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  • (Tate screaming)

  • - Hey, hey, take it easy, stop it!

  • - Don't say it.

  • - Can't it any better than that.

  • - I was really excited to see where we were going

  • in season three because season two

  • had such a strong, darkish, dramatic tone.

  • - We finished last season in a place going,

  • "That was exhausting, I need a breath,

  • "I need a moment of peace," and it's a moment

  • for the audience to remember

  • why they love these people again.

  • - Tate's been through a lot,

  • but they were threatened as a family.

  • - At the beginning of season three it's a time for healing.

  • - They return to something pure.

  • - Which is something that we're all not used to.

  • - In episode one you kind of come up with a plan

  • to feed the cattle where they're gonna have to take them

  • on a part of the ranch we haven't seen yet.

  • - John sees this as an opportunity to go set up a camp

  • on the ranch and be out away from everything for a while

  • as a way for Tate to heal, but also as a way

  • for hopefully most of the family to heal.

  • - There is no better medicine than

  • to be outside, be in nature.

  • - Starting out this year with the campground is so special.

  • - We can get back to the basics of what it means

  • to be human and just kind of wake up in the morning

  • and recognize the beauty of just being alive.

  • - That's why Monica wants Tate to be there.

  • Land is life, it's identity, it's survival.

  • After everything that Tate has been through,

  • being able to be a kid again, the land will restore him,

  • the land will take care of him.

  • - There's still this awesome background.

  • The whole obligation I think sometimes

  • in telling a story is to take somebody to a new place

  • that they haven't seen.

  • There's these moments of beauty in certain scenes

  • where it just adds to the ambience of what's happening.

  • - For fans of westerns in general,

  • for people who just love that sort of old school Americana

  • kind of vibe, I think it's really nice.

  • - Nothing prettier on this earth.

  • - It's as free as a man can be.

  • - It was just fun being out there in the campground.

  • Garry Elmendorf, I'm the special effects supervisor.

  • Everybody wanted to be out there, outside.

  • Trying to make that camp come alive, smoke,

  • real fires, but not real fires.

  • Little things like horses come through.

  • We've gotta add the atmosphere of the dust and all of that.

  • So a lot of our work is making the scene come alive

  • and then keep it alive when things change.

  • - We don't all go, Jamie is set to go,

  • but things sort of take a turn and he's asked

  • to do a different job and is no longer

  • gonna be working in the bunkhouse.

  • - Here, get dressed in the car.

  • Yeah, well, there has to be consequences

  • for the level of violence that happens in Yellowstone,

  • and John can't just continue.

  • I mean, they killed people.

  • Lynelle.

  • - It gets dark, and I think that he and I have this moment

  • where all these people are in the room

  • and it's so tension-filled.

  • - Livestock agents are bound by law to intervene

  • in any active crime.

  • - Point blank, yes, they thought they were gonna

  • be threatened and they might as well just get it over with

  • right then and there.

  • Similar to the OK Corral, if you will.

  • If you could do it under the guise of the law,

  • and in this instance under the guise

  • of wearing the Livestock Commission badge,

  • that's where John is more connected to the past than most.

  • - John Dutton knows that that's the rule of the West,

  • that's the law of the West, but you can't get away with it.

  • You need your guy to put between you and that law,

  • and that's who Jamie is and always has been.

  • - Stick that horse back in the barn.

  • We can't have the Livestock Commissioner living

  • in a bunkhouse, I'll make the appointment official tomorrow.

  • - John Dutton's sort of, he's a loving father,

  • but he's also a very controlling father.

  • It's almost unconscious who he needs his children to be.

  • Jamie has tried to betray him many times,

  • and he can't control him as well.

  • He doesn't trust him anymore.

  • - Jamie has to walk that fine line

  • while still maintaining the truth of the West

  • and the truth of how we deal with things as a Dutton.

  • He's still gotta balance that with respectable legal advice.

  • - It feels like to save the ranch at any cost,

  • we all have to fulfill our role.

  • I gotta go, some asshole's standing in our river.

  • Josh is fabulous, yeah, he's so great.

  • Hey, you're trespassing! - Huh?

  • My character's name is Roarke Morris.

  • He rides a G-5 instead of a thoroughbred.

  • - So we meet him as a fisherman.

  • We just think he's just some wealthy man

  • whose bought some land and a little ranch

  • and he's out fishing.

  • - From my perspective, he is inevitable to progress.

  • You will run into a Roarke eventually.

  • - And he's like a puppy dog, and as an actor,

  • as a person, he comes to set and he's excited to be here,

  • he is super prepared, and he's just like,

  • "Let's stay here all day long doing this scene."

  • - When I play golf, I do 36 holes a day.

  • I love Taylor's writing,

  • and I was super excited to join this.

  • Have any interest in dinner?

  • - I dine on my joy for life.

  • So, he's been, and he brings that to the role,

  • he brings that enthusiasm and that freshness.

  • - I get to work with Kelly, who plays Beth Dutton.

  • She's an amazing actress.

  • - Just stay off our fucking land, okay?

  • - Yes, ma'am.

  • - He doesn't know who she is, he has no idea,

  • and he finds her entertaining, to begin with.

  • And he doesn't realize he's dealing

  • with a vicious Rottweiler.

  • (intense music)

(Tate screaming)

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