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  • in terms of being like that.

  • So iconic the Andy Warhol image, which is so famous.

  • Oh, there you are with Andy.

  • But here's the actual actual painting has been reproduced so many times.

  • But you still have an original.

  • Right?

  • So you're okay.

  • I'm okay.

  • Where is it?

  • Is it in your house?

  • No, it's on the road.

  • Say, I sent it out on the road.

  • I It's touring with its touring with.

  • Really?

  • It's Ah, it's at the Chicago Art Institute right now.

  • There's a, uh, very big retrospective of all of Andy's work, which I found Ah, revelation.

  • I mean, I had no idea that he did some of the things that you know very early on.

  • Very, uh, genius.

  • Really?

  • Cause you Arnold, you were quite a part of that world.

  • He was a fan of yours.

  • Yes, Samantha.

  • Jamie wife, who was a famous painter in America, painted me at that time.

  • It was host studio.

  • And then what hope was there debris much every day.

  • And then he took a Polaroid child.

  • But there's one instead of painting me also, that's it.

  • That's one of them.

  • But there's one of flexing the muscles and he liked that one.

  • And it was a ll kinds of weird stuff that was going on there.

  • One day I walked in, the jimmy wires was painting me, and that was holding this post and mixing.

  • And always there was this big table and it was like a 10 12 naked main coming into the room.

  • And then they were lying on top of the table and on top of each other.

  • And then Andy would rearrange it, notice up, then he would take a shot with a certain lighting.

  • I would take a photograph, a Polaroid, and then he will come to me and he would say, Just look at this.

  • If you cut this often, cut this off.

  • It looks like landscapes.

  • I'm going to call it the landscapes.

  • That's exactly the painting that he did it just off the ass is kind of like when really you couldn't really tell you Really?

  • What itwas you know.

  • And he didn't paint it that so he was very creative.

  • He was a genius in the way he went about his art and the dead time.

  • It was not as much appreciated, but I think that when he passed away and people realized what kind of a great artist wasn't.

  • Now, of course, his artists selling for 60 $80 million in auctions.

  • And so you're okay, miss an all new episode of the Graham North and show Fridays at 11 on catch Up now.

in terms of being like that.

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