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  • It's wonderful to have this kind of experience, including

  • this kind of residency, especially

  • in the first year of Jaap.

  • I mean, that meant really a lot.

  • And this is also something that when he says something to one,

  • you can count on him.

  • And this kind of character and principles he has in life

  • and what he is representing, I like this very much.

  • It's fantastic to have this kind of opportunity

  • to come here four times.

  • We started with the Strauss-Schubert,

  • which is, it's an enormous group of orchestra

  • to Schubert and Strauss songs.

  • Demanding, I mean, for the orchestra,

  • for me, for the conductor.

  • And this kind of atmosphere, Jaap is a master in it.

  • He is insisting in the things he wants

  • really to hear and to have, but at the same time

  • also to pick up the quality of an orchestra of single soloist

  • players.

  • The German Requiem, [GERMAN] that

  • was really a great experience.

  • And that belongs really to the fact that the orchestra has not

  • really changed.

  • How Jaap is conducting this in the presence

  • of this fantastic singer and this fabulous choir.

  • This specific kind of situation with "The Wound-Dresser," that

  • was very interesting, also good to do, because this piece

  • is absolutely timeless.

  • What is so frightening, touching is the empathy is in the music

  • and in the text.

  • And there is a short moment where

  • he says, "Some are so young; some suffer so much."

  • And the combination with the melody

  • and the rhythmic construction between the voice

  • and the orchestra, this is a very touching moment.

  • I'm also looking forward to this kind of moment

  • where I do this kind of chamber music concert, which

  • is wonderful to have the players then without the conductor.

  • And that we have this kind of--

  • especially the Eisler, to introduce

  • to Eisler here to the audience could be very interesting,

  • I think.

  • I like this piece very much.

  • And also to have this wonderful pianist Daniil

  • Trifonov-- to have met someone four years ago like Trifonov

  • is a gift.

  • I mean, over the years we are really friends.

  • I mean, whenever our ways are crossing,

  • even when we do not have to play together, we have lunch

  • and we spent time together.

  • This is really a lucky moment, because you get closer

  • to the players.

  • They're so supportive.

  • And this is quite exceptional to have this fantastic players.

It's wonderful to have this kind of experience, including

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