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  • >> Stephen: WELCOME BACK, EVERYBODY.

  • HE IS AN AMERICAN ICON WHOSE MUSIC HAS ROCKED US FOR OVER 45

  • YEARS.

  • HIS LATEST ALBUM-- AND A NEW DOCUMENTARY-- ARE CALLED "LETTER

  • TO YOU."

  • PLEASE WELCOME TO "A LATE SHOW," BRUCE SPRINGSTEEN!

  • BRUCE, THANKS FOR BEING HERE.

  • >> THANKS A LOT, STEPHEN.

  • GOOD TO BE HERE.

  • GOOD TO SEE YOU.

  • >> Stephen: I WATCHED THE-- I WATCHED THE DOCUMENTARY THIS

  • AFTERNOON.

  • BEAUTIFUL.

  • BEAUTIFUL.

  • >> THANKS.

  • >> Stephen: I'M NOT TELLING YOU ANYTHING YOU DON'T KNOW.

  • >> THANK YOU.

  • >> Stephen: BUT IT WAS ALSO GREAT TO SEE YOU BACK TOGETHER

  • WITH THE E STREET BAND.

  • THIS IS THE FIRST TIME YOU HAVE DONE IN HOW LONG, SIX YEARS?

  • >> YOU KNOW, I'D SAY, YEAH, SIX OR SEVEN LEAST, YOU KNOW.

  • >> Stephen: I HOPE-- THAT'S WHAT MY RESEARCH TOLD ME.

  • THEY WOULD BE IN TROUBLE IF YOU SAID SOMETHING OTHER THAN SIX

  • YEARS RIGHT NOW.

  • ( LAUGHS ) I LOVE SEEING--

  • >> IT MIGHT BE A LITTLE MORE THAN THAT.

  • >> Stephen: I LOVE SEEING YOU GUYS TOGETHER, GUYS AND GIRLS

  • TOGETHER.

  • BUT IT WAS A LITTLE HEARTBREAKING TO SEE YOU BE ABLE

  • TO HUG EACH OTHER AND, LIKE, KISS EACH OTHER, AND, LIKE,

  • DRINK TOGETHER.

  • IT WAS LIKE A TIME CAPSULE WE WERE LOOKING AT.

  • >> REMEMBER THAT.

  • >> Stephen: YOU HAVE BEEN PERFORMING SINCE YOU WERE 16.

  • HOW DOES IT FEEL YOU HAVE AN ALBUM AND KNOW YOU CAN'T GO TAKE

  • IT ON THE ROAD RIGHT NOW.

  • >> WELL, I DO A LOT OF WORK IN FRONT OF MY BEDROOM MIRROR WITH

  • THE TENNIS RACKET.

  • ( LAUGHS ).

  • >> Stephen: SO YOU'RE 16 ALL OVER AGAIN.

  • >> I'VE GONE BACK-- I'VE COMPLETELY GONE BACK TO WHEN I

  • WAS 16.

  • I PUT THE ALBUM ON.

  • I GET THE TENNIS RACKET, AND I GO FOR AN HOUR.

  • AS A MATTER OF FACT, I GO FOR THREE HOURS, JUST LIKE THE SHOW.

  • >> Stephen: WHAT IS THE-- >> BUT, ACTUALLY, IT'S A BIT OF

  • A DRAG.

  • >> Stephen: I HAVE TO IMAGINE IT IS, BECAUSE YOU--

  • PARTICULARLY, YOU TALKED ABOUT-- THE LAST TIME WE HAD A CHANCE TO

  • TALK, WHICH IS FOUR YEARS AGO NOW, YOU TALKED ABOUT THE MAGIC

  • TRICK, WHAT YOU DO WHEN YOU-- FOR LACK OF A BETTER WORD-- HOOK

  • UP YOUR JUMPER CABLES TO THAT AUDIENCE.

  • AND THEY TRANSFORM THAT ENERGY THAT YOU GIVE TO THEM AND THEY

  • GIVE TO YOU.

