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♪♪
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-Today we're talking about chapters 27 and 28,
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the season three premier "Everything is Bonzer!"
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Directed by Dean Holland, written by Jen Statsky,
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including guest cast Andrew Bering,
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Dominic Burgess, Matthew Foster, Keston John, Mike O'Malley,
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Lisandra Tena, Jama Williamson, Harvey Guillen,
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Josh Siegal, Eugene Cordero, and Adam Scott.
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Michael goes to Earth to save the four humans
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from their various accidental deaths.
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We see the last year in each of their lives
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between their near-death
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and Michael illegally giving them a second nudge.
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Chidi asks a neuroscience professor,
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Simone, to study his brain
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and agrees to help Eleanor become a better person.
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Eleanor inspires Chidi to start a cross-departmental study
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on the effects of near-death experiences
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on ethical decision-making.
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Tahani's near-miss with sister's statue causes her
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to travel to a Tibetan monastery
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to shed her desire for attention.
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She backslides, writing a book about the trip,
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and creating a lifestyle brand,
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until Michael shows up as a hippie investor
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who loves her scam, which prompts Tahani
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to accept Chidi's invitation for his study.
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Michael saves Jason from the safe,
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inspiring Jason to attempt a series of dance competitions
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with his 60-person dance crew.
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He ultimately goes back to a life of petty crime
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until Michael poses as a talent scout
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and nudges Jason to join the study.
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Meanwhile in the Bad Place, Shawn and his demons
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hack the Judge's system
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to see if the humans are getting better,
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and they realize Michael has also been cheating.
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Just when Michael and Janet think they've gotten the four
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together without the Judge catching them,
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they realize that a demon, Trevor,
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has infiltrated the group.
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My guests today are cowriter of the episode Jen Statsky
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and Jameela Jamil, who plays Tahani.
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Jameela and Jen, welcome.
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"Everything is Bonzer!"?
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-Hi. -Well done.
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That was quite a read.
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-Thank you. -Really impressive.
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-Do you need to lie down? You all right?
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You need a hug? -Yeah, I need a little break.
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Let's talk about general things to begin.
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-Sure. -First of all,
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did you have this experience? I had this experience.
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I missed these people. -Yeah, no.
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-Did you feel that at all?
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-Yeah, I felt very emotional watching it again.
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-Yeah. -I watched it on the way over
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and felt real sadness.
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-You watched it while you were driving.
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-Yeah, yeah, yeah. -You had it on your dashboard,
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one eye on the road, one eye on --
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-Exactly. -I live on the edge, people.
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I was being driven, obviously.
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[ Laughter ]
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-I love how you do stuff like that,
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and you still insist any time I bring up, like,
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not a lot of blue sky between Tahani and Jameela,
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you're like, "How dare you?"
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-No, I don't mind how dare I, I just think if I -- You know,
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I haven't brushed my teeth in like two days.
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I feel like there's just like, "Don't look, but it's bad."
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You know, I don't bathe regularly, I'm uncouth.
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-You can't say that and then say, "Don't look," right?
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-I'm disgusting. -That's an invitation.
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-Yeah, it's tough.
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It's a tough -- -And so, I aspire
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to actually be more like Tahani, 'cause I feel like
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it would be a more hygienic and healthy life.
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-Mm-hmm. Anyway, these characters, you missed them.
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-Yeah, I miss these characters.
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So glad I talked about brushing my teeth.
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I really did.
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And, also, this season, we are much more separated,
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especially in this episode.
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There's so much that I didn't get to see.
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-Right, I was gonna ask you about this.
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-And so, it really felt like I was just watching it as a fan.
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And I was giggling and clapping, and, like...
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-Yeah. -...I had my hands, like,
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clasped around my mouth.
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Is that the right word? Yeah. That's fine.
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And I -- it was just a very emotional experience.
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I feel so proud of this season.
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I'm so excited for everyone to see it.
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-I can't imagine how fans of the show that don't work on it
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must feel, because I miss them,
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and I've read lots of these scripts.
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-Totally. -And I've been on set
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for lots of it.
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We wrapped a month, month and a half ago,
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something, like, not that long ago.
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-Yeah, end of July, yeah. -But watching this episode,
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I legitimately find myself thrilled to find out
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what happens with these folks and get back to it.
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-Yeah, and it's so funny that you say that because --
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I was on -- I mean, obviously I wrote it,
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but I was also on set, so seeing stuff shot.
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But then, yeah, you guys were kind of siphoned off, you know?
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-Mm-hmm. -So abstract.
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-Very much so on your own story.
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You have, like, a scene with Ted,
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but so all the other people,
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you didn't really get to see what was happening with them.
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So, yeah, that's kind of cool that, as a fan, you were like,
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"Oh, wow, Jason's doing an insane dance."
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-Even having read the scripts, you want to see
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which takes that they used and how it turned out. -Totally, yeah.
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-I can remember being in a table read
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about halfway through season two,
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and Morgan Sackett, the executive producer,
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one of the executive producers, had his sort of Mona Lisa smile.
