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  • This is like my favorite part of doing a comic book. I mean the penciling is fun. It is actually,

  • I guess the rest of the part is fun to but I always love doing the inking because it

  • gives everything a beautiful type of tone to it. Now I particularly like to use a brush

  • in this case a red sable brush. Actually I should get a better one but it is a brush

  • that will give me what is called a contoured line, a line that is both thin and thick.

  • You can't get that with a typical pen. A pen you will notice are for straight lines but

  • there is something sexy and nice and flowing with a brush that you can't get with a technical

  • pen. I will demonstrate. I use blank ink, the blackest ink I can possibly get because

  • I want to have that ice and dark and it will allow me to get in here like this and give

  • me a nice contoured line. I try to keep it simple and sort of work fast, the same thing

  • with this.

  • Now wherever you figure your light source is then you figure a heavier line so I'm going

  • to pick that the light source is coming from above so I'll go a little heavier underneath

  • to emphasize that. With some practice you can really get a nice beautiful stroke especially

  • when you have done this for a couple of hours, really get into a groove and your work really

  • starts to come alive once you start making it and also if you become faster enough with

  • the brush it will allow you to go in there and put all kinds of little textural things

  • and like for instance I have a shadow on the neck here and it is sort of like that to emphasize

  • that and if we go in here and do her eyes. Now I'm not worried if I screw up or miss

  • a point because I can always go back and fix it, like with this particular eye I am going

  • to go back and do a highlight. I'll do that with some pro white later but for now I just

  • want to get the flow out. I don't want to stop. I don't want to get too precise and

  • I don't want to make it look like it was done with an economy of effort. It has sort of

  • a nice little breeziness about it without getting too overworked and too perfect I guess

  • is a good word to put it although sometimes you can highlight like that, that size like

  • that, got to have the eyes.

This is like my favorite part of doing a comic book. I mean the penciling is fun. It is actually,

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