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  • [MUSIC - BRUNO MARS, "FINESSE"]

  • We out here drippin' in finesse.

  • It don't make no sense.

  • We out here drippin' in finesse.

  • You know it, you know it.

  • We out here drippin' in finesse.

  • It don't make no sense.

  • We out here drippin' in finesse.

  • You know it, you know it.

  • Now slow it down for me, baby, 'cause

  • I love the way it feels when we grind.

  • Yeah, our connection's so magnetic--

  • Ah!

  • You know what?

  • Here's what he wanted to do.

  • He had asked the producer if he could do the Dirty Dancing

  • thing where I'd run to him, and he would lift me up.

  • And I would have done it, but I fell down the other day

  • during the commercial break.

  • I was going back there to do something, and I fell down--

  • and you know how, when you're going to fall, your back--

  • I tried to-- so my lower back is out,

  • which is why I don't want to do the Dirty Dancing thing.

  • But raincheck, right?

  • Yeah-- no.

  • Um, actually, you kind of really have

  • to have a really good, strong core

  • to even do the woman's part there.

  • But I mean, that is your go-to move.

  • You actually have done that before.

  • It's not-- well, it's handy if you don't feel like dancing.

  • Because if you show up somewhere--

  • you do that on a dance floor-- you

  • can just coast on that for the rest of the night.

  • You sure could.

  • Yeah.

  • And how many-- you have to work it out with somebody

  • to do that.

  • How many women have you done the Dirty Dancing thing with?

  • Um, just-- just-- just one.

  • [LAUGHS]

  • All right.

  • [LAUGHS]

  • So it's really not a go-to thing at all?

  • Nah.

  • I've done it with other-- with male friends.

  • It's fun.

  • Oh, I see.

  • It's a thing you can--

  • anyone can do it.

  • You really can.

  • Yeah.

  • Why would I limit it to a woman?

  • I don't know.

  • Yes, of course you could do that with a man.

  • Anyone can do it.

  • It's for everyone.

  • During the break, you'll do it with Andy.

  • That'll be great.

  • (SARCASTICALLY) Great.

  • [LAUGHS]

  • [LAUGHS] So as you see, Britney was just here.

  • We were backstage, the three of us.

  • And how long has it been since-- because you

  • were in The Mickey Mouse Club together, just to remind you.

  • [LAUGHS]

  • Um, how long had it been since you had seen her?

  • Well, neither one of us could remember,

  • which I think is a sign that it's been quite a while.

  • It's been a while.

  • Or both of you had bad memories.

  • (LAUGHING) Yeah.

  • So since you were in the--

  • I think since then.

  • Since then?

  • Yeah.

  • And do you remember, like--

  • what's your memory of her?

  • What was your first impression?

  • I remember when we first got to the show,

  • they sort of had all the kids perform for one another.

  • And it was sort of--

  • I remember it was Christina Aguilera,

  • and then Britney performed.

  • And I remember thinking, oh OK.

  • So they're, like, freakishly talented.

  • You know?

  • Yeah.

  • I was used to working with talented people,

  • but that was another level.

  • And then what did you do for your talent when they finished?

  • Did you sing?

  • Did you dance?

  • What'd you do?

  • I think I was just like, I'm Canadian.

  • And they were like, good.

  • Just--

  • That's plenty.

  • That's all you need.

  • Um, I want to hear about the story--

  • because I saw a picture of you in a beekeeper's outfit.

  • So your mother got married in Italy?

  • Yes.

  • Yeah.

  • And somehow there were bees at the wedding.

  • The place where we were made their own honey.

  • Mm-hmm.

  • And for some reason, at lunch, the bees

  • decided they were going to take it back.

  • Mm-hmm.

  • [CHUCKLES]

  • And so they were just, like, 100 bees at the table,

  • just trying to take that honey back, which

  • was hard to blame them for.

  • Yes.

  • They worked hard to make it.

  • So how do you happen to have a bee outfit?

  • Do you bring that to dinner with you in case there are bees?

  • Or--

  • No, well-- I thought, if they make honey here,

  • there has to be an outfit.

  • [LAUGHS] So I found it, and I was

  • able to safely remove the bees.

  • What did you do?

  • I just moved the honey to a safer area.

  • Yeah.

  • You know.

  • But it was--

  • I paid for it later.

  • Because they were kind of on my mask.

  • And I had a strong feeling they were just

  • getting a good look at me.

  • Yeah.

  • Like, is that Ryan Gosling?

  • Like--

  • No, it's like they wanted--

  • is this the bee man?

  • Like they were finally seeing, you

  • know, this person that had been--

  • well, I hope keeping them well.

  • But anyway, they were dive-bombing me

  • for the rest of the trip.

  • I could barely--

  • Oh, they recognized you.

  • You were thinking the bees were on your face,

  • and then they recog--

  • They were like-- yes.

  • And I felt like there was--

  • they were passing out tiny sketches of me or something.

  • Because no matter where I went in Italy,

  • I was just getting dive-bombed by Italian bees.

  • They have, like, 50 eyes or something.

  • So they had probably, like, pictures of you-- like 50

  • of you.

  • [LAUGHS]

  • Like, have you seen that guy?

[MUSIC - BRUNO MARS, "FINESSE"]

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