It is like stepping into a dream you read on the page and you think, How is that possible?

It's always a joy to come somewhere where sets the thinking that's gone into production design.

Visit this level a love of great set, One of the things about doing Dracula's You're competing with everybody else, whoever did it, and that's a lot of people on.

One of the things you have to have is the scariest castle of all time sent that they built for that was just so, so beautiful.

All of it is his candle lit, so it has a very vibrant quality.

Central staircase was my starting point.

There was fits in the script that I had to hear, too, but for me that I wanted this grand kind of sweeping entrance.

So I started without worked out to it.

We had elements of the story where Johnny was trying to find his way up to the castle so rather have to try and go out to find corridors and stairwells in real castles and trying to keep a look and feel.

I filled the voids with little corridors and stairwell.

Listen various things, so you actually way did it all within the set.

It's only when you spend a majority of your career filming on location in small rooms that you can get the full thrill of what it must have.

Bean like Thio two worked in Hollywood in the thirties or so when you walk into a set that's, you know, the size of a cathedral ago.

My God, this is made of plywood.

This is incredible.

It was this little matter of that.

We have to get rid of an entire castle and start building an entire ship, which was a three masted tall ship which we had to build diagonally just to fit intothe for up to.

They built an entire ship.

You couldn't take it up to see that would not work, but it's actually lived as if it could is like alien on a sailing ship with a bamboo count structure.

I remember watching us for our two bits of Nosferatu on clapper board.

I was so thrilled bythe bit.

They always showed was to meet that famous into title.

It says Ship of death is a new way, actually built the bloody thing.