess mythology.

  • One we can see echoed in our next story:

  • The White Buffalo Calf Woman.

  • The Lakota, Nakota and Dakota tribes who populate the northern

  • Great Plains of the United States, and part of Canada, are sometimes lumped under

  • the name, "Sioux," but since that has pejorative connotations

  • we're going with the "D'Danke Oh Yah De," or "Buffalo Nation."

  • The people of the Buffalo Nation have a complex religious system

  • that sees the world as challenging and haphazard,

  • forcing people to accept loss

  • and work to complete the unfinished world.

  • In this context the White Buffalo Calf Woman is a culture bringer;

  • "She gives the [Buffalo Nation People] objects and practices that symbolize and define

  • their way of relating to the spirit and human worlds."

  • This is a version of her story:

  • Long ago

  • the people of the [Buffalo Nation] came together

  • at the seven sacred council fires because

  • there was no game and the people were starving.

  • They decided to send two Scouts to find something--anything--to eat.

  • This was so long ago that it was before horses,

  • so the scouts would have to go out on foot.

  • The two Scouts searched everywhere, but found nothing;

  • until one day, they spotted a distant figure

  • floating...

  • floating... not walking!

  • --and because of this they knew that

  • that person was "wakan," or "holy."

  • This person was Ptesan-Wi, the White Buffalo Calf Woman,

  • and she was very beautiful.

  • Each man saw her and reacted differently.

  • One was in awe of her,

  • but the other was overcome.. by desire..

  • and he tried to touch her.

  • Instantly he was struck by lightning,

  • and burned into a heap of black bones.

  • So, if we've learned anything today, its that-

  • Goddess Groping = Gruesome Death.

  • White Buffalo Calf Woman told the other Scout

  • that good things would come to the Buffalo Nation people, and that he should

  • return to camp and await her arrival.

  • He did as he was told, and the camp

  • prepared itself for the holy one.

  • Four days later White Buffalo Calf Woman

  • arrived with a bundle and was made welcome.

  • She told the people to create an altar

  • and a rack for the holy thing that she had brought them.

  • When they had done as she instructed,

  • she opened the bundle and revealed..

  • ..the "Chanunpa," the sacred pipe.

  • the White Buffalo Calf Woman showed the people how to pray, and how to use the pipe:

  • How to fill it, and sing the songs that went along with it. She told them,

  • "With this holy pipe you will walk like a living prayer.

  • With your feet resting upon the Earth

  • and the pipe-stem reaching into the sky

  • your body forms a living bridge

  • between the sacred beneath and the sacred above.

  • Wakan Tanka smiles upon us, because now we are one:

  • earth,

  • sky,

  • all living things,

  • the two-legged,

  • the four-legged,

  • the winged ones,

  • the trees

  • the grasses.

  • Together with the people, they are all related,

  • one family,

  • the pipe holds them together."

  • She told them of the pipe's symbolism:

  • the bowl and the stem were carved by men,

  • and the decoration of the pipe was the work of women.

  • The pipe binds men and women together and is used in marriage ceremonies.

  • Women, according to the White Buffalo Calf Woman, are equal to men in importance

  • because their work and their bodies

  • keep the people alive.

  • "You are from the mother earth,"

  • she told the women.

  • "What you are doing is as great as what the warriors do."

  • The White Buffalo Calf Woman gave many gifts to the Buffalo Nation

  • including corn, wild turnips,

  • and the knowledge of how to cook wild turnips,

  • which--I mean, I sure as heck wouldn't know so,

  • thanks Ptesan-Wi!

  • She told the people that they were special,

  • and that this was why they had been given the Chanunpa.

  • Most important, when the White Buffalo Calf woman left the people,

  • promising that she would see them again,

  • the great buffalo herds appeared,

  • allowing themselves to be killed-

  • -so that people could eat and live.

  • Unlike the Pele story,

  • Ptesan-Wi's interactions are mostly with humans

  • and with groups

  • rather than other gods or individuals.

  • And rather than being mercurial, the White Buffalo Calf Woman

  • offers a sense of order,

  • and a sense that the right behavior will be rewarded.

  • In short, great goddesses are powerful,

  • great goddesses are desirable,

  • the goddesses giveth,

  • and the great goddesses taketh away.

  • And, in a way, they suggest a relationship between the sacred and the profane;

  • teetering, like many deities, on a line between

  • worldly desire and otherworldly authority.

  • So, maybe most importantly, remember:

  • terrible things will happen to you

  • if you try to touch a great goddess without permission.

  • Consent is Sexy!

  • Thanks for watching, We'll see you next time.

  • Check out our Crash Course Mythology

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  • Crash Course Mythology is filmed

  • in the Chad and Stacey Emigholz studio in Indianapolis, Indiana

  • and is produced with the help of all of these Nice People.

  • Our animation team is Thought Cafe

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  • Thanks for watching,

  • and as Pele says,

  • "Mouths were made for kissing!"

  • "Mouths were made for kissing!" *smooch*

Aloha I'm Mike Rugnetta, and this is Crash Course Mythology and today we're

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