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  • A monument is an ideal.

  • A memorial is a memorial of something

  • that really happened in life.

  • I could have been the first black guy in space.

  • Was that my fate that I'll be remembered for that,

  • for something that I didn't do?

  • Think about that one.

  • How the hell do you get famous for something you didn't do?

  • There rest burdens heavier than have rested

  • on the shoulders of any president

  • since the time of Lincoln.

  • In the '60s, there was a lot of tension,

  • an incredible amount of tension.

  • In 1959, the first seven astronauts

  • were appointed by Eisenhower, seven guys that

  • become immortal by proclamation only.

  • The way the story goes, the Kennedy White House said,

  • we'll satisfy our black community

  • by making a black astronaut. One black guy on

  • a Wheaties box.

  • O.K., but how do you make an astronaut?

  • I was born in Kansas City in 1933.

  • I wanted to be an artist.

  • My dad said, “No, no, no, no.

  • You're going to go to engineering school.

  • You're going to be an engineer.”

  • All the pilots, the good pilots, the aces,

  • they all grew up on farms. Every one of them.

  • We lived on a farm.

  • And the Fairfax airport was within walking distance.

  • I didn't know where these airplanes had been

  • when they came and landed.

  • And I didn't know where the hell

  • they were going when they took off.

  • But it had to be exciting.

  • I did get the flying bug.

  • I was down there every day.

  • I became their mascot.

  • I'd hang out in the maintenance shacks.

  • And I'd hand the guys the tools.

  • And after a while, I said, “Why don't you just take me up?”

  • [AIRCRAFT ENGINE BUZZING]

  • Immediately, when you can see past the horizon,

  • you say, oh, my god.

  • All of a sudden, your world expands

  • to this bigger and bigger and bigger space.

  • That whole expanse of stuff, you get even more curious

  • about it.

  • Why were we here?

  • And what part do we play?

  • And what, if anything, can we do about it?

  • I was probably 18.

  • And I had a paper route for the white newspaper.

  • And I had a paper route for the black newspaper.

  • On the front page of my black newspaper

  • was a black jet pilot standing on the wing of an F-86 Saber

  • jet.

  • My world about exploded.

  • Oh, my god, they're letting black folks fly airplanes.

  • I almost stopped throwing papers that minute.

  • I went straight to the Air Force recruiting office.

  • By the time I got to be upper class,

  • I had all these stripes on my arm.

  • I had my own office.

  • I was an officer all the way through the whole thing.

  • And lo and behold, I get this letter,

  • all the Pentagon trapping, all this stuff on it.

  • Direction of the president, opportunity

  • to be an astronaut.

  • So I took it to my boss

  • and he said, “Tear it up.

  • You don't want any part of that, man.

  • They're going to make hamburger

  • out of you down there, buddy.

  • Ed, stick with us.

  • You've got a career.

  • You're going to be a general.

  • You have a family here.

  • So leave it alone.”

  • But my curiosity overwhelmed me.

  • So I secretly sent all my information in.

  • And within days, days, not weeks, months, years,

  • I got an assignment to go to Edwards Air Force Base for me

  • to enter experimental test pilot school.

  • I was a Kennedy boy.

  • That's the term they used, Kennedy boy.

  • I knew full well when I got on the base

  • that it wasn't going to be a cakewalk.

  • It seems like every street at Edwards Air Force Base

  • is named after a dead test pilot.

  • Every time I strapped that airplane on my behind,

  • I don't know whether I'm coming back.

  • And on top of that, I was told, Chuck Yeager, the guy that

  • was running the whole damn school,

  • had called the students and the instructor staff

  • into the auditorium and said, here's our plan.

  • Don't talk to him.

  • Don't socialize with him.

  • Don't drink with him.

  • Don't invite him to your parties.

  • Just ignore him like he doesn't exist.

  • And in six months, he'll be gone, because that'll

  • psychologically break him.

  • He'll quit.

  • And so they set about doing that.

  • That's Chuck Yeager.

  • My dad had issues in his work world.

  • Whether you're a baseball star like he was

  • or whatever you did, I mean, you still

  • suffer the ravages of prejudice.

  • And he would go on these rants.

  • All white men are the worst people in the world

  • and they'll stab you in the back.”

  • But my mother had the last word.

  • Don't pay any attention to what your dad said.

  • All people are equal.”

