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  • Santa Anita Breitbart.

  • Everybody.

  • We've got such a good show tonight.

  • A lot of fun stuff planned.

  • We've been doing something that I think has been very edifying for everybody.

  • We've been shining recently, a bit of a spotlight, not on me, but on my staff.

  • Have a lot of talented people that work for me at the show.

  • Uh, these air terrific people.

  • They contribute a lot to this show over the last 14 years, and we've learned a lot today.

  • I want to do it again.

  • I want to shine a light on a very talented man.

  • He's the director of special effects.

  • He's the person that provides all the cool special effects that we do here on our talk show.

  • And, uh, his name is John Greenfield, and he's done a lot of work for us.

  • Thea Other day, Uh, this is actually a little while ago because I still had the beard.

  • I met with him in the special effects lab here in 30 Rock.

  • I spent a little time with him.

  • Was pretty fascinating.

  • Take a look.

  • I'm standing here with John Greenfield.

  • John, Your title is special effects director, Special effects Director.

  • Our show like occasionally do some special effects.

  • And you're the guy we go to last successes.

  • Sometimes an occasional blooper misfire happens.

  • Would you say that I'm calm and kind in those moments?

  • Absolutely.

  • You shook your head?

  • No.

  • When you said yes, actually, you realize that?

  • He said Absolutely.

  • Your signal, I think.

  • Got out to everyone watching.

  • Nicely done, John.

  • You're gonna do a little demonstration for us.

  • Now tell us what we're gonna dio.

  • We're gonna take an object normally found on your desk and the famous mug.

  • Yes.

  • And you're gonna do what to it.

  • I'm just gonna blow it up.

  • Blow it up.

  • I might wear protective glasses.

  • I hope it's OK.

  • I've taken the liberty of borrowing your look.

  • You always were yellow glasses.

  • Why gives me a fresh outlook when I come into the office?

  • Sure.

  • The whole world looks like it's been doused in urine, so I give you countdown on three.

  • Does that mean we start on three and go toe one doesn't mean we start.

  • I want to go to three.

  • And is it on?

  • Three years after three.

  • It's on three and start it.

  • One.

  • Okay.

  • One to hold it So it's on three on three.

  • Okay, Were to start on one.

  • Should we start on zero, perhaps?

  • Yes.

  • Okay.

  • Zero.

  • What to now?

  • Right.

  • I think it's gonna be on three.

  • And then the explosion.

  • You wanna do it after 33?

  • How about 12?

  • I think it's more dramatic to go one to this.

  • This is the way I am.

  • I'm one of those kind of guys.

  • Oh, my God.

  • It's like one, too.

  • Because three, the suspense is really like on.

  • Then after three, it happens.

  • And then wherefore would be the explosion.

  • That way you get to hear three.

  • Got you.

  • Cool.

  • Let's go.

  • And let's lose zero.

  • One to three.

  • Oh, not bad.

  • That was pretty good.

  • And there was a cracking sound.

  • Paint held it together.

  • This stuff I'm breathing.

  • Is that toxin?

  • Uh, slightly?

  • Yeah, that's great.

  • Is it really possible?

  • Well, there's some metal fragments in there.

  • Were breathing metal fragments.

  • Yeah.

  • What is that?

  • We have a nice overhead exhaust system.

  • This is the exhaust system that's supposed to save my life right now.

  • Look at that right there.

  • Smoke is actually coming out of it.

  • What you got there?

  • hand flash unit.

  • He said it very quickly.

  • Hand flash flash unit.

  • Hold your hand up then.

  • Today Whoa!

  • Have a criticism of the way you did it.

  • You just went.

  • You know what I mean?

  • You know what I mean?

  • You have to probably put a little showmanship into it to really sell it, right?

  • Right.

  • How dare you meddle with me?

  • You'll be immortal, and I am God.

  • Afterwards was a little bit of a feeling.

  • I probably oversold it with my acting e mean you expected mawr.

  • I'm a guy he's bragging about.

  • I was a god and then blew up.

  • Is this power Anything is There's a little Whoa, that z the trouser.

  • We're going trouser!

  • Wigler!

  • Yes.

  • You put that in your pants.

  • You put this in your pants when it makes it look like something's going on?

  • Yeah, its radio control.

  • Yeah, I've heard about these new models that are radio controlled.

  • The one my dad had was gas powered.

  • Okay, John, you're now ready.

  • Thio, make a second attempt exploding the Eisenhower.

  • Yes.

  • Uh, what are you going for this time?

  • That wasn't achieved the first time.

  • Complete destruction.

  • You want the whole mug to fly apart.

  • That's what I intended.

  • Yes.

  • One to three, four.

  • My favorite thing to do is one of those things that you put in the key and you turn it.

  • And then what do I push?

  • As you bring these up to the arm position, they will fire.

  • Wow.

  • Okay.

  • Can I do this?

  • Is that all right?

  • Yeah.

  • Yeah.

  • All right, let's do this little let's have some theatrics to this.

  • Okay?

  • Okay.

  • The movie is called Tender is Midnight.

  • And your character's name is Lorraine.

  • Lorraine.

  • Lorraine.

  • Yes.

  • You're attractive.

  • Waitress and action.

  • So the situations Just use your normal voice.

  • That's what's right again.

  • All right?

  • And you're a woman that's been turned into a man and action sort of.

  • The situation is critical.

  • The weapon must be fired.

  • I need the key to try it again.

  • Tenders, Midnight.

  • Take to action.

  • Sir, we're under attack.

  • The weapon must be fired.

  • If you hold the key up, I can see it.

  • Take three.

  • Scene where Lorraine enters a man and action.

  • Sir, the situation is critical.

  • The weapon must be fired.

  • Dammit!

  • Heard of the key?

  • Yes.

  • It's in God's hands now.

  • Yeah.

  • What you got John crying glasses, crying glasses.

  • What do they do?

  • You put these on, put them on.

  • Uh huh.

  • And it simulates that I actually have emotion.

  • Mhm, Honey Lees.

  • Oh, God.

  • Why?

  • Oh, Scotty.

  • Things time.

  • Let's do it on three.

  • Got it.

  • Okay, so we're three Would be, But I won't say three or you want me to say free, but it's still on three, So okay, one to three.

  • Excessive.

  • Who?

  • Study, study, study.

  • All right, let's get him out here.

  • Ladies and gentlemen, wait e a little much, don't you think?

  • All right, we'll take a break when we come back.

  • Sean, there is here with this crazy military robots stick around.

Santa Anita Breitbart.

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Conan Interviews Special Effects Director John Greenfield - "Late Night With Conan O'Brien"

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    林宜悉 posted on 2021/01/28
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