  • YOU TRANSFORM THAT INTO A SACRED SPACE BETWEEN THE TWO OF YOU.

  • WHERE ARE YOU FINDING YOUR SACRED SPACES NOW THAT YOU CAN'T

  • ACTUALLY BE DOING THAT IN FRONT OF THE AUDIENCE?

  • >> WELL, YOU KNOW, THROUGH WORKING THE ALBUM WITH THE BAND

  • AND THROUGH MAKING THE FILM, YOU KNOW, YOU SORT OF COMMEMORATING

  • THOSE PLACES AND...

  • THAT TOOK A LOT OF MY TIME.

  • THOUGH NOT NEAR AS MUCH AS IT USED TO BECAUSE WE RECORDED THE

  • ALBUM VERY QUICKLY, AND REALLY IN FOUR DAYS, AND WE LISTENED TO

  • IT ALL ON THE FIFTH DAY, AND WE SHOT THE FILM IN THE SAME AMOUNT

  • OF TIME.

  • SO THEY WERE DONE RELATIVELY QUICKLY, YOU KNOW.

  • BUT I'VE BEEN MANAGING TO STAY AS BUSY AS I CAN.

  • MY LITTLE RADIO SHOW THAT I DO BIWEEKLY, AND SOME OTHER

  • PROJECTS THAT I'M WORKING ON.

  • SO I'M NOT JUST WANDERING AROUND THE HOUSE AND GETTING IN PATTY'S

  • HAIR.

  • >> Stephen: THE INSPIRATION, AS YOU DESCRIBE IN THE

  • DOCUMENTARY FOR THIS ALBUM, BEING THE LAST MAN STANDING OF

  • YOUR FIRST REAL BAND, THE CASTILES, FOR THOSE WHO DON'T

  • KNOW, FROM '65 TO '68, YOU WERE IN A BAND CALLED THE CASTILES.

  • AND YOU WENT TO THE FUNERAL OF-- TELL ME THE STORY OF SORT OF HOW

  • YOU WERE INSPIRED BY THAT FUNERAL FOR THE ALBUM.

  • >> I HAD A RELATIONSHIP OVER THE PAST THREE OR FOREYEARS WITH MY

  • OLD FRIEND GEORGE THEISS, WHO WAS ONLY-- HIM AND I WERE THE

  • LAST SURVIVING MEMBERS OF OUR FIRST BAND.

  • AND GEORGE GOT VERY ILL, AND HE WAS ILL FOR SEVERAL YEARS.

  • AND WE STAYED IN TOUCH THE WHOLE TIME.

  • SO I GOT TO VISIT HIM TOWARDS THE END OF HIS LIFE, AND I CAME

  • HOME AND HE PASSED AWAY SHORTLY AFTERWARDS.

  • AND I GUESS BEING THE LAST-- LAST GUY IN MY FIRST BAND TO

  • REMAIN ALIVE SORT OF... I DON'T KNOW, IT MUST HAVE-- IT MUST

  • HAVE BROUGHT THINGS UP FOR ME.

  • BECAUSE A SHORT WHILE LATER.

  • >> STARTED TO WRITE WITH THE THEMES OF MORTALITY AND LIFE

  • SPAN AND WRITING ABOUT TAKING MUSIC, WHICH IS A SUBJECT I HAD

  • WRITTEN ABOUT BEFORE, WHAT IT WAS LIKE BEING IN A BAND WHEN

  • YOU WERE YOUNG, WHAT IT WAS LIKE BEING IN A BAND 50 YEARS LATER

  • WITH THE SAME PEOPLE.

  • YOU KNOW, IT'S AN UNUSUAL EXPERIENCE.

  • BUT THERE'S SOME COMMON HUMANITY IN ALL OF IT.

  • SO I JUST KIND OF DOVE INTO-- IT-- IT JUST OPENED A VEIN OF

  • CREATIVITY THAT-- THAT LASTED FOR ABOUT SEVEN DAYS, IN WHICH I

  • WROTE ALMOST ALL THE SONGS FOR THE ALBUM.

