Okay, what I see, when I lookatthatis I see a manwhodoesnotwanttorehearsethesketchthatwe'resupposedtorehearseandyou, insteadofgettingmetorehearseit, yougotyourphoneoutandyoudon't careandthatenablesmetonotcareevenmore.
Andthenumwegointooneofourclassicriffswherewereoutoftouch, completelyoutoftouch, weassumeeveryone's a celebrityandeveryone's wealth.
Yes, yes, becausewe'resohumble, that's thejokethatweresohumbleandapproachableandthere's absolutelynoseparation, butyesandthepeoplethatworkhere, thosepeoplealso, I knowthatwhenyouwhen I sayupfront, we'rejustbackfromthanksgiving.
I hopeyouhad a goodtime.
Something.
Yeah, itwaswewereawayfor a while, butwe'rejustbackandthosearethehardestshowswhenyoushowupat a rehearsalin a concreteboxandeveryone's justbackfrom a holidayandthere's noenergyinthestudioandeverybody's stillkindofhungoverongravyandwine.
Firstofallthere's a twilightzonewhere a kidumin a familyhasultimatepowerandhe's playedbybillyMummyandheterrifiesthewholefamilybecausehecanmakewhateverhewantstohappenhappen.
That's kindofwhatit's liketohaveoneoftheseshows.
Yousitthereatyourdeskandyouhaveanideaandyou'lljustreference a songMrMetor I willandthenimmediatelyitstartstogetsomebody's on a computerlookingitupandthenbringitoutnow.
I don't thinkwhatyouseehereisthat I keptgoingfor a whileabout a dogtrainedtodetect a lazywriter.
Uh, comingupwith a quickcornyideatoendthesketchandthenonce I sinkmyteethintosomethinglikethatwhere I cangoafterthewritersand, and I think a joyouswaybecauseGodknows I lovethem.
Um, I'm ashappyas a clamin a clamboat.
I'm sohappy.
So I thinkthatwentonfor a while.
Youalsogettoseetheir, mystyle.
I'm a guitaristwhoalsoflies a B 52 fighter.
Oh, I thinkwe'rebeingjoinedrightnowby, byJoseArroyo.
Didyouhelpwritethissketch, Jose?
No, I didn't helpwriteit.
I wroteitanduh, byyourself, let's say, yeah, youweresaying, oh, itwas a lazyendingandstuff.
Howcanyousayitgotthebestpossiblechancewhen a dogracistinattacktheactorthatwecast?