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  • MR. JAMIE DORNAN IS HERE.

  • THERE HE IS, HOW ARE YOU, SIR, HOW NICE TO SEE YOU.

  • ALWAYS A PLEASURE.

  • CAN I TELL YOU SOMETHING, WE WERE CHATTING BEFORE IN THE

  • BREAK, AND I FEEL I SHOULD TELL YOU BECAUSE I FEEL IT, I WAS

  • SHOCKED WITHIN MYSELF HOW OVERJOYED I WAS TO SIT HERE AND

  • TALK TO YOU, THERE YOU GO, FROM ME TO YOU.

  • >> THAT IS THE NICEST THING EVER SOMEONE SAID TO ME I THINK.

  • >> James: I ABSOLUTELY MEAN IT WHERE ARE YOU, BACK IN THE U.K.,

  • HOW ARE YOU DOING, HOLDING UP.

  • >> OKAY, I'M BACK IN THE U.K LIKE EVERYONE IT WAS A BIT OF A

  • SHOCK AT THE BEGINNING OF ALL OF THIS AND THEN YOU ADAPT AND THE

  • WHOLE THING ABOUT-- WHERE WE LIVE, NOTHING REALLY HAPPENS

  • ANYWAY SO THERE IS NO, LIKE YOU DON'T HAVE THAT FOMO LIKE YOU

  • DID IF YOU WERE IN L.A. OR NEW YORK AND MISSING STUFF THAT YOU

  • SORT OF MISS OUT.

  • >> James: YOU ARE RIGHT, YOU TURN ON THE LOCAL NEWS IT IS

  • LIKE BREAKING NEWS, THEY STILL HAVEN'T MOVED THAT CAR.

  • BUT YOU ARE LOOKING VERY WELL.

  • I MEAN I DONE KNOW IF MANY PEOPLE KNOW THIS, YOU WERE A

  • VERY SUCCESSFUL MODEL WHEN YOU WERE IN YOUR EARLY 20S.

  • WERE YOU EVER WORRIED, BECAUSE ONE THING I FEEL BLESSED IN, I

  • DON'T HAVE TO WORRY ABOUT PROTECTING THE MONEY MAKER IN

  • ANYWAY.

  • IS THAT A THING WHEN ARE YOU A MODEL LIKE I MUST PROTECT THE

  • FACE AT ALL COSTS?

  • >> YOU WOULD THINK THAT BUT I WASN'T GOOD ABOUT THAT EITHER.

  • HAVE I BROKEN MY NOSE THREE TIMES, TWICE WHILE I WAS

  • MODELING.

  • ONCE I WAS STILL DOING A BIT OF WRESTLING.

  • YOU GOT HEAD BUTTED.

  • I BROKE MY NOSE HEAD BUTTING IN A NIGHTCLUB.

  • >> James: WHY, WHAT HAPPENED.

  • WHO WOULD DARE HEAD BUTT JAIM YEA DORNAN?

  • >> YOU KNOW, IT WAS ONE OF THOSE SITUATIONS WHERE SOMEONE JUST

  • DIDN'T LIKE THE LOOK OF ME.

  • IT WAS KIND OF LIKE I WAS JUST ET GOING THE ADVISE ON THE SIDE

  • OF THE DANCE FLOOR AND I THINK I WAS DANCING PRETTY BADLY.

  • AND-- CAME UP IN MY FACE AND WAS SAYING WHAT ARE YOU-- HE WAS

  • RIGHT UP IN MY FACE.

  • HI SEEN THAT MORNING THEY HAD THAT SHOW TOGETHER AND I NOTICED

  • THAT MORNING IT WAS NATIONAL COURTESY DAY.

  • >> James: RIGHT.

  • >> WHATEVER, EVERY DAY IS NATIONAL SOMETHING DAY BUT THIS

  • WAS NATIONAL COURTESY DAY.

  • SO THIS GUY WAS RIGHT UP IN MY FACE ON THE DANCE FLOOR,

  • SCREAMING, SWEARING AND I WAS GOING YOU ARE NOT ALLOWED TO

  • SQUARE.

  • -- SWEAR.

  • AND YOU KNOW, HE DIDN'T LIKE THAT OBVIOUSLY.

  • I WAS SORT OF THINKING IF THIS CMES TO BLOWS I CAN SORLT OF

  • BACK MYSELF.

  • I HAVE TIME TO MOVE YOU ABOUT YOU NO ONE RECKONS ABOUT A HEAD

  • BUTT.

  • SUDDENLY-- , IT WAS TERRIBLE.

