MarlonWesthasbeenbringingthemagicforover 20 years.
Westnewestproject I WaJuisthefirstevercollaborationbetweenWaltDisneyAnimationStudiosandthePanAfricanentertainmentcompanyKugel e heretotalkallaboutitandmoreisMarlonWesthimself.
Hey, Marlin, Thankyousomuchforcomingontheshow.
Howareyoudoingtoday?
I'm doingverywell.
Thanksforhavingme.
Sowewouldlovetohearhowyougotstartedonyourjourney.
Wereyoualwaysinterestedinanimation?
Yes.
I wasalwaysinterestedinmoviesandmoviemaking.
I wouldjustgetbooksonmovies.
Seeingthisbehindthescenephotoof a grownmananimatingbutlookliketotoydinosaursfightingtomysecondgrademind.
Thatwaslike a jobwhere a grownmancouldtakehistoystoworkwithhim.
I lovethat.
Andwhatdoesitmeantobe a V effectssupervisor?
Andwhatledyoutothatspecifically?
Well, for a longtimethatmostofmyDisneycareerupuntil a coupleofmonthsago, I wasineffects.
Well, wenoticedit E notice, but I canimagineseeing a scenewithoutthoseelements.
I havebeenveryfortunatetoworkonDisneyfilmslikeBothFrozen's andWannawereeffectsorFrontandCenter.
Whenyouhave a womanshootNo.
Oneiceoutofherhandsholdingherowneyes, palaceor a lavaguardian, peoplenoticethosebecauseespecially, youhearsomuchabouttraditionalhanddrawnanimationversusCGanimation.
Butseemslikeyou'vebeendoing a lotofthemergingofthetwoeveryfilmthat I'veworkedon, startingwiththelackinghad C G likesomeofthewilderbeesfor a computergeneratedPocahontasdugoutcanoes, computergeneratedgrandmotherwillowstrunk, youknow, inthenotholdingherfacewouldappearintheseairfilmsthat I wouldwatchoverandoveragainonmyVHS.
So I'm gettingoutrightnow.
Marlon, I amgivingyouhave a movieor a scenefrom a movie.
Theyjustlike a personalfavorite, somethingyou'reveryproudof.