Name: ティモシー・シャラメら”若草物語”キャストによる、こだわりのシーン解説。| VOGUE JAPAN
Uploaded: 2020-09-04T19:15:35.000Z
Duration: 13 min 39 s
Description: Thousands of YouTube videos with English-Chinese subtitles! Now you can learn to understand native speakers, expand your vocabulary, and improve your pronunciation...

I'm search your own and a nine play Jo March.

Hey, I'm Laura and I play Marmee, and I'm Greta.

And I wrote the screenplay and I directed this movie.

So this is in theatre Lawrence Laurie Lawrence's house with his tutor, John Brooke.

Came up with this idea that he would be standing on a chair and it was a good idea.

We wanted the Lawrence has to be very late, grand and masculine and not cozy.

But it was actually an interesting thing, because the way that we structure the movie, we start in adulthood.

One I wanted childhood to have this golden glow.

So we shot with a very specific filter, and it kind of worked against the coldness of the Lawrence house because it still had the golden glow of childhood.

But so we wanted to do was give it scale and density.

That would kind of impart that same coldness without actually having cold color, because we wanted to save that for the adult section.

I know you brought my sister back after the dance.

I would have never have sprained my ankle.

I have lovely small feet, the best in the family.

Gives I'm in such trouble, Mr Davis, and hit me.

Amy is fleeing because sure, she's been hit by her teacher and she knows she's gonna be in trouble.

So she's running over to this house because she doesn't want to go home.

I was there when you shot that saying on and she did it like, 20 times, like one after the other.

And she just, like, made it bigger and bigger every single time.

Yeah, I like I like in actors in general and Florence in particular.

I like actors who can go who can go almost too big.

Yeah, I find it really fun because I find then I always I want the thing either right before right after the one that's pushed too far.

But you kind of have to fling that way to get the thing.

Tell servants I want this painting purchase for me immediately.

My hand so much, Lawrence, you wanna be the happiest boy in the world?

I did a drawing and that Mr Davis hit me.

This is one of those scenes where I have almost everyone in the room at once and here they all start to enter.

And this is sounds like, really boring to say, because obviously I'm very proud of how this scene was blocked, actually really hard to block scenes with this many people and figure out all of the ways that they're moving.

And I could only do because they memorized their lines.

So precisely that it was like a It was one of those scenes that was like a hot potato handle.

We rehearsed all of these like overlapping sands.

A lot in rehearsals, but then also with this one in particular.

Remember, it was a new location for all of us when we were used to being in the March house, which was smaller, and we couldn't do our way around.

So this was their first time shooting on this location, all of us together.

That familiarity with the setting or unfamiliarity with the setting is important because we knew that March house so well by the second week of shooting.

Or before that when it felt as all steer, maybe that's not the right word.

But, as you know, everything great was communicating before felt properly anonymous.

He looks stern, but my grandfather was much more handsome.

Joe, we do not compare Grandfather's Laura enters just there and has her line just there.

I'm getting everyone to kind of be exactly where we needed them to be.

This was his favorite line, so we do not compare.

No wonder she brought these two actors together.

Was watching the two of you on screen together or watching you both act?

It's like you're you just hurl every cell.

You are not to attend that school anymore.

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ティモシー・シャラメら”若草物語”キャストによる、こだわりのシーン解説。| VOGUE JAPAN

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