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ANNOUNCER: 'This is the BBC.'
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WOMAN: 'We're back in the birthplace of a television phenomenon.'
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It feels like only yesterday that I was working at TV Centre
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on Doctor Who.
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And what a role!
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The Doctor's granddaughter.
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'The original.
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'When I walked through those doors 50 years ago, it would've been hard
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'to believe that the show would still be going strong now.
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'And to celebrate its anniversary, we're back,
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'filming An Adventure In Space And Time -
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'a drama about the show's remarkable beginnings. And it's something
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'writer Mark Gatiss has wanted to get off the ground for some time.'
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MARK: I still can't quite believe it
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because I first sort of pitched this idea about 13 years ago.
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And then I tried very strongly to get it made for the 40th anniversary.
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I'm delighted it's all come together for the 50th.
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It has a sort of roundness to it
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- which is very appealing. - ALL: Cheers!
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CAROLE ANN: 'Mark was to kick-start An Adventure In Space And Time,
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'but it was a certain man I met in 1963
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'that was to get the ball rolling for Doctor Who itself.'
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We find ourselves now in Sydney Newman's office
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on the seventh floor of TV Centre.
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Not the real one,
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and I think probably a bit more swish than Sydney's office actually was.
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One day, all this will be mine.
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HE CHUCKLES
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CAROLE ANN: 'Sydney Newman was the man
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'who brought together a dream team to put the show on the road.
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'And what a character!'
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I'd first worked at the BBC in 1965. I was 19.
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I met Sydney, very briefly, in the club.
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Cos you could always tell Sydney in the club
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because he was a very brightly coloured kind of personality
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and literally wore cravats.
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He wore waistcoats. He was very different.
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'I think Sydney really thought of himself as a movie mogul.'
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And...action!
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Fun. Fun. Have you heard of fun, Mervyn?
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CAROLE ANN: 'And Sydney was making some ground-breaking appointments -
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'the BBC's very first female drama producer.
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'Verity Lambert.
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'And the world she was entering was a bit of a challenge.'
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There's a line in the script where Verity says,
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"It's a sea of fag smoke, tweed and sweaty men,"
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'which it clearly was.
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'And it was quite hard to penetrate, as a woman,
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'because no woman had ever done that before.'
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- Can I help you? - I think you're in my office.
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To research the role, I...
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'did YouTube her to see if there was any footage.
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'She was very composed, very classy,'
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very warm,
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'but you could see a real steel there.'
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Not old enough for the Doctor, surely?
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CAROLE ANN: 'So, does Jessica feel she's anything like Verity herself?'
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That would be very flattering, if anyone compared me to Verity Lambert.
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That would be very nice.
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CAROLE ANN: 'And despite opposition, Verity Lambert was to fight very hard
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'to have a distinguished, older actor play the role of the first Doctor.
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'William Hartnell.'
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I just think he was one of the great character actors of British cinema.
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Settle, please.
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'I think he felt rather typecast as authority figures, sergeant majors
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'or petty crooks. Doctor Who kind of released'
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a kind of playfulness in him.
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I think he felt that he was actually born to play the Doctor.
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But he had very strong opinions about the way it should be done
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and wouldn't take any kind of advice. Quite often,
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because I was the smallest person, everybody around me was
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taking the light from me, and he'd point this out.
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So he looked after me. He was lovely.
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Cut.
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He was always giving you little tips,
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like, "Don't make the gesture like that," he said.
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"It'll be out of the camera.
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"Make it here, you see?"
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The whole thing about Bill was that he was so unpredictable.
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There was this mystery about him. I miss that. I mean,
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he remains the best Doctor Who for me...
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quite naturally.
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I can't imagine how I would've reacted
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if someone had told me 50 years ago
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'that I'd be playing Doctor Who.
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'It's been one of those great jobs'
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and, er, an experience I'll always remember.
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It wasn't just the Doctor or my own character that was new in 1963.
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I remember when I met another addition to the cast.
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And 50 years on,
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London is in for a bit of a treat as they're wheeled out yet again.
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Today, we are recreating the famous Dalek invasion of Earth shot
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of the Daleks parading across Westminster Bridge.
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- This is a really iconic moment. - And...action, Daleks!
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CAROLE ANN: 'Who would have thought that an egg whisk and a plunger
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'would have made such an impact?
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'But these design classics still have one big flaw.'
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We've put in a bit where he's sort of veering off towards the kerb.
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It was difficult then,
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it's still difficult to manoeuvre the bloody things.
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MARK CHUCKLES
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It gives you an old-fashioned kind of thrill.
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SIRENS WAIL
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Doctor Who was started by a talented bunch of originals -
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the flamboyant Sydney Newman and the remarkable Verity Lambert.
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And they were joined by an Asian director,
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the charismatic and ambitious Waris Hussein.
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What is this?
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What are we going to do with this?
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Well, I play Waris Hussein, who was the first ever
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'director of Doctor Who.'
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It's crazy.
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Cavemen and disappearing bloody police boxes...