  • And those were the last words I heard every day

  • until I was 18 years old.

  • You can teach your brain to help you,

  • or you can teach your brain to destroy you.

  • And your brain will react to what it's been told.

  • Every day of my life, my mother

  • told me how much she loved me and how I could do anything

  • in the universe.

  • I don't care what it was, you have the ability to do that,

  • as long as you're prepared for it.

  • That removed any other force coming into my space plane.

  • But if I had all this other trash running around

  • in my head, I wouldn't be able to do

  • any of that kind of stuff.

  • They were announcing names to go

  • into the second phase of it.

  • And of course, that next level moved you

  • on to NASA, which was the third thing.

  • Just graduated from test pilot school

  • and we were all vying for a spot.

  • So guess who's not quitting? Captain Ed Dwight.

  • 29-year-old Negro says he is anxious to go into space.

  • He's Captain Edward Dwight of the Air Force, selected

  • to be an astronaut, the first of his race

  • to be so designated.

  • Captain Dwight and his family got the news at their home

  • at Edwards Air Force Base in California.

  • And of course, that was hot news,

  • I mean, really, really hot news.

  • Place was packed.

  • The press came out from D.C.

  • Cameras were everywhere.

  • All these photographers on me.

  • And they have one cover all the rest of them.

  • Immediately, I was getting 1,500 fan mails a day.

  • And I was on the cover of all these magazines

  • around the world.

  • See, I was being handled out of the White House.

  • So everywhere I went, I was bombarded with it.

  • So there was a lot of unhappy people about this.

  • There's a black guy that can do this?

  • Oh, god, you've got to be kidding me.

  • Kennedy boy, Kennedy boy.

  • All that nonsense, couldn't give it

  • a parking space in my brain.

  • We were in bioastronautics training at Brooks.

  • They were trying to figure out how far they could

  • take a person and break them.

  • They did everything they could possibly do.

  • They'd stick needles in your head

  • and then introduce these waves.

  • Centrifuge training, a lot of guys couldn't handle that.

  • They'd take you up to 15 g's.

  • Of course, your tear ducts close

  • and the tears creep over to here.

  • And they're like bullets when they hit your ears,

  • that thing is so fast.

  • God, I just ate that up.

  • I really enjoyed it.

  • It was just absolutely fabulous.

  • The happy ending of this thing

  • would be going into space.

  • [ROCKET ENGINES BOOMING]

  • O.K., I guess you all know why you're here today

  • and why we're here.

  • We'd like to introduce the new group of 14 astronauts who

  • we've been in the process of selecting

  • for about the last four months.

  • [APPLAUSE]

  • Was there a Negro boy in the last 30

  • or so that you brought here for consideration?

  • No, there was not.

  • They were announcing a new group of astronauts

  • and I wasn't in that group.

  • A month or so later, Kennedy has been assassinated.

  • Are you now in fact completely out

  • of the astronaut program?

  • Why aren't you an astronaut?

  • Do you feel that what's happened to you

  • was a setback for civil rights opportunities in this country?

  • I would rather not comment on that.

  • I resigned in '66, loaded my Volkswagen to the brim

  • and drove off the base.

  • You know, god, I start getting emotional.

  • [CHUCKLES]

  • I mean, that was tough.

  • Next question.

  • [SLOW STRING MUSIC]

  • If I just receded into nothingness,

  • it would have been all well and good with everybody else,

  • because that's how things are supposed to happen.

  • I would have loved going into space, you know, had this thing all

  • worked out that way.

  • That choice was snatched away from me.

  • So why bother about it, you know?

  • I have to attribute that to some kind of fate.

  • Well, maybe there's some more work for me to do.

  • Maybe my fate was I had to bring

  • the African-American story to the public venue.

  • [SLOW STRING MUSIC]

  • And so I started building things, making things.

  • 129. I've completed 129 memorials

  • since I've done this and over 18,000 gallery pieces.

  • A monument is an ideal.

  • But a memorial is a memorial of something

  • that really happened in life.

  • How do you go from slavery to freedom and accomplishment?

  • What happened?

  • Harriet Tubman, George Washington Carver,

  • Rosa Parks, Sojourner Truth, Dr. King, B.B. King,

  • Dizzy Gillespie, Miles Davis, step by step by step

  • by step.

  • Guion Bluford.

  • First African-American in space.

A monument is an ideal.

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