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  • This is the spine of the song You're always talking about how there has to be a heartbeat, something to hold onto and then give away.

  • And this is it, Hank.

  • He's been playing this drum track for 20 years, and it still sounds as tight as it did on the day you recorded it.

  • Richard, our dog.

  • Did you redo this with a synth?

  • It's actually called cross synthesis, which I invented, which takes one.

  • Something cancels the other out when they play at the same time.

  • Sounds dope.

  • That doesn't make any sense.

  • It does.

  • It does.

  • You've heard across that This is right.

  • No, but it don't matter.

  • You the producer?

  • Yeah.

  • You took out the backup singers.

  • Kind of old.

  • Sounded.

  • I mean, honestly, we got plug ins that do that stuff way.

  • Don't even need backup singers anymore.

  • I put my voice in their stacked it put some auto tune.

  • It sounds brand new.

  • Sounds great.

  • Grace, do you hear this?

  • You are the song.

  • You should not be buried under all this flashy bullshit.

  • Sure, the track needs some mixing and some editing, but you could release your demos and they would be way better than anything that he's ever ever done.

  • Yeah, right.

  • I actually think you should release your demos because I've heard them, and they're unbelievable.

  • Who the hell you think you are, Missy Elliott.

  • Really?

  • Demos.

  • How you gonna come in here and insult my man rich?

  • Okay, everybody, stop.

  • Margaret never talked to anyone that Jack has hired that way again.

  • Do you understand?

  • Yeah.

  • Okay.

  • Yes.

  • Never, never.

  • We got a hit.

  • Got a big one?

  • Yes.

  • A hit.

  • My version.

  • Not hers.

  • So about hers, man.

  • I'm not See what I'm dealing with.

  • This kind of mean she is very abrasive.

  • Use her.

  • Cut.

  • What?

  • What?

  • I'm still getting paid.

  • Right.

  • Maggie?

  • Maggie, come here.

  • I don't know what plan that you come from.

  • We're rattling off every little opinion that's rolling around in that brain of yours is considered a skill.

  • I was right.

  • This is not about being right in the studio for a moment in time.

  • This is a marathon.

  • I'm sorry.

  • I disagree.

  • I think if she put out something like that Oh, my God.

  • Obviously we would never put out garbage like, but that's besides the point.

  • It took me months to get them in the studio together.

  • Months off, the off chance she might say, Hey, Jack, I want to do a remix out, and I sake, I got perfect person.

  • Oh, damn.

  • We can't work with him anymore because your dumb ass assistant insult to demand.

  • Hey, don't wanna work with you know more.

  • He'd rather do Rihanna.

  • Well, I I apologize.

  • And now that I'm the producer, I will look for my replacement.

  • You know how long it took for Seth to get a little bitty engineering credit?

  • Being a producer is about having a point of view that you've earned over years of hard work.

  • It don't happen like this.

  • You're not a producer.

  • You're not an artist.

  • You're not a manager.

  • If you wanna be a producer, you find your own goddamn clients and stay the hell out of mind.

This is the spine of the song You're always talking about how there has to be a heartbeat, something to hold onto and then give away.

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