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This one was particularly wry, and I was like, "What's up?"
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And he said, "Do you want me to tell you?"
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And I said yes. And he said,
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"If there's a season three, it happens on Earth."
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When did you guys begin discussing that,
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how did that come up?
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-Man, that's a great question.
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We definitely knew, again, like Morgan
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saying it then, we knew pretty early on in sea--
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like, when we were trying to figure out season two,
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where we were gonna go and what was gonna happen,
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at some point very early on in talking about season two,
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the idea of going back to Earth came up.
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-Mm-hmm. -And I remember specifically
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one day, Mike being like, "I'm so excited about them
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going back to Earth, I just want to get to that."
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Like, we knew that that was kind of at the end of the runway
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and there was still, obviously, so much
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to deal with in season two.
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But we definitely, pretty early on,
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had that morsel of an idea, of, like,
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"Wait, what if they went back?" -Right.
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-And so, it's been in the works for a long time.
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So it's very satisfying to see it finally happen.
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-Jameela, when was it first presented to you?
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-I really actually just found out today.
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-Oh, God. -The whole time,
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I didn't understand what was going on. -You're not really
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paying attention to the scripts, are you?
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-I think we found out just before.
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I think there was a muttering of it the year before,
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but, really, about three weeks
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before we turned up to start filming,
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Mike sat each of us down and broke down the whole kind of --
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in a two-hour speech that he gave individually to all of us.
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-Right.
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-He broke down the entire season.
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So this time, it was the exact opposite of season one,
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where we weren't told anything,
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including our names, our characters,
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whether or not we would be fully nude for the whole season.
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Nobody knew. -Were you disappointed?
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-I was so sad.
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'Cause, as you know, I'm just big on...
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big on getting this body out.
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But, yeah, season three,
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we knew exactly what was going to happen.
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It was really, really exciting.
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And such a new experience to be out and about in the world.
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-Now, in order to record this podcast today,
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the episode doesn't drop until the 27th,
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so we're about two weeks before that.
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In previous seasons, have you ever had
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advanced screeners of the episodes,
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or do you watch them on television like a normal human?
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-No, I watch them on television.
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Sometimes we get -- I think we're given them
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a couple of hours before the episode runs
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so that we know how to live-Tweet along
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so we know what's coming. -Oh, very good. Okay.
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-But I don't like to do that,
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so I just watch it with everyone else.
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In fact, season one I didn't watch at all.
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-Really? -Yeah.
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Not until the very, very, very end.
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So I would just read other people's Tweets,
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about what they were talking about,
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sort of copy and paste those onto my own Twitter,
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'cause I was just mortified.
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-Were you not watching 'cause you were like,
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"I can't watch myself?" -No, yeah.
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I can't watch myself destroy Mike Schur's comedy.
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And then when I heard it had gone okay
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and I hadn't been fired,
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I then watched season one just before season two.
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-Jen, were there any changes in the writers' room
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between these seasons?
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-Yes, we -- between season two and three, yes.
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We added a couple people.
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We added Kassia -- writer-wise you mean? -Yes.
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-Yeah, we added a really great writer named Kassia Miller.
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She had been on "Last Man on Earth."
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-Oh, great. -Great show.
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And also, like, really cool in that both,
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I think something we share with --
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or shared with -- "Last Man on Earth,"
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it's unfortunately not on the air anymore,
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is, like, a kind of like a show, a comedy,
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a network comedy that is a cliffhanger show.
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-Yeah. -Like, really, plot and story
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is such a big part of the DNA of both of those shows.
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So Kassia's great.
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She's super funny and smart and great.
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And then a stand-up named Rae Sanni.
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She came, yeah, from the stand-up world.
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She had written on
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"The President Show" back in New York.
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-Oh, great, yeah. -Yeah, which is great.
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And so, yeah, it was --
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This was, I think, our biggest writers' room year.
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I think we had like 13 or 14 people.
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I remember you coming up and just being mortified
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at how many disgusting writer bodies
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were crammed into a small room.
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-That is not the nature of my disgust.
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-I read your face, I read your face.
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I knew what it was. -No, it was --
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-Do you have resting disgust face?
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-I have resting "I'm not welcome in this room" face.
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-Oh. -That's how I enter a room.
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-Are you English? -I'm Scottish.
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-That's such an English trait. Okay, sure.
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-Yeah, yeah. That's what you were reading.
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-Okay, got it, got it. -Not that there were so many --
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And I felt like I was interrupting,
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'cause Mike was like, "Oh, here's Marc.
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Let me briefly tell him
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what we have until episode 11 of season three."
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-Right, yeah.
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-So it was simultaneously a ton of information, and also,
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I felt like I was not invited to this dinner.
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-You're always invited.
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-And I'm not gonna eat the soup until I do it.
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-Both of you, always invited.
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-Let's get into the episode a little bit.
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We open on this mysterious, weird bridge,
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the out-est outskirt of the nether realms of the afterlife.
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And there's a doorman.