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  • (engine humming)

  • - Give you ride up to Billings.

  • I'm headed that way.

  • - Yeah, that would be great.

  • (slow electric guitar music)

  • - Rainwater and Monica kind of team up and form

  • this coalition to catch this guy.

  • - That's in a large part why Rainwater

  • wants the sovereignty of land,

  • to have his own jurisdictional control

  • so he can protect his people.

  • - Monica decides that she wants to kind of do something

  • about it, get her hands dirty,

  • and get involved in a way

  • that kind of puts her in some danger.

  • - What are you doing?

  • - There's a spot up here,

  • you can get great cell service.

  • - Rainwater and Monica kind of got off to a rocky start

  • because she was always kind of protecting Kayce.

  • - Rainwater comes to understand how important

  • it is for Monica to really do something.

  • - They see eye to eye on this,

  • and they found a way where they can really work together.

  • (gritty rock music)

  • So Monica is picked up by this man

  • who's gonna take her to town,

  • to call someone about her car.

  • He ends up taking her to this remote location.

  • - Come on.

  • - Doesn't go as planned.

  • She has to run for her life.

  • - You know, it's really unexpected

  • and you don't see it coming.

  • (grunting) (punch thudding)

  • - And ends up fighting him, really having to fight him off

  • until Mo kind of saves the day.

  • And you realize that it's part of this operation,

  • that Rainwater has worked out with Mo and Monica

  • to really stop this from happening.

  • - You're a brave woman.

  • - Thank you for not missing.

  • - I wouldn't do that to you.

  • - It was a difficult visceral experience.

  • I mean, it's a gut wrenching thing to read it,

  • but, to act it out was more devastating,

  • I think, in some way.

  • - They found remains.

  • - Only have to use your imagination to think

  • what it is to lose a loved one.

  • And then you multiply that some thousands of times,

  • and I'm glad that we're covering that kind of subject

  • matter so people can know.

  • (tense sighing)

  • (uneasy slow music)

  • - Something I really admire about the way

  • Taylor's written Monica in general

  • is the fragility of being a strong woman.

  • - It's actually some of my favorite stuff of her.

  • Just kind of beautiful that she's trying to help

  • these girls that grew up the way that she did.

  • - She's so resilient with what she's had to face

  • and overcome, but to see these kind of behind

  • closed doors moments where she's scared and alone

  • and feels these responsibilities.

  • I killed a man today.

  • (shower splattering) (soft crying)

  • And yet she still pulls through.

  • (intense slamming) (slow tense music)

  • - Jamie gets some big news about his past.

  • That's one that I didn't see coming, for sure.

  • I don't know who knows and who doesn't.

  • He comes into the office, kind of start to tell me,

  • they're trying to acquire the land

  • and how much money they're offering.

  • He says, "Brother."

  • - If I can still call you that.

  • - Kayce says, "Until the day you die,

  • you better not call me anything else."

  • It reminds me of a moment from last season,

  • which one of my favorite moments he says,

  • "Do you forgive me?"

  • I said, "You're my brother."

  • And he said, "You didn't answer my question."

  • Yeah I did.

  • And it's one of those things again,

  • where it's like, how important family is to Kayce

  • and also to this show.

  • And it's gonna be interesting to see where these two

  • land now with the big news and how they're gonna feel

  • about it, each other, as things move forward.

  • - I think in a lot of ways, Jamie's gonna fall

  • into a sort of a assessment mode.

  • Like any emotion, any attachments to him

  • that he was clinging onto him,

  • like, forcing to be there, doesn't have to be there anymore.

  • - I think it's really going to change the whole course

  • of Jamie's character.

  • He's not who he always thought he was.

  • You have someone who knows everything about the family

  • who has a lot of power

  • and we don't know how they're gonna react to this news

  • and having probably felt like they'd been lied

  • to their whole life.

  • - I need a best man, I'm asking you.

  • - Lloyd kind of knows something's up

  • when he turns the horse loose.

  • - I have decided to ask him to be my best man.

  • (horse whinnying)

  • - I'm proud that he take that next step

  • that he has evolved to even be in that situation.

  • Me and Cole, 'cause we spend so much time together

  • off camera, that when we get in front of camera,

  • it's just so natural.

  • (laughing) (upbeat country music)

  • - That's a cut.

  • (intense upbeat music)

  • - It's a nice day, there's a river.

  • He's a good looking man.

  • Why the hell would they not go skinny dipping in a river?

  • - That's when Wade and Clint come up and try to stomp

  • 'em to death with horses.

  • - I thrive on doing stunts.

  • - That was an interesting mix of doing it live out there,

  • practically, with the actors and with stunt doubles.

  • - Trying to make that look real,

  • that's a challenge for the stunt people.

  • But then to film the scenes underwater,

  • we developed a tank.

  • - Where we really were punching him

  • with fake horse legs.

  • - Things to know, the river was cold.

  • And again, our stunt people, they're there way before us.

  • - Wade and Clint, obviously they go back with John.

  • Again, it's kinda like these wildcard characters

  • where you don't really know how far they can go.

  • Now you're just gonna trample on us

  • in order to send a message.

  • So that clearly tells us that your hate

  • for John Dutton and the Yellowstone,

  • it goes very, very deep.

  • (intense slamming)

(engine humming)

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