  • THE CRAZIEST THING WAS ABOUT TWO WEEKS LATER I HAD THIS SHOOT FOR

  • CALVIN KLEIN THAT I GOT MY NOSE BROKEN AND I STILL HAD BLACK

  • EYES AND THEY HAD TO KORCH UP WITH MAKEUP NOT IDEAL.

  • >> THAT IS WHY I WOULD NEVER BE ABLE TO MODEL FOR CALVIN KLEIN,

  • THAT IS EXACTLY.

  • YOU KNOW ME, GET ME OUTK A FEW DRINKS, I GET IN TOO MANY RUTS,

  • YOU KNOW, I LOVE A RUT.

  • I LOVE A CASH RUT.

  • NOW JAMIE, CHRISTMAS IS AROUND THE CORNER AND I DIDN'T KNOW

  • THIS BUT YOU WON A DRAMA PRIZE FOR PLAYING WIDOW TWANKEY ON A

  • SCHOOL PANTOMIME, EXPLAIN TO AN AMERICAN VIEWER WHO WIDOW

  • TWANKEY IS AND WHAT YOU REMEMBER ABOUT THIS AWARD-WINNING

  • PERFORMANCE.

  • >> WELL, I REMEMBER IT FONDLY BECAUSE IT WAS ACADEMIC.

  • IT WASN'T EVEN ACADEMIC, IT WAS A DRAMA PLAY.

  • THEY WERE PLAYS OUTSIDE OF SPORTS THAT I EVER GOT.

  • AND IRWOULD WAS 10 OR 11 YEARS OLD.

  • WE WERE DOING THE SCHOOL PLAY.

  • AND WIDOW TWANKEY APPEARS IN THE PANTOMIME VERSION OF THE ALADDIN

  • AND ALWAYS-- I DON'T EVEN REMEMBER WHAT SHE DOES BUT WE

  • HAD A CLEANING LADY THAT, WITHOUT FOR US AT THE TIME.

  • AND SHE WAS THE BASIS FOR MY ENTIRE PERFORMANCE.

  • I JUST SHOT WITH HER EVERY MOVEMENT.

  • I SHOW ALL OF THAT FOR AMERICA'S PANTOMIME, IT IS BEHIND YOU,

  • WHAT, OH, NO,-- IT WAS MY FINEST MOMENT.

  • >> James: IS THERE ANY VIDEO EVIDENCE OF SUCH A PERFORMANCE

  • IS.

  • >> IS THAT WAS LIKE 1992, SO THIS ISING BEFORE EVERYBODY

  • FILMED.

  • AND I JUST, I KNOW IT WAS MADE BECAUSE I REMEMBER THEY DID,

  • THEY HAD A CAMERA SET UP AT ONE PERSON DID IT.

  • IT WAS ALL-- SO IT EXUS BUT I HAVE NEVER SEEN IT.

  • >> WELL, IT DOES EXIST.

  • AND WE MANAGED TO TRACK IT DOWN I'LL JOKING, WE COULDN'T FIND

  • IT.

  • >> I WAS SO EXCITED.

  • >> NOW LET'S TALK ABOUT YOUR NEW MOVIE WILD MOUNTAIN THYME, IT IS

  • A BEAUTIFUL, KIND OF A THROWBACK W OLD-FASHIONED LOVE STORY.

  • BUT YOUR REAL LOVE STORY WITH YOUR WIFE IS ALREADY LIKE

  • SOMETHING OUT OF A FILM.

  • TELL ME THE STORY OF HOW YOU MET YOUR WIFE AND HOW YOU CAME TO

  • PROPOSE.

  • HE WERE IN L.A., I WAS THERE BUMMING AROUND, IN PILOT SEASON,

  • NOT REALLY GETTING ANYWHERE.

  • I CAME TO KARAOKE WITH EDDIE REDMAYNE AND A COUPLE OTHER

  • LADS.

  • HAVING A BALL DOING KARAOKE.

  • AN MY WIFE IS A FILM COMPOSER.

  • BUT BACK THEN SHE WAS AN ACTOR SO I KNEW WHO SHE WAS, I ALWAYS

  • FANS ERRED HER AND WE WERE DOING KARAOKE AND SOMEONE CAME IN, A

  • FRIEND OF OURS AND SAID THERE IS A PARTY.

  • AND I LITERALLY DROPPED THE MIC AND WE MET, WE CHATTED ALL

  • NIGHT.

  • I-- THEN YOU KNOW, I PROPOSED TO HER ON THE VERY STEPS WHERE WE

  • MET.

  • >> THAT'S SO BEAUTIFUL.

  • SEE I DO FEEL LIKE THAT WOULD BE A DOLLAR TBUS-- GLORIOUS?