  • AND THAT'S THE WAY IT HAPPENS SOMETIMES.

  • >> Stephen: THE PUBLIC ALL KNOWS YOU AS THE E STREET BAND

  • TOGETHER.

  • TELL ME ABOUT THE CASTILES AND WHAT THEY MEANT TO YOU IN YOUR

  • DISCOVERY OF MUSIC, OR DISCOVERY ABOUT BEING IN A BAND.

  • I KNOW FOR MY BUSINESS, THOSE PEOPLE THAT I FIRST DID COMEDY

  • WITH AT THE BEGINNING OF MY CAREER, EVEN IF I DON'T WORK

  • WITH THEM ANYMORE, I KNOW WHAT I LEARNED FROM THEM.

  • I HAVE A SPECIAL LOVE FOR THOSE PEOPLE.

  • >> YEAH.

  • >> Stephen: AND I WAS INTRODUCED TO THIS IDEA THAT

  • THIS MIGHT BE MY LIFE TO THOSE PEOPLE.

  • WHAT DID YOU LEARN BEING IN THAT FIRST BAND?

  • >> YOU KNOW, WELL, I LEARNED I LIKED BEING IN A BAND.

  • I LEARNED I LOVED PLAYING MUSIC.

  • I ENJOYED THE CAMARADERIE OF BEING IN A BAND, EVEN THOUGH,

  • YOU KNOW, IT'S FILLED WITH THE USUAL TENSION AND EBB AND FLOW

  • OF-- OF LIFE, YOU KNOW.

  • BUT I KNEW IT WAS SOMETHING I ENJOYED.

  • AND EVEN THOUGH I WAS SIGNED AT COLUMBIA AS A SOLO ARTIST, I

  • KNEW THAT I WANTED TO HAVE A BAND.

  • I WANTED TO HAVE A REGULAR GROUP OF MUSICIANS THAT I FELT I WAS A

  • PART OF.

  • AND, YOU KNOW, SO I MEAN, THE E STREET BAND, GOES BACK TO WHEN I

  • WAS 16, GARY, 18, YOU KNOW, THESE GUYS WERE THERE FOR A

  • LONG, LONG TIME.

  • SO IT'S-- I ALWAYS TELL PEOPLE, I SAY, "IMAGINE THIS, PEOPLE

  • YOU'RE GOING TO HIGH SCHOOL RIGHT NOW, WHEN YOU'RE 70 YEARS

  • OLD, THOSE ARE THE EXACT PEOPLE YOU'LL BE WORKING WITH AND WILL

  • HAVE WORKED WITH THEM FOR THE PAST 50 YEARS."

  • THE ONLY PLACE THAT THAT HAPPENS IS IN ROCK 'N' ROLL.

  • AND IT DOESN'T HAPPEN MUCH FOR THE VERY SIMPLE REASON BECAUSE

  • PEOPLE CAN'T STAND IT.

  • YOU KNOW.

  • IT'S LIKE-- YOU KNOW-- THEY CAN'T STAND EACH OTHER FOR THAT

  • LONG.

  • IT'S A MIRACLE.

  • >> Stephen: AND THE AUDIENCE DOESN'T ALWAYS STICK AROUND FOR

  • 50 YEARS.

  • >> NO, THEY DO NOT.

  • SO IT'S A-- IT'S A CONFLUENCE OF VERY, VERY SPECIAL EVENTS AND

  • SOME LUCK AND MAGIC INVOLVED THAT ALLOWS YOU TO HAVE A LONG

  • LIFE AND CAREER LIKE WE'VE BEEN BLESSED ENOUGH TO HAVE.

  • >> Stephen: WE HAVE TO TAKE A QUICK BREAK, BUT STICK AROUND,

  • EVERYBODY.

  • WE'LL BE RIGHT BACK WITH MORE BRUCE SPRINGSTEEN.

>> Stephen: WELCOME BACK, EVERYBODY.

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