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Well, that's just adorable.
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That actually looks like an original one.
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That doesn't look new.
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No, that's the beautiful thing about it is that it's so worn.
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You know, our story takes place obviously
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when Christopher Robin is my age.
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Yes.
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Which is older than seven.
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[LAUGHTER]
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So he's older now, Pooh.
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And he's got a little bit of wear
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on him, wear and tear, which I think is lovely.
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It is lovely.
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I love that.
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So do you just walk around with this
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all the time now, whether you're promoting the movie or not?
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Yes.
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I've got quite a big booster seat in my car
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so he can ride around with me.
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Oh, good.
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You can get in the carpool lane that way.
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That's great.
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[LAUGHTER]
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That's right.
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Very clever.
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I have him around me.
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I got very used to seeing him every day at work
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over 4 and 1/2 months, and I'm rather fond of him.
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I'm fond of him too.
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I love his little eyes.
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I love the way it looks and very, very vintagey.
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Yeah.
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Very, very cool, cute, adorable.
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It's good to see you.
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It's been several years since you've been here.
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No, it wasn't personal.
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I didn't mean it.
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I don't know why--
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I take it personally though.
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But you mustn't.
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Because it wasn't my doing.
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I don't know why--
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Then I won't.
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Because you're working so much probably.
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And you don't live here, do you?
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I do.
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Yes, I do.
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Well then, what is it?
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I haven't got that excuse.
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No.
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Since I've seen you, congratulations.
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You won a Golden Globe for Fargo.
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Thank you.
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I mean--
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[CHEERS]
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Two different characters.
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Was that fun?
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It was so fun.
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I loved it so much.
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I loved it so much.
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I like working up in Calgary where we shoot it.
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Super cold, and the crew--
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I was just there.
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It is very-- it's lovely there.
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I like that town a lot.
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Yeah.
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And I loved working on such great writing
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with such great actors and Noah Hawley puts together
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some very interesting series.
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And I just love the writing.
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It's great to work on such good writing.
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And double the work.
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[INTERPOSING VOICES]
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Yeah, it's the chance to work--
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Is that double the paycheck too if you're doing two characters?
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No.
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I can't complain.
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I can't complain.
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My wage was fine.
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But no, they don't pay you twice.
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Oh.
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But I realized the one thing I hadn't thought about
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was having to learn two leading character's words, like I was
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just never not learning lines.
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I was either shooting one brother,
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or I was learning lines for another one, learning lines
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and--
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[INTERPOSING VOICES]
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And then to not mix them up that you're
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doing the lines for the wrong character or something.
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Right.
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And often-- well not often, but sometimes playing both brothers
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in the same scene, you know, where you--
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and we did it cleverly.
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We would always shoot one brother, all
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his coverage first.
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And then we'd turn around and say--
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I didn't have to sort of go back and forward.
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And I never got that confused.
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I was either very much in the mind of one brother
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or the other, so it was good.
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Very impressive, though,
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Oh, thank you.
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Very impressive.
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I enjoyed it.