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'As soon as I got the part,'
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I got in touch with Waris straightaway.
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'And our first meeting, actually, we were a bit kind of'
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weird with each other.
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'He's looking at me going,
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"You're watching everything I'm doing, aren't you?"
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But, yeah, we hit it off straightaway.
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WARIS: 'I said, "Look, play him as someone'
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"who's anxious to get things right as a director,"
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'because that's what I wanted in those days.'
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It'll never work.
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"Play it with a great deal of 'What do I do with this?'
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"Terrified because I don't know how to cope."
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When do we start?
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CAROLE ANN: 'It was quite a scary prospect for Sacha, playing Waris,
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'especially whilst the man himself was watching closely.'
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At the read through, I think that's when I was most nervous.
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'He was hearing himself for the first time and he was sitting'
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right behind me.
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'I was like, "Oh, this is scary." He started welling up'
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and getting quite moved by it.
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So I hope that was in a good way, not in a bad way.
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'But, yeah, I think he seemed happy.'
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WARIS: 'I've never been played by anybody before. I'm looking forward'
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to seeing myself portrayed when I do see the film.
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MARK: The whole thing's been a labour of love for everybody.
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Planet Vortis we did yesterday from The Web Planet.
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It was conjured out of virtually nothing -
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sand, and polystyrene rocks
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and painted hardboard, and it looks absolutely beautiful.
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Incredible, the attention to detail across the board.
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CAROLE ANN: 'Mark is right about the attention to detail.
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'I was lucky enough to visit the set during filming, which I found to be
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'very emotional.
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'What really brought a lump to my throat is when'
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we saw David Bradley
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'playing Bill.
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'They were showing that Bill occasionally forgot his lines.'
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- We have no gloves...drugs. - And, er...
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..It was, it was difficult to watch it.
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'He certainly gets the essence of Bill beautifully.
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'It was clear from my visit that filming TV has changed a bit over
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'over the years,
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'and time-travelling back to 1963 was quite enjoyable for the cast.'
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I think my favourite stuff is actually re-enacting the episode,
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um, because she has
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'some cracking lines and it's really fun to do.'
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What are you doing here?
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JAMIE GLOVER: 'The world of television in 1963
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'seems a million miles away'
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from the television that we work in now.
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BELL RINGS OK. Into position, everyone.
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'They would rehearse it for a week
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'and then they'd shoot the episode, and they'd shoot'
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like a half-an-hour episode in an hour-and-a-half.
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'When you go back and look at some of the earlier episodes, it's a bit
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'bumpy in places.'
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Move the bloody camera.
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Often, one actor's blocking the other,
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or someone stumbles on their line.
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Is that your excuse for this unwarrantable...
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unwarranted intrusion?
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You can see them sort off ploughing through.
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I know this is absurd but...
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CREAKING The doors!
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'There's a kind of live, exciting quality.'
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That's something that, for good and bad, we've lost nowadays.
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CAROLE ANN: 'But the cast and crew
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'were keen to get some of that live feel into the drama,
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'and were more than happy to record
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'some additional dialogue... 1963 style.'
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Sorry about that.
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I tried to make the thing work but it come off in me 'and.
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- Punishment rations all round! - I only asked.
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Gold!
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CAROLE ANN: 'An Adventure In Space And Time is packed full of
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'references to Doctor Who's long history,
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'and Mark was keen to cast as many cameos as possible
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'from those connected to the show.'
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We are at Verity Lambert's leaving party in 1965,
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and we're very privileged to have
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'with us lots of faces from the programme, from the time.
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AMERICAN ACCENT: This is a great party.
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'And the party continued with cameos from William Russell,
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'who played one of the Doctor's first companions, and Mark Eden,
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'who stepped into Marco Polo's shoes in the very first series.
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'And someone couldn't resist stepping into the shoes of the Doctor
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'for his own cameo.
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'Here's a little treat you won't have seen in the show itself.
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'Another regeneration.
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'Hope you enjoy.'
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MARK: I don't know what it is about Doctor Who,
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partly childhood nostalgia.
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It's partly the fact that it instantly connects with
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a very happy time for me and for hundreds of thousands of people.
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CAROLE ANN: 'The Doctor has delighted audiences now for half a century,
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'and I'm sure we all hope that his adventure in space and time
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'will continue for quite a while longer.'
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Well, like a great wine, you've survived a very long time.
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Doctor Who, happy birthday.
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I wish Doctor Who a very happy anniversary.
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Here's to another 50 years of Daleks and weeping angels.
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And who knows?
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Maybe some people watching this will be watching in 50 years' time
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to celebrate its 100th birthday.
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I hope you're going when I have grandchildren.
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And may you continue to travel
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through time and space for the next 100 years.
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Yeah, happy 50th anniversary. And here's to many more years to come.
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I feel more like a dad than a director about this
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because I was at the birth of this show.
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And that makes me very proud.
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I just want to say happy anniversary, Doctor Who.
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May I say...on behalf of all the Doctor Whos...
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..happy anniversary. Happy 50th.