Name: We Are NY Phil @ Home: Richard Deane Explains the Horn Obbligato Solo from Mahler’s Symphony No. 5
Uploaded: 2020-04-23T03:50:03.000Z
Duration: 4 min 23 s
Description: Thousands of YouTube videos with English-Chinese subtitles! Now you can learn to understand native speakers, expand your vocabulary, and improve your pronunciation...

I am the Acting Principal Horn of the New York Philharmonic.

Today we'd like to talk a little bit about

beautiful solos written for the solo horn in our repertoire.

There's Tchaikovsky's Symphony No. 5, Bruckner 4,

But the one that contains the most emotional breadth,

And especially in the third movement, which contains

This solo in the third movement runs the gamut of emotional expression

from pathos, tenderness, comedy, aggression, everything in between.

It's such a big role for us that there has been

the solo horn should be situated onstage.

Whether they should be in front of the orchestra,

where you would normally see a violin soloist,

or whether they should be back in their normal seat;

to be situated in the normal seat in the back of the orchestra.

There is one other element that's really interesting,

and you guys have probably seen this a lot,

the German “Schalltricher auf,” bells up.

So it gets a, in the mind of a composer, I think,

which is sort of into our bodies and facing back.

So, as I said, we opted to have the solo horn

in the back of the orchestra for this performance.

possibilities of expression as we went through the movement.

both now and in the past and in the future.

can't wait to start performing again live.

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We Are NY Phil @ Home: Richard Deane Explains the Horn Obbligato Solo from Mahler’s Symphony No. 5

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