Subtitles section Play video Print subtitles (Tate screaming) - Hey, hey, take it easy, stop it! - Don't say it. - Can't it any better than that. - I was really excited to see where we were going in season three because season two had such a strong, darkish, dramatic tone. - We finished last season in a place going, "That was exhausting, I need a breath, "I need a moment of peace," and it's a moment for the audience to remember why they love these people again. - Tate's been through a lot, but they were threatened as a family. - At the beginning of season three it's a time for healing. - They return to something pure. - Which is something that we're all not used to. - In episode one you kind of come up with a plan to feed the cattle where they're gonna have to take them on a part of the ranch we haven't seen yet. - John sees this as an opportunity to go set up a camp on the ranch and be out away from everything for a while as a way for Tate to heal, but also as a way for hopefully most of the family to heal. - There is no better medicine than to be outside, be in nature. - Starting out this year with the campground is so special. - We can get back to the basics of what it means to be human and just kind of wake up in the morning and recognize the beauty of just being alive. - That's why Monica wants Tate to be there. Land is life, it's identity, it's survival. After everything that Tate has been through, being able to be a kid again, the land will restore him, the land will take care of him. - There's still this awesome background. The whole obligation I think sometimes in telling a story is to take somebody to a new place that they haven't seen. There's these moments of beauty in certain scenes where it just adds to the ambience of what's happening. - For fans of westerns in general, for people who just love that sort of old school Americana kind of vibe, I think it's really nice. - Nothing prettier on this earth. - It's as free as a man can be. - It was just fun being out there in the campground. Garry Elmendorf, I'm the special effects supervisor. Everybody wanted to be out there, outside. Trying to make that camp come alive, smoke, real fires, but not real fires. Little things like horses come through. We've gotta add the atmosphere of the dust and all of that. So a lot of our work is making the scene come alive and then keep it alive when things change. - We don't all go, Jamie is set to go, but things sort of take a turn and he's asked to do a different job and is no longer gonna be working in the bunkhouse. - Here, get dressed in the car. Yeah, well, there has to be consequences for the level of violence that happens in Yellowstone, and John can't just continue. I mean, they killed people. Lynelle. - It gets dark, and I think that he and I have this moment where all these people are in the room and it's so tension-filled. - Livestock agents are bound by law to intervene in any active crime. - Point blank, yes, they thought they were gonna be threatened and they might as well just get it over with right then and there. Similar to the OK Corral, if you will. If you could do it under the guise of the law, and in this instance under the guise of wearing the Livestock Commission badge, that's where John is more connected to the past than most. - John Dutton knows that that's the rule of the West, that's the law of the West, but you can't get away with it. You need your guy to put between you and that law, and that's who Jamie is and always has been. - Stick that horse back in the barn. We can't have the Livestock Commissioner living in a bunkhouse, I'll make the appointment official tomorrow. - John Dutton's sort of, he's a loving father, but he's also a very controlling father. It's almost unconscious who he needs his children to be. Jamie has tried to betray him many times, and he can't control him as well. He doesn't trust him anymore. - Jamie has to walk that fine line while still maintaining the truth of the West and the truth of how we deal with things as a Dutton. He's still gotta balance that with respectable legal advice. - It feels like to save the ranch at any cost, we all have to fulfill our role. I gotta go, some asshole's standing in our river. Josh is fabulous, yeah, he's so great. Hey, you're trespassing! - Huh? My character's name is Roarke Morris. He rides a G-5 instead of a thoroughbred. - So we meet him as a fisherman. We just think he's just some wealthy man whose bought some land and a little ranch and he's out fishing. - From my perspective, he is inevitable to progress. You will run into a Roarke eventually. - And he's like a puppy dog, and as an actor, as a person, he comes to set and he's excited to be here, he is super prepared, and he's just like, "Let's stay here all day long doing this scene." - When I play golf, I do 36 holes a day. I love Taylor's writing, and I was super excited to join this. Have any interest in dinner? - I dine on my joy for life. So, he's been, and he brings that to the role, he brings that enthusiasm and that freshness. - I get to work with Kelly, who plays Beth Dutton. She's an amazing actress. - Just stay off our fucking land, okay? - Yes, ma'am. - He doesn't know who she is, he has no idea, and he finds her entertaining, to begin with. And he doesn't realize he's dealing with a vicious Rottweiler. (intense music)
A2 tate ranch livestock land john alive ‘You’re the Indian Now’ Behind the Story | Yellowstone | Paramount Network 1 0 林宜悉 posted on 2021/02/05 More Share Save Report Video vocabulary