  • LET'S TALK ABOUT THE MOVIE, WHAT IS IT ABOUT WND IT IS CALLED

  • WILD MOUNTAIN THYME, MYSELF, EMILY BLUNT, EMILY AND I ARE

  • IRISH FARMERS, EMPT ILLY IS PINING FOR ANTHONY, MY

  • CHARACTER, HER WHOLE LIFE AND HE HAS NEVER BEEN ABLE TO RECOGNIZE

  • IT IS THE WOMAN THAT HE WILL LOVE, IT IS VERY CLASSIC IN ITS

  • STORYTELLING.

  • SORT OF AS YOU SAY A THROWBACK, LIKE THE SORT OF MOVIES THAT

  • AREN'T MADE ANY MORE.

  • JOHN PATRICK DIRECTED IT.

  • MADE A LOT OF VERY INTERESTING, QUICKIE FILMS.

  • >> THE FILL J IS SOD GOO.

  • AND YOU ARE AS EVER SO BRILLIANT

  • JAMIE DORNAN, WE HAVE BEEN DOING THIS THING ON THE SHOW CALLED A

  • "LATE, LATE SHOW" AND TELL WHERE WE ASK OUR GUESTS TO SHARE

  • SOMETHING WITH US FROM THEIR HOME THAT WE MAY OTHERWISE NEVER

  • GET TO SEE.

  • DO YOU HAVE SOMETHING YOU WOULD LIKE TO SHARE WITH US THIS

  • EVENING?

  • >> FUNNILY ENOUGH I DO.

  • I WILL SHARE SOMETHING FROM MY HOME.

  • IN MY REAL WALLET.

  • SO THIS IS ALL ADVICE PRESSLEY, STATE DRIVING LICENSE, SO MY

  • WIFE AND I FOR OUR HONEYMOON WE DROVE ACROSS AMERICA FROM SAN

  • FRANCISCO TO NEW YORK, IT TOOK FIVE WEEKS, TOOK THE SOUTHERN

  • ROUTE.

  • AND I'M A MASSIVE VELL ADVICE FAN, MY WHOLE FAMILY ARE, WE

  • WERE IN MEM SIS-- MEMPHIS, SENT TO GRACE LANT.

  • WE WERE A DAY LATER STILL IN TIN SEE-- TENNESSEE, WE HAD STOPPED

  • SOMEWHERE TO BUY FOOD, RIGHT.

  • AND MY WIFE AND I MR. THERE.

  • THE WOMAN SAID I.D. AND I WENT TO GET MY-- I SHOWED HER ELVIS

  • THING, NOT THE MOST FAMOUS PERSON, MAYBE EVER, TO EVER BE

  • IN THE WORLD EVER, WE'RE IN TENNESSEE, IT SAYS BORN BORN

  • IF 1935 AND HONESTLY, SHE STOOD LOOKING AT ME, LOOKING AT THAT.

  • PICKED IT UP.

  • FOR, TO THE POINT THAT I WAS LIKE IT'S ELVIS PRESSLEY, THAT

  • IS LIKE ELVIS, OKAY, HERE IS MY OLD, I HAD TO BREAK HER OUT OF

  • HER MISERY AND THE AWKWARDNESS, IT WAS ABSURD, YEAH, SO THERE WE

  • GO.

  • THAT IS MY ELVIS PRESSLEY.

  • >> James: I TAKE THAT AS A HUGE COMPLIMENT.

  • I REALLY, REALLY WOULD.

  • THAT IS THE NICEST COMPLIMENT COULD ANYONEEVER PLAY YOU, I

  • WASN'T SURE IF IT WAS YOU OR A YOUNG ELVIS PRESLEY, THAT'S

  • INCREDIBLE.

  • REGGIE, DO YOU HAVE A QUESTION FOR OUR GUEST THIS EVENING.

  • >> YES, I DO.

  • TONIGHT'S QUESTION GOES TO-- LET'S MAKE IT FOR OUR

  • CURRENT GUEST IT PANCAKES WERE REAL HOW SUCCESSFUL DO YOU THINK

  • THEY WHAT BE?

  • >> WELL, THAT SAY REALLY GOOD QUESTION AND I FEEL LIKE THEY

  • WOULD BE, MAYBE NOT PRESIDENTIAL BUT CERTAINLY CONGRESS.

  • > CONGRESS, THAT WOULD BE SUCCESS S THAT RIGHT?

  • >> TASK'S CORRECT.

  • >> James: IT'SABSOLUTELY CORRECT.

  • PLEASE THANK THE INCREDIBLE JAINLIE DORNAN EVERYBODY

MR. JAMIE DORNAN IS HERE.

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