Name: Top 10 Horror Movies Where Evil Wins
Uploaded: 2020-10-23T22:29:48.000Z
Duration: 11 min 57 s
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And today we're counting down our picks for the top 10 horror movies where evil wins what you're doing in the name of God, thank what you're doing.

For this list, we're looking at horror films without happy endings.

Since we'll be dealing with major plot points here, a spoiler alert is in effect.

Be sure and tell us which sinister cinematic conclusions you'd pick in the comments.

If you like what you're hearing, be sure to check out the full song at the link below.

Much has been written about the social commentary of director George Romero's 1968 Zombie classic.

The casting of Duane Jones in the lead role as Ben is remembered today is being progressive for the Times, and critics saw the characters tragic fate as being particularly resonant.

Sole survivor Ben seems to have emerged from this night of terror unscathed on Lee to be mistaken for one of the living dead by a group of zombie hunters and killed all right, hit him in the head right between the eyes.

It's a real punch in the gut, and that hollow feeling you're left with is further compounded by shots of bodies being burned by the way number nine seven.

Scott paid me 500 bucks to bring it out here, man.

By now, most horror fans already know what's in the box.

At the end of David Fincher's 1995 crime thriller played by Kevin Spacey, John Doe has committed grisly crimes inspired by the seven deadly sins.

But in the film's climax, police take him into custody, seemingly ending his reign of terror.

Act pushes Detective Mills, played by Brad Pitt over the edge, it seems that envy is myself.

What's in the box Upon learning that it is, in fact the head of his pregnant wife, Tracy, in the box, Mills becomes the embodiment of wrath.

He shoots, does character and in doing so effectively completes the serial killers plan to die as a martyr.

With this last bit of bloodshed, Sevens grim narrative comes to an even more downbeat conclusion.

Theo Blair Witch Project achieved a great deal with very little when it was released back in 1999.

The film, which was produced on a shoestring budget, created buzz with an excellent viral marketing campaign, one that made the most of an early Internet age.

It's credited with popularizing the found footage style of filmmaking pioneered by Cannibal Holocaust back in 1980 and delivered a similarly bleak ending.

In it, the dark surroundings and shaky cam are used to perfect effect as Heather, Mike and Josh get their wish to meet the mythical Blair Witch, the image of Mike standing in the corner and Heather's anguished screams cutting to silence haunted movie goers for years.

What's that like to live deliciously the ending of the, which seemed to divide audiences.

Some viewers wanted, um, or ambiguous ending others, um, or grounded rationale behind the supernatural goings on in the film.

Old school horror buff's, however, received a satisfying and very spooky sequence that embraces the films of cult elements, which had previously been kept largely off screen.

Black Phillip is indeed the devil and initiate sole survivor Thomason into his coven of witches after the decimation of her family, the ending imagery of Satan and his minions laughing and flying into the night is the stuff of nightmares and a true call back the horrors.

Okay, so for this one, we're going with the ending shown in the United Kingdom.

In this version, Shauna MacDonald, Sara Carter hallucinates that she escapes from her deadly spelunking adventure on Lee.

For it to be revealed that she actually never left the cave and is about to be the last of her friends to fall victim to the crawlers.

Yeah, it's a kick in the teeth that leaves us shaken and disturbed, but not one that American audiences were able to see until the film was released on home video.

Instead, they got um, or ambiguous ending, in which Sara escapes the cave and gets in her car on Lee to hallucinate a jump scare of Natalie Mendoza's Juno Kaplan instead.

Boo number five, Hereditary all Hail King Peyman.

Okay, so by now you might be feeling sick of Downer endings.

But buckle up because we still have five to go.

2018 hereditary wowed audiences and critics with its careful balancing act, combining grounded depictions of grief with a dedication toe old school, shocking supernatural horror.

The ending in particular, delivered the latter in spades from an Eason Irving possession seen to Peter being crowned as king of a new occult coven.

It's dark, it's unsettling, and it's unafraid to push boundaries with both its graphic execution and relentlessly depressing tone.

In other words, don't expect a hereditary franchise of Sequels anytime soon.

Number four, The OMON How could one possibly take the life of a child?

That is what diplomat Robert Thorne has to ask himself when he discovers that his adopted son is actually the spawn of Satan.

The Omen continues to pose the same question to audiences all the way to it's thrilling finale, when Thorne brings his son Damien to a church altar, determines to kill the Antichrist, be studying up, Thorn begs God for forgiveness but isn't given the chance to finalize the deed before being shot by police.

The film ends with young Damien victorious, smiling softly at the camera, letting us know that he's one step closer to fulfilling his unholy destiny.

Rosemary's Baby What have you done to it?

To its eyes, Rosemary's Baby is another horror classic that could have easily taken the metaphorical route with its plot.

Instead, it chose Toe have its titular protagonist, literally assaulted by the devil and impregnated with his child.

Roman Polanski's adaptation of Ira Levin's novel isn't mere exploitation, however, exploring pregnancy, neurosis and women's rights in a horror context.

His theme ending where Rosemary's baby has taken in by a coven of witches, is made all the more memorable by the fact that we never actually see the child.

Rosemary's horrified reaction and then tentative resignation to her status as the mother of the anti Christ, however, speaks volumes.

Invasion of the Body Snatchers, Philip Kaufman's 1978 classic is one of horror's all time best remakes.

A near perfect amalgamation of the decades internal paranoia with sci fi body horror.

The film is also Quint, essentially seventies with regards to its ending.

The decades saw movies of all genres beginning to turn away from the neat and tidy endings of old Invasion of the Body Snatchers has the alien pods swiftly moving towards total assimilation of the populace.

With only two of our characters seemingly surviving undercover by remaining as emotionless is possible.

However, when the newly assimilated Matthew Howls and Nancy that pointed finger and horrifying facial expression is burned into our brains forever.

The vanishing Our protagonist is buried alive.

The elder gods return hell fest from killer to family Man.

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Number one, The Wicker Man What you're doing In the name of it, it's one of the most downbeat endings of all time.

We're going old school for the Ogi Wicker Man from 73.

Ah, horror film that makes no bones about killing its lead protagonist.

Edward Woodward's sergeant Howie is shown right from the get go is being distrustful of pagan beliefs thanks to his Christian upbringing.

So from the Villagers perspective, they might not feel they're doing anything wrong.

It is the Lord who have laid waste your orchards.

Still, that doesn't lessen the impact of seeing the character we've been following, deceived and ultimately sacrificed, buy an entire island of